Mark Turner

Mark Turner | Format: Audio CD

Product Details

• Audio CD (March 24, 1998)
• Original Release Date: March 24, 1998
• Number of Discs: 1
• Label: Warner Bros / Wea
• ASIN: B0000062V2
• In-Print Editions: MP3 Download
• Average Customer Review: 4.0 out of 5 stars  See all reviews (3 customer reviews)
• Amazon Best Sellers Rank: #223,576 in Music (See Top 100 in Music)

Customer Reviews

Most Helpful Customer Reviews

4 of 6 people found the following review helpful:

4.0 out of 5 stars An intelligent major-label debut, September 4, 2000

By 

N. Dorward "obsessive reviewer" (Toronto, ON Canada) - See all my reviews
(REAL NAME)   

This review is from: Mark Turner (Audio CD)

For years now there's been in avant-garde circles a convergence of the Coltrane & Tristano legacies--Anthony Braxton famously numbers Warne Marsh among his formative influences, & Evan Parker has similarly managed to simultaneously push Coltrane's late free-jazz explorations a couple steps further while also touching on the Cool School. (Their duets on the 1993 London live disc on Leo certainly take cues from the polyphony of Konitz & Marsh.) Mark Turner's Warner debut suggests that more mainstream players have similarly begun to make connections between two apparently disparate styles. Turner's favourite Coltrane period seems to be the Atlantics--here there's a Victor Lewis composition that harks back to "Giant Steps" plus Coltrane's "26-2", a "Confirmation" variant from the _Coltrane's Sound_ sessions that like "Giant Steps" uses movement in thirds. The Warne Marsh influence is most overt on "Autumn in New York", & on "317 East 32nd Street", Tristano's variant on "Out of Nowhere"; on this track as on a couple others Joshua Redman is added, & the tenors' sparring is highly impressive. Though Turner prefers a direct & unfussy approach to tunes, he clearly likes rhythmic variety--of the 8 tracks here, two are waltzes, one is in free time (Ornette Coleman's "Kathelin Gray", given a rhapsodic reading that owes, as Turner admits in the liner notes, a lot to the Paul Motian Trio's approach) and one is in 5/4, while the Coltrane tune is reworked as a samba.

This is an excellent album. I've not given it quite top marks, as Turner's not a strongly characterized player, perhaps--he does excellent things with an well-absorbed array of influences, but I'm not sure I'd be able to pick him out of a lineup with Chris Potter, Chris Cheek, Seamus Blake & Joshua Redman in it. But it's still a worthwhile & engaging album, exciting while never taking the obvious routes.

4 of 9 people found the following review helpful:

5.0 out of 5 stars A great album for any Coltrane fan, June 9, 1998

By 

Jack Spangler (Kansas City,KS USA) - See all my reviews

This review is from: Mark Turner (Audio CD)

I thought Mark Turner's debut album was fabulous! It had a great mixture of fast, moody, and slow songs. I come from Kansas City, and I really enjoy jazz; Mark Turner's album was a new discovery for me. In the song Mr. Brown, his work on the saxaphone was amazing. For such a young person, Mark Turner really stands out in the Jazz set. For any fan of John Coltrane, this album is a must hear. It is GREAT!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

2 of 9 people found the following review helpful:

3.0 out of 5 stars Solid effort and debut of Mark Turner, July 1, 2000

By 

THOMAS GUTIERREZ JR (OCEANSIDE, CALIFORNIA United States) - See all my reviews

This review is from: Mark Turner (Audio CD)

The setup of a excellant array of musicians and a tune list that covers various textures and feels does not always provide a great recording. This Cd has all that and Mark Turner is a talented and very good musician,but as technically solid as this recording is, It did not evoke any emotion from me,nor did it feel soulful and passionate. Its a good Cd but lacks the emotion and passion and the wickeness true Jazz fans need.