From Publishers Weekly
In the latest volume for the centennial of Twain's death, Loving (
Walt Whitman: Song of Himself) serves up a balanced literary biography of a crowded life—to renew our acquaintance with this familiar stranger in our literature and culture. Many of the best chapters include sensitive appraisals of
The Adventures of Huckleberry Finn,
The Tragedy of Pudd'nhead Wilson, and the anonymously published
Personal Recollections of Joan of Arc, with
The Adventures of Tom Sawyer put in a different context as possibly the most overrated work of American fiction when considered as adult literature. In fact, this Mark Twain flows with the easy familiarity of a scholar who has spent a lifetime tracking 19th-century American literature. Of certain interest is the discussion, at various points, of Twain's complex views on blacks and slavery, Native Americans, the Chinese, and—particularly from the standpoint of his home in fin-de-siècle Vienna—on Jews. If this biography of Clemens's many adventures fails to delve psychologically into the writer's family and other relationships, it is a solid contribution to literary interpretation of the man who infused American literature with what has been called tragic laughter. 37 b&w photos.
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*Starred Review* Because he is surveying Twain’s entire career, Loving covers the same ground that Morris does. Yet he does so with a fresh interpretive perspective: readers see how Twain first finds his imaginative posture as a travel writer and then adapts that posture in all his later books. The restless eye of Innocents Abroad and Roughing It is still a roving witness—albeit a more artistically informed one—in Huckleberry Finn and The Gilded Age. Perceptive analysis clarifies why Twain resolves his perplexities—literary, familial, and financial—by uprooting himself and moving on, his mobile perspective ultimately reflecting the restive soul of a still-immature nation. Readers marvel both at how Twain’s ever-shifting imagination melds comedy with tragedy in potent synthesis and at how the author’s unpredictable trajectory puts him in association with diverse figures, including Union hero U. S. Grant and southern favorite Joel Chandler Harris. Though Loving offers a view of Twain’s last years much darker than Shelden’s, readers will value this portrait of a peripatetic genius traversing a wide swath of American culture. --Bryce Christensen