101 of 103 people found the following review helpful:
5.0 out of 5 stars
Eminently Readable, October 17, 2005
Mediocre biographies are medicore for the same reason that boring histories are boring: they list facts and dates while providing little context that brings the subject to life. But good biographies bring the emotion, the context, the why behind the what, that brings you into intimate contact with a vibrant human life. Ron Power's Mark Twain is of the "good biography" sort. Indeed, it proved far more fascinating and readable than I had reason to suspect it would be when I bought it on a lark. Mark Twain comes through in clear colors. One can easily imagine the impact this wild fellow had with his drawl, rolling walk, and incisve humor. In addition, one comes away with an understanding of how Mark Twain was woven into the fabric on 19th Century USA. The relationship between Clemens/Twain and his time is as interesting as the man himself.
Power's biography was refreshing and interesting on every page. Honestly, there was never a dull page. He effectively weaves into a coherent whole the life experiences of Samuel Clemens, the shaping forces that stimulated the growth of Mark Twain the writer, and the life those books had in 19th Century US as a whole. This tri-fold story is woven together seamlessly and dynamically. One comes away learning so much about a remarkable American icon as well as the nature of the times he lived in.
Obviously, I really liked this book. It has piqued me to re-read Twain, and read some of Twain's works that I have never read. I would think that anyone interested in writing, literature, and American history would enjoy Power's biography as thoroughly as I did.
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52 of 60 people found the following review helpful:
5.0 out of 5 stars
An ordinary man - plus genius, November 8, 2005
At last! A rational, reasonable, but above all readable account of the man who gave the United States its most realistic voice. Biographies of Mark Twain are ranked along the shelves. From Paine through De Voto to Lystra's scurrilous depiction, Twain has been the subject of idolisation and iconoclasm. The Kaplans severed him and sutured him, but Twain has survived them all. Powers does more than simply restore Twain's reputation. He provides a picture of Clemens the man. More importantly, Powers gives us Clemens the observer, recorder and writer. The result is a robust work that will outlast its predecessors.
The past generation, tainted with "deconstruction", Freudian, feminist and anti-racist analyses of who Samuel Langhorne Clemens was, leaves many wondering why he should be venerated. Accusations of "crude" and "unlettered" still drift though writings about him. Powers lays these to rest with gentle, if firm, dismissals. Like any man, Clemens had his faults and foibles. His failures at business are the stuff of legend, but it was an era of freebooting capitalism. No vaccine had been developed to inoculate the innocent, and innocence was considered a virtue in Clemens' time. Powers carefully relates how "Sammy" who wanted to live forever on the Mississippi River, was snatched away from a life of absolute power - no-one dared challenge a steamboat pilot - to partake of an era for which he had no briefing.
From the childhood on the River, dominated by his austere father and religious mother, Sam Clemens moved across America to avoid the conflict he had no taste for. The escape to Nevada and the Comstock opened many opportunities for discovery. His own Mother Lode turned out to be people. Powers follows Clemens on his prospecting for personalities. The mining ventures, the reporter's role and world travel each produced their own literary nuggets. In a time without jets or SUVs, Clemens' voyages seem almost astonishing. Yet every trip and their stops provided fresh nuggets he would refine and reproduce for our delight. Powers shows that the portrayals are far more than just "reporting" on the Western way of life. They are harbingers of what was making the United States
Powers' view of his subject avoids the popular form of "deep" analysis. Instead, he demonstrates how far-reaching Twain's views proved. He found his nation's imperialist ventures abhorrent, and Powers' presentation of it is subtly topical. He uses Clemens' voice for his own - "he made a book of a Paige" referring to the aftermath of the bankruptcy would be a perfect Twain aphorism. Powers carefully analyses Clemens' writing prowess, noting both strengths and weaknesses with professional candor. "Huckleberry Finn", considered by many to be the greatest of the novels, takes a sharp turn in Powers view. The "break", he says, follows the "Wagnerian aria" of Huck's damning himself for protecting Jim's identity. Following that event, the biographer condemns Tom Sawyer's "evasion" scheme as anticlimatic to the vitality of this outstanding work.
Having produced a "life" that reads with an easy familiarity, Powers should be applauded for restoring Clemens as a human being, a literary icon and as the voice of the United States of his day. Clemens successfully broke the patterns of both Boston Brahmin intellectualism and the frequently disdainful view of Victorian commentators. Powers manages this without speculation or judgement, simply offering Twain's expressive words in their context. Having produced other works about Clemens' youth and environment, he's capped the "set" with an outstanding biography. Anyone wishing to learn about Clemens should start here. [stephen a. haines - Ottawa, Canada]
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24 of 27 people found the following review helpful:
5.0 out of 5 stars
A pleasure to spend time in his presence, October 1, 2005
The first great advantage of this book is that it gives the reader the opportunity to spend a lot of time in the presence of an enormously complicated, interesting and humorous character , Mark Twain. A second advantage is that it does this by giving a detailed description of the time and world in which Twain lived in. It takes the reader through the wandering Twain's adventures in America , and as an innocent abroad. It relates turning point moments in Twain's life in a dramatic way, as for instance his meeting with William Dean Howells in the Atlantic's office in Boston, a meeting which not only open a forty- one year old friendship but pave the way for Twain's acceptance by the New England Literary culture which dominated American Letters.
Powers also gives insight into the unique genius of Twain. There is a wonderful paragraph in which he describes the child's gift for hearing and seeing in unusual ways. And how this gift would totally transform American literature bringing into the colloquial voices of so many different American worlds.
There have been other very good biographies of Mark Twain but this one in its most detailed reading of the life is a real contribution to our understanding of America's greatest comic writer.
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