Mark Twain : Mississippi Writings : Tom Sawyer, Life on the Mississippi, Huckleberry Finn, Pudd'nhead Wilson (Library of America) (Hardcover)

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Editorial Reviews

Review

"Both familiar classics and forgotten treasures." - Christian Science Monitor --This text refers to an out of print or unavailable edition of this title.

Product Description

Here for the first time in one volume are the most famous and characteristic of Mark Twain's works. Through each of them runs the powerful and majestic Mississippi. The river represented for Twain the complex and contradictory possibilities in his own and the nation's life: the place where civilization's comforts meet the violence and promise of freedom of the frontier. It was the place, too, where Twain's youthful innocence confronted the grim reality of slavery. The nostalgic re-creation of childhood in "Tom Sawyer"--"simply a hymn put into prose form to give it a worldly air," said Twain--and the richly anecdotal memoir of his days as a riverboat pilot in "Life on the Mississippi" give way to the realism and often dark comedy of "Huckleberry Finn" and the troubled exploration of slavery in his mystery, "Pudd'nhead Wilson." Together, these four books trace the central trajectory of his life and career, and they can be read as a single masterpiece.

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Product Details

• Hardcover: 1126 pages
• Publisher: Library of America (November 1, 1982)
• Language: English
• ISBN-10: 0940450070
• ISBN-13: 978-0940450073
• Product Dimensions: 7.9 x 5.3 x 0.6 inches
• Shipping Weight: 7.2 ounces (View shipping rates and policies)
• Average Customer Review: 5.0 out of 5 stars  See all reviews (8 customer reviews)
• Amazon.com Sales Rank: #25,871 in Books (See Bestsellers in Books)

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Customer Reviews

Most Helpful Customer Reviews

11 of 11 people found the following review helpful:

5.0 out of 5 stars ACCESSIBLE TWAIN IN A HANDSOME BOOK, August 31, 2001

By	S. Henderson (Hazlet, New Jersey USA) - See all my reviews (REAL NAME)

This is the kind of book reserved for the word "volume" and by that I mean it carries all the weight of Twain's most accessible works. All of the Library of America books carry this weight but this was one of the first and deservedly so. I'm reviewing this book not just on its contents but on its sheer style and scholarly editing, its fitness in the hand (or lap), the way it will look on your bookshelf and the 10-point Linotron Galliard printing that makes the very act of reading much easier.
Now, the contents cannot be less magnificent as the river all these writings have in common. Funny, wise and as much a part of 19th century American history as you'll find anywhere, these are great examples of the best American writing in one "volume" by one of the world's most recognized authors. No self-respecting booklover should be without it.

7 of 7 people found the following review helpful:

5.0 out of 5 stars Great edition, November 3, 2003

By	A. P. Garrett "ubi_caritas" (Glastonbury, CT United States) - See all my reviews (REAL NAME)

I doubt that anyone reading these reviews is trying to decide whether or not they will enjoy reading the stories in this volume - most likely they've read them already and want to know if this is an edition worth buying. This is definitely worth buying. The printing is crisp. The paper is lightweight, smooth-surfaced, and acid-free; over 1100 pages are only 1 and 1/8 inches thick. The dimensions are perfect. The binding appears to be strong yet limber - the book opens easily with good visualization of all margins. Library of America, the publishers, seems dedicated not only to preserving American writings, but doing so with style. I plan to put more of their books on my wish list - Melville and Hawthorne perhaps. My only regret is that I already own the complete writing of Poe from another publisher.

5 of 5 people found the following review helpful:

5.0 out of 5 stars A Grand View of A Grandeur, January 28, 2002

By	Stephen A. Haines (Ottawa, Ontario Canada) - See all my reviews (TOP 100 REVIEWER)    (REAL NAME)

Once they were absolute rulers - laws made to meet their needs, unstinting respect their due, their commands obeyed without hesitation or reluctance. They are vanished today, the last of their lineage in tourist boats, unremarked, nearly unremembered. Nearly two centuries ago, the Mississippi steamboat pilot was a legendary figure. Mark Twain conveys us to that time and environment in one of his finest writings. Life On the Mississippi is a superb descriptive achievement in portraying the river scene , but also conveys vivid images of the people living on and along it. It's an outstanding example of painting with both a broad brush and enhancing with fine detail.

Beginning with a history of European "discovery" and exploration of this mighty stream, Twain moves us into his own history as a "cub" pilot. Perhaps no-one before or since has so effectively exposed what it meant to "tackle the river" in learning to safely man the wheel of a river steamer. From his first astonishment at discovering he must "get a notebook and write down" the names of all the points, landmarks, snags and "crossings" through the realization that most of that information would change before his next trip, he comes to understand that a pilot must "know the river" with full dedication. As we follow him through the process he introduces us to the river's wonders and the people it supports. He explains the ranking of pilots, steamboat captains, mates and "hands." None of his observations are boring, from the most mundane river condition to dramatic events such as boiler explosions.

Those fearing that Twain's information may be "outdated" may take heart. Much of the book views his early days on the river from the vantage point of thirty years later. He is reminiscing, but Twain's excellent style brings us with him into each memory. Our feelings readily align with his as he guides us. The latter part of the book is a collection of images of the river valley in the latter part of the 19th Century as Twain revisits the river after a long absence. The only real distinction, apart from the automobile, which did for the railroad what the latter did to the steamboat, are the statistics of agriculture and industry. His descriptions of towns, villages and cities differ little from what we might encounter duplicating his journey.

During this pilgrimage, Twain brings in numerous anecdotal episodes to further sparkle his descriptive and historical accounts. Although all are entertaining at one level or another, several stand out as representatives of Twain's inventive genius. Ritter's Narrative is among the grimmest of Twain's essays in any of his publications. It's a story of a long-term quest for vengeance with a bizarre outcome. A far lighter note is struck with the story of a sleepwalking steamboat pilot. An account of the pilots organizing a "protective association" is told with light humour, not quite obscuring the serious nature of its intent.

In all, no matter that this book's focus lies in a period stretching back nearly two centuries, the writing is vigorous enough to capture today's readers. The history is related with Twain's always lively skill, something as mundane as a sunset is imparted with his special verve. This book can be taken up repeatedly; for reminders of a lost era, for an examination of values or, the best reason of all, for a prime example of what North America's greatest writer could produce in his passion for narrative.