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Marketing Aesthetics: The Strategic Management of Brands, Identity and Image [Hardcover]

Alex Simonson (Author), Bernd H. Schmitt (Author)
4.2 out of 5 stars  See all reviews (8 customer reviews)


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Book Description

August 30, 1997 0684826550 978-0684826554
There is no way to mistake the ubiquitous trademarked Coca-Cola bottle, or the stylish ads for Absolut Vodka with any of their competitors. How have these companies created this irresistible appeal for their brands? How have they sustained a competitive edge through aesthetics?

Bernd Schmitt and Alex Simonson, two leading experts in the emerging field of identity management, offer clear guidelines for harnessing a company's total aesthetic output-- its "look and feel"-- to provide a vital competitive advantage. Going beyond standard traditional approaches on branding, this fascinating book is the first to combine branding, identity, and image and to show how aesthetics can be managed through logos, brochures, packages, and advertisements, as well as sounds, scents, and lighting, to sell "the memorable experience." The authors explore what makes a corporate or brand identity irresistible, what styles and themes are crucial for different contexts, and what meanings certain visual symbols convey. Any person in any organization in any industry can benefit from employing the tools of "marketing aesthetics".

Schmitt and Simonson describe how a firm can use these tools strategically to create a variety of sensory experiences that will (1) ensure customer satisfaction and loyalty; (2) sustain lasting customer impressions about a brand's or organization's special personality; (3) permit premium pricing; (4) provide legal "trade dress" protection from competitive attacks; (5) lower costs and raise productivity; and (6) most importantly, create irresistible appeal. The authors show how to manage identity globally and how to develop aesthetically pleasing retail spaces and environments. They also address the newly emergent topic of how to manage corporate and brand identity on the Internet. Supporting their thesis with numerous real-world success stories such as Absolut Vodka, Nike, the Gap, Cathay Pacific Airlines, Starbucks, the New Beetle Website, and Lego, the authors explain how actual companies have developed, refined, and maintained distinct corporate identities that set them apart from competitors.



Editorial Reviews

Review

An original! That term is used far too much. In this (rare) case, it is fully merited. Schmitt and Simonson have written a sophisticated, readable masterpiece that reinvents the practice of marketing. And the timing--a marketplace glutted with look-alikes--could not be better. Small business or large, read this book ... NOW, and act ... NOW. -- Tom Peters, author of The Pursuit Of Wow!

David A. Aaker author of Managing Brand Equity and Building Strong Brands Visual imagery has been the neglected element of branding, usually treated in an ad hoc manner. Thanks to this pathbreaking book, we now have a more scientific knowledge of how visual imagery works to build strong brands and how it can be actively managed. -- Review

About the Author

Bernd Schmitt and Alex Simonson teach marketing courses at Columbia Business School and Georgetown University, respectively. Professor Schmitt lives in New York and Shanghai, and Professor Simonson lives in Washington, D.C. and New York.

Product Details

  • Hardcover: 368 pages
  • Publisher: Free Press (August 30, 1997)
  • Language: English
  • ISBN-10: 0684826550
  • ISBN-13: 978-0684826554
  • Product Dimensions: 9.2 x 6.2 x 1.3 inches
  • Shipping Weight: 1.2 pounds
  • Average Customer Review: 4.2 out of 5 stars  See all reviews (8 customer reviews)
  • Amazon Best Sellers Rank: #446,249 in Books (See Top 100 in Books)

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Customer Reviews

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Average Customer Review
4.2 out of 5 stars (8 customer reviews)
 
 
 
 
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20 of 21 people found the following review helpful:
5.0 out of 5 stars A Sensible Perspective, January 6, 2000
This review is from: Marketing Aesthetics: The Strategic Management of Brands, Identity and Image (Hardcover)
The authors assert that, within a marketing context, a company must find "a powerful point of differentiation through the use of aesthetics to create positive overall customer impressions that depict the multifaceted personality of the company or brand." How? The book explains how. Substantial attention is devoted to the branding phase during which a symbol is strategically created, conveys a positioning, provides tangible value, and is most effectively managed on a daily basis. "Drivers" of identity are also explained as is the procedure for cross-functional coordination and other components of what should be a cohesive, comprehensive, and cost-effective marketing program.

During the course of Marketing Aesthetics, the authors examine a number of different products for which various companies achieve "a powerful point of (aesthetics as a strategic tool); Lucent Technologies and Continental Airlines (creating identity and image through aesthetics); IBM (corporate and brand expressions); Starbucks and Gillette (styles); Pepperidge Farm Cookies (themes); The Four Seasons (overall customer impressions); LEGO and Bosch (comprehensive identity management); Godiva and Nike (retail spaces and environments); and Volkswagen, Netscape, and Yahoo! (corporate and brand identity on the Internet). Throughout Marketing Aesthetics, the focus is on real-world corporate experience which the authors carefully examine in support of their assertion that "Business processes do not provide value to customers. Core competencies do not. Even brands per se do not. Value is provided only by satisfying needs." Moreover, "In a world in which most consumers have their basic needs satisfied, value is easily provided by satisfying customers' experiential needs -- their aesthetic needs."

Marketing Aesthetics thus explains the most effective strategies for achieving both brand and identity objectives. Those who derive benefit from this book are urged to read the more recently published Experiential Marketing in which Schmitt develops even further ideas introduced in Marketing Aesthetics.

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10 of 10 people found the following review helpful:
5.0 out of 5 stars A Tour de Force that puts a new visual spin on Marketing, May 7, 1999
By A Customer
This review is from: Marketing Aesthetics: The Strategic Management of Brands, Identity and Image (Hardcover)
Schmitt and Simonson's book deserves to be read by anyone -- and I mean anyone -- who has a hand in how products are marketed. Dispensing with tired formulas and such arcana as The Four Ps, Schmitt & Simonson forge nothing less than an entirely novel approach to WHY brands mean what they do, what equity really is.

Unlike so many other academics cobbling together journal articles and anecdotes, Schmitt & Simonson's carefully-selected case studies and lapidarian, sparkling prose lay bare the fundamentals of what marketing managers really need to know about how not just to manage their brands, but to nurture them, shepherd them, keep them in the public eye and consciousness.

Having read and taught from nearly every other book in this area, this is simply one of the very best business books to have appeared this decade, and certainly the most original

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11 of 12 people found the following review helpful:
4.0 out of 5 stars Good, but where are the metrics? Hard definitions?, July 26, 2001
By 
S. "mediaddict" (Jamaica Plain, Morocco) - See all my reviews
(REAL NAME)   
This review is from: Marketing Aesthetics: The Strategic Management of Brands, Identity and Image (Hardcover)
The other reviews have done a fine job of outlining the many positive points for this book. It certainly does do a wonderful job of attempting to move the practice of 'brand equity' forward. Even if you don't agree with many of the ideas in the book, it's a valuable read. But I *do* have two main problems with the piece.

First, by the end of the book, can anyone give a decent, concise definition of what exactly aesthetics is? Of course, it's a difficult question because much of aesthetics lies in the overall whole impression created by a brand, rather than just on packaging, advertisements, and sensory data. But one major problem I had was by about halfway through the book, 'aesthetics' had come to mean just about anything. Marketing communications? Aesthetics. Packaging? Aesthetics. All sensory information given off by a product? Aesthetics. The environment the product is sold or consumed in? Aesthetics. With a definition this loose, of *course* it's critical for marketers to pay attention to aesthetics, and of course they already do to a large degree. While the emphasis of seeing all these things as part of an interrelated whole is an admirable goal, this leads to my second problem.

Second, since aesthetics is such a 'squishy/stretchy' concept, how on earth are you supposed to measure it, or know when youre doing a great job at managing it? The scenarios where a manager would make one aesthetic change, and then see quantifiable results seems rare. It would strike me as more common that aesthetic changes go hand-in-hand with strategy re-assesments and realignments.

Still, even with my general reservations on the book, I can reccomend it as one of the better practicioner-focused books on branding and brand identity to come out in recent years.

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Inside This Book (learn more)
First Sentence:
Aesthetics. From the moment we wake up to the end of each working day we are dazzled by what we see, hear, taste, smell, and feel. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
overall customer impression, various identity elements, other identity elements, subliminal confusion, branding phase, other aesthetic elements, marketing aesthetics, evaluation dilution, customer impressions, corporate aesthetics, brand expressions, aesthetics management, brand aesthetics, identity planning, branded identity, identity consultants, rainbow design, identity management, corporate expressions, aesthetics strategy, identity firm, brand personality, potential infringement
Key Phrases - Capitalized Phrases (CAPs): (learn more)
New York, United States, Four Seasons, Hong Kong, Pepperidge Farm, Cathay Pacific, Taco Cabana, American Express, Two Pesos, Lanham Act, Mary Kay, Nike Town, Landor Associates, Ann Taylor, East Asia, Lucent Technologies, Ralph Lauren, Betty Crocker, Calvin Klein, Banana Republic, Donna Karan, General Electric, San Francisco, Business Week, Desgrippes Gobe
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