Qty:1
Marlene (1984) has been added to your Cart

Sell yours for a Gift Card
We'll buy it for up to $0.25
Learn More
Sell It Now
Have one to sell? Sell on Amazon

Image Unavailable

Image not available for
Color:
  • Marlene (1984)
  • Sorry, this item is not available in
  • Image not available
  • To view this video download Flash Player
      

Marlene (1984)


List Price: $29.95
Price: $18.86 & FREE Shipping on orders over $35. Details
You Save: $11.09 (37%)
In Stock.
Ships from and sold by Amazon.com. Gift-wrap available.
10 new from $14.55 2 used from $11.99
Watch Instantly with Prime Members Rent Buy
Other Formats & Versions Amazon Price New from Used from
DVD
"Please retry"
1-Disc Version
$18.86
$14.55 $11.99

Deal of the Week: Save up to 68% on Select Movies and TV
This week only save on Universal Classic Monsters: Complete 30-Film Collection , Eureka: The Complete Series , and Roswell: The Complete Series .


Frequently Bought Together

Marlene (1984) + Marlene Dietrich - Her Own Song
Price for both: $38.85

Buy the selected items together

What Other Items Do Customers Buy After Viewing This Item?



Product Details

  • Actors: Marlene Dietrich
  • Directors: Maximillian Schell
  • Format: Multiple Formats, Black & White, Color, Dubbed, NTSC, Subtitled
  • Language: German
  • Subtitles: English
  • Dubbed: English
  • Region: Region 1 (U.S. and Canada only. Read more about DVD formats.)
  • Aspect Ratio: 1.33:1
  • Number of discs: 1
  • Rated: NR (Not Rated)
  • Studio: KINO INTERNATIONAL
  • DVD Release Date: October 6, 2009
  • Run Time: 91 minutes
  • Average Customer Review: 3.8 out of 5 stars  See all reviews (41 customer reviews)
  • ASIN: B002HGRIAK
  • Amazon Best Sellers Rank: #77,827 in Movies & TV (See Top 100 in Movies & TV)
  • Learn more about "Marlene (1984)" on IMDb

Special Features

None.

Editorial Reviews

ACADEMY AWARD NOMINEE: BEST DOCUMENTARY FEATURE

WINNER: BEST DOCUMENTARY - National Society of Film Critics

WINNER: BEST DOCUMENTARY - New York Film Critics

An Oscar nominee for Best Documentary and winner of the 1986 New York Film Critic s Circle non-fiction film prize, Marlene is a portrait of a remarkably strong-willed woman, stage-managing her career right up to the bitter end and brilliantly lifts the veil on a movie star of the brightest magnitude as she is fading into twilight. In September of 1982, Oscar winning actor and director Maximilian Schell (Julia, The Man in the Glass Booth) arrived in Paris for a series of on-camera interviews with Marlene Dietrich intended for a documentary film on the screen icon s life and work. Despite having agreed to participate, the near-recluse Dietrich withdrew permission for her Judgment at Nuremburg co-star to film in her flat. Instead, in over 40 hours of audio-taped interviews, the 81 year-old screen legend provoked a battle royale of conversational mind games leading to unforgettably raw and truthful emotional revelations. Using Dietrich s candid, bruising, infuriating, and occasionally touching off-camera musings on childhood, marriage, sex, love, collaborators, co-stars, life, death, and the Holocaust, Schell sets her words, like a score, to the stunning film images of the young Marlene. The hypnotic final result buoyed by self-reflexive making-of footage, and an impressionistic re-creation of the sunless Paris flat where star and filmmaker fenced, fought, and ultimately connected is the (Sunset Boulevard of documentaries - Washington Post).

1984 Germany 91 min. B&W/Color In German and English with Optional English Subtitles

Customer Reviews

3.8 out of 5 stars

Most Helpful Customer Reviews

41 of 41 people found the following review helpful By Phillip O. VINE VOICE on March 20, 2001
Format: DVD
This is surely one of the most fascinating documentaries ever made. Although Dietrich herself was never filmed (she refused to have her face shown), it is illuminating and you get a full sense of the woman she was. Schell reproduces her apartment where the interviews were held and uses film clips, song recordings, etc. and we hear Dietrich's impressions over these. Bernard, her assistant and secretary, is also interviewed. It is at times funny and poignant and always riveting. She comes across as an intelligent and outspoken woman and also a highly opinionated one with little patience. Many of her musings are very funny - on a certain biography of Von Sternberg, she says "It's the lousiest translation ever made - I burned it!" She often uses the term "kitsch" to describe tasteless things and when Schell shows a clip of her performing on stage in front of a loud pink backdrop she exclaims "Darling, I did not know the kitsch was there!" She also clashes with filmmaker Schell on several things, including how the documentary should be made. She didn't want to discuss her films ("This should not be a critical thing") and after Schell leaves in a huff one day - she says "You walked out of here like a prima donna - well, you are the first to walk out on me and the last!" Schell did eventually convince her to let them bring in a video tape machine and get her reactions to some of her work (as the assistants are clumsily setting up the equipment, she is yelling "amateurs, amateurs!") She obviously is bored to tears with "The Blue Angel" and dismisses it but offers her opinion that "The Scarlet Empress" was her best film. When pressed as to why, she flippantly says "Because it's the best film".Read more ›
Comment Was this review helpful to you? Yes No Sending feedback...
Thank you for your feedback. If this review is inappropriate, please let us know.
Sorry, we failed to record your vote. Please try again
40 of 45 people found the following review helpful By Gregor von Kallahann on May 16, 2001
Format: DVD
It's illustrative of Marlene Dietrich's clout that nearly all English speakers pronounce her name more or less correctly. (OK, so my own father did not: he made it rhyme with "Darlene," but I suspect he was in the minority.) As a former German teacher myself, this fact has some significance to me. I used to struggle to teach my students that a final "e" in German was nearly always pronounced as a "schwa" sound (an unemphasized "uh"). Somehow though, even people who knew how to pronounce "danke," "bitte," "Rilke" and even "Goethe" would still seem to remain puzzled by an orthography that is actually more consistent than our own.
When you're a true star, though, you get to insist on people pronouncing your name right. In that Marlene had a (shapely) leg up on such other prominent German performers as Elke Sommer, Lotte Lenya or Ute Lemper. You also get to pull stunts like agreeing to allow someone to do a documentary on your life and work (that "someone" being Maximilian Schell) and then utterly refusing to let him put you on camera. Or for that matter, to let his crew film ANYTHING in your apartment.
Well, if life hands you a lemon, you make lemonade, right? And so Maximilian Schell wound up making a documentary less about Marlene Dietrich than about the near impossibility of making a documentary with a cantakerously uncooperative subject.
Schell ends up reconstructing Dietrich's Paris digs in the studio. Her taped interviews are played over scenes from her films, from performance clips and from shots from various newsreels. The effect is haunting. The viewer shares Schell's exasperation with his temperamental subject. Is it possible to ever truly fathom this woman's character?
Read more ›
1 Comment Was this review helpful to you? Yes No Sending feedback...
Thank you for your feedback. If this review is inappropriate, please let us know.
Sorry, we failed to record your vote. Please try again
9 of 9 people found the following review helpful By Amazon Customer HALL OF FAMEVINE VOICE on February 6, 2001
Format: DVD
Maximilian Schell wanted to do a documentary on Marlene Dietrich, who agreed to be interviewed on audiotape but who refused to be filmed. At face value this sounds like a major problem, but it is like when the mechanical shark would not work during the film of "Jaws": the end product is much improved because of the big headache. Schell has to play Dietrich's comments against clips from her films, creating a palatable irony between a glamorous star who always insisted on the brightest of lights shining on her face and the 80-year-old woman offering her harsh comments on the way to her grave. I think it is safe to say that after Greta Garbo it was Marlene Dietrich whose persona as a Hollywood star was the most elusive (a trait apparently franchised by foreign born actresses to be sure). Because her career was based more on image than substance--her legs in "Blue Angel" remains the signature image of her entire career--Schell's documentary takes advantage of the last opportunity to get a look behind the mask of glamour at the "real" Dietrich. What I took away from this documentary was fresh insight into the latter stage of Dietrich's career, when she took some sorts at "real" acting in films such as "Witness for the Prosecution" and "Touch of Evil." It is impossible to look at these films now and not see her attempt to be much more than just another pretty face. You might say that Dietrich's career anticipated those of the super models in today's world, since still photograph makes it even less necessary for there to be much going on behind a pretty face. However, both her career and these intimate thoughts shared near the end of her life prove that Dietrich was as calculating as anyone in Hollywood. Ultimately, "Marlene" is a unique and penetrating look at a Hollywood legend.
Comment Was this review helpful to you? Yes No Sending feedback...
Thank you for your feedback. If this review is inappropriate, please let us know.
Sorry, we failed to record your vote. Please try again

Most Recent Customer Reviews


Forums

There are no discussions about this product yet.
Be the first to discuss this product with the community.
Start a new discussion
Topic:
First post:
Prompts for sign-in