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I Married a Monster From Outer Space

56 customer reviews

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Editorial Reviews

I MARRIED A MONSTER FROM OUTER SPACE tells the story of a race of monster-like aliens from another planet who try to conquer Earth by taking over a small town, inhabiting the bodies of prominent citizens and trying to impregnate the women. After one newlywed woman (Talbott) becomes suspicious of her husband when she sees him turn into a monster, the entire town begins to rise to the threat of conquest by the aliens.

Special Features


Product Details

  • Actors: Tom Tryon, Gloria Talbott, Peter Baldwin, Robert Ivers, Chuck Wassil
  • Directors: Gene Fowler Jr.
  • Writers: Louis Vittes
  • Producers: Gene Fowler Jr.
  • Format: Black & White, Closed-captioned, Subtitled, Widescreen, NTSC
  • Language: English
  • Subtitles: English
  • Region: Region 1 (U.S. and Canada only. Read more about DVD formats.)
  • Aspect Ratio: 1.78:1
  • Number of discs: 1
  • Rated: Unrated
  • Studio: Paramount
  • DVD Release Date: September 14, 2004
  • Run Time: 78 minutes
  • Average Customer Review: 4.2 out of 5 stars  See all reviews (56 customer reviews)
  • ASIN: B0002I832W
  • Amazon Best Sellers Rank: #100,765 in Movies & TV (See Top 100 in Movies & TV)
  • Learn more about "I Married a Monster From Outer Space" on IMDb

Customer Reviews

Most Helpful Customer Reviews

41 of 41 people found the following review helpful By cookieman108 on September 22, 2004
Format: DVD Verified Purchase
I really wasn't sure what I'd be getting with the film I Married a Monster from Outer Space (1958) as the title, while certainly informative (and long), screams cheap productions values, lurid storyline, and cheap exploitation intended on turning a fast buck, much like the putrid Ray Dennis Steckler crudfest, The Incredibly Strange Creatures Who Stopped Living and Became Mixed-Up Zombies!!? (1964). After watching the movie, I found that wasn't the case, as while it may suffer (or benefit, depending on your point of view) from a lengthy and sensationalistic title, I Married a Monster from Outer Space is a fun science fiction film worth anyone's time (and money).

The film, directed by Gene Fowler Jr., probably better know for his work as an editor on films like It's a Mad, Mad, Mad, Mad World (1963) and Hang `Em High (1968), stars Tom Tryon (The Longest Day) and Gloria Talbot (The Leech Woman) as newlywed couple Bill and Marge Farrell. The film opens with Bill and his friends, in a local bar, celebrating Bill's last night as a free man, as he's getting married the next day. On his way home, Bill has a strange encounter with an even stranger being and a noxious looking cloud of alien whammy gas. The next day, Bill is late for his wedding, and he seems a bit off...Marge doesn't pay much attention, but soon after the nuptials, she begins to realize the honeymoon is over even before it began, as Bill is a completely different person, short-tempered, distant, unfeeling and just generally cold. Maybe it has something to do with the fact Bill is no longer Bill, but an alien, inhabiting the shell of Bill's body (that's what I'm betting my money on, or that Bill is just a big jerkwad).
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32 of 35 people found the following review helpful By EA Solinas HALL OF FAMETOP 500 REVIEWERVINE VOICE on September 24, 2003
Format: VHS Tape
Despite having one of the worst, most misleading titles in movie history, "I Married a Monster From Outer Space" is a solid, often chilling science fiction movie, with some very good acting and an excellent script. You won't find a mindless us versus them story here, which makes it all the more effective.
Bill Farrell ((Tom Tryon) was having a last drinking spree with some pals, the night before his wedding. But the next day, Bill arrives late to the church, and on the honeymoon he seems strangely preoccupied and distant. His new bride, Marge (Gloria Talbot), is a bit worried by her husband's sudden change, but tries to keep going as if nothing has happened. But a year passes, and Bill is still acting weird -- so, for that matter, are his pals.
One night (after the mystery deaths of a couple of animals), Marge follows Bill into the woods -- only to see a strange glowing alien emerge from his body and enter a spaceship. Terrified, Marge tries to get help, but she has no way of knowing who's an alien and who isn't. And when she learns why the aliens have come, and why they've impersonated human males, she enlists the help of the remaining humans to help her.
"I Married A Monster" is an example of story triumphing over budgets and special effects. While the script isn't flawless (if the aliens can't tolerate alcohol, why doesn't Marge use that as a test?), the gradual buildup of tension, and the feeling of helplessness, is wonderfully done. Things as small as stumbling over a dead cat are imbued with horror, and the "less is more" exposure of the aliens in their true forms adds a great low-key tone to it. The special effects and costumes, though primitive by current standards, are surprisingly convincing.
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19 of 20 people found the following review helpful By Andrew R. Oerman on May 8, 2001
Format: VHS Tape
This is a must-have sci-fi movie that, obviously, has been much overlooked. Not as subtle as Invasion of the Body Snatchers yet bearing many of the same characteristics, IMAMFOS probably has suffered due to its unwieldy title.
A young newlywed woman comes to realize that her husband is not the man she married- (I know, I know) literally. But this movie deals less with wide-scale paranoia than with one woman's struggle for identity, even as she wonders about her husband's (Like, for example, if he and their baby are monsters from outer space.)
One extra level to the movie which is adequately but not sufficiently dealt with is the question of who, really, are the bad guys. The aliens kill to keep their secret, but are almost sympathetic. They impersonate earthmen to carry on their race and may even treat their wives more compassionately AFTER they are taken over by aliens, whereas before they could not wait to leave them and go sit in the local tavern. An interesting twist, and one which could come off as preachy, but manages not to because the story moves at a pretty good clip and there's enough monster action to drown out secondary things like messages or character development. (Ahem.)
IMAMFOS boasts wonderful sci-fi music, a good amount of fine special effects and a shoot-'em up action climax where the members of a small town band together against the invaders. Bonus points for a shaggy hound dog figuring into the proceedings.
See also: It Came From Outer Space; Astronaut's Wife was a semi-remake, but ... yuck.
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