Customer Reviews

Martin & Me

5 star:		(3)
4 star:		(5)
3 star:		(1)
2 star:		(1)
1 star:		(1)

 

 

On Martin and Me, J Mascis sings terribly, plays sloppily, showcases no new material, and covers the horrible, atavistic Lynard Skynard. This album is so much fun! Actually, the guitar playing wasn't that bad. One music magazine reviewer (I forget which, I read too many, plus this album came out in 1996) compared his guitar playing to that of a man with webbed hands. Which was accurate enough, but it seemed to these ears that his muddy strumming was a fledgling attempt at using the guitar as a percussive instrument in the absence of one, something that can be heard in the guitar-and-voice songs of folk blues players like Greg Brown, for instance. Whether or not he succeeded is a matter for another branch of the court, but he wasn't suffering from frostbite or anything. He has a great solo on "Drawerings," too. Mascis' solos are always great though, almost like novels in that they have rising action, climax, and conflict resolution. There's no excuse for singing this bad, though, other than it's a goddamn hoot. I'd rather listen to Mascis warble and creak through Morrisey's "Boy with the Thorn in His Side" then hear Celine Dion shatter all the wine glasses in Napa Valley on a radio tune. However, he does sing with a lot of passion. Let's cut him some slack, people. His cover of Carly Simon's "Anticipation" is both tender and touching. The best of his own tunes on this album include "So What Else is New" (from the terrific radio rock air guitar opus "Where You Been"), "Keeblin" (from their self-titled 1985 debut, if memory serves), and "Drawerings" (also from "Where You Been"). The worst is "Not You Again," an inexplicable interpretation of the expendable song from the mediocre "Whatever's Cool with Me." Mascis also deserves credit for having guts and a sense of humor. The album art depicts a long, brown haired nekkid women running toward flames and a certain crucifixion (well at least a cross, but work with me here, people). Certainly Mascis chose this artwork knowing he was doing the same with this collection. And he was right, receiving the only one-star review I ever remember seeing in Rolling Stone magazine. But nobody has ever claimed there's any geniuses at that publication. "Martin and Me" didn't deserve one star from a publication that warmly receives so much mediocrity. They could have given him two. Maybe they only have so many stars available, like there's a warehouse with them lying on the floor, and they need to horde them for their apologist reviews of their aged namesake band. I give Mascis four because he's fun, and this album's sloppy simple passion is almost punk in a way, from one of the first undergrounders to sign on the corporate dotted line. That said, one live acoustic album's enough, Mr. Mascis. Now get back in that studio and hire some backing vocalists. I'm sick of all the cats on my fence when I play this album.

Stripping down Dinosaur Jr's songs to their bare essentials reveals the incredible ability of J's guitar talent and reveals a heart of pure mellow acoustic gold behind the more complex and distorted arrangements to be found on most Dinosaur Jr. albums. The acoustic format - and this is music in one of it's purest and most genuine forms, just a man and his guitar - adds a new dimension to the songs that undoubtedly works. Take 'Thumb', which in it's acoustic form is a beautiful, honest sound aided by J's fragile, straining vocal. The album exudes a subtle warmth that slowly pentrates your heart and makes you want to play it over and over again. Mascis' stroke of genius lies in his focused, passionate and heartfelt delivery of his songs which are revealed to be masterpieces in their own right. The album has an intimate feel which many unplugged albums lack, and this further draws you to the acoustic heaven which lies within. Overall, the sparse acoustic format is a triumph for J Mascis, producing a rich, rewarding sound and is definately recommended for Dinosaur Jr. fans looking to discover the gentle melodies behind their songs and for anyone who appreciates to sound of a great songwriter with passion.

Amazing album, J. showcases why he's been such an influence for many. If you're new to Dino Jr. and interested in what makes the fans tick, buy a couple of early albums then get this to see how amazing this man is as a songwriter. Hey, it's a four star album, most of you won't lay on your death bed listening to this, but you will always remember this as being a quality purchase.

A lot of bands put out albums during the unplugged craze of a few years ago, but only J Mascis had the courage to do a truly unplugged album. (Can you really call the Nirvana album unplugged?) Yes, as the title suggests, it's just Mascis and his guitar.

I had the benefit of seeing Mascis (at the Black Cat in DC) during his unplugged tour right before this one came out, so perhaps I am overly influenced by that. But I truly enjoyed this album. You get a much greater sense for the melody and artsmanship behind such great songs as "Thumb" and "Repulsion".

The Mascis persona? A twit during interviews, as one of the reviews below suggests? I think there's something wonderfully refreshing about Mascis: an honesty and unpretentiousness that is fully reflected in -- and gives so much power to -- his music.

If so, this should be a CD in your collection. It offers the best parts of Dino Jr (minus the drumming) and delivers many of J's best songs, distortion-free, so the listener is able to hear the very very cool riffs and hooks J uses to build his songs...on top of that, you feel like you are right there, sitting in front of him, most likely at a small bar in Northampton, MA., where J lives (I think) and plays these kinds of small, informal shows. His ability to play form and layer complex guitar structures while singing great songs are both reason to buy this album, which is a great companion to an existing Dino Jr collection. Even if you don't own any of their other CD's, try this one first, because it still contains a variety of his songs, his unique voice and singing style, and great lyrics...plus the fact that it is live/acoustic may make a fan out of someone who tends to shy away from distortion, which (typically) Dino Jr albums are full of...

j.mascis-rocks, hasn't been out of my head since the first time i heard it. rarely does music capture me so quickly upon hearing it for the first time. i wasn't familiar with dinasour junior when i heard martin and me for the first time, but i am now. thanks j.

Anybody might like this disc, but I'm gonna say it's mostly a fans-only kind of thing. Just a man and his guitar. I like it because I'm a huge fan of course, and it's nice to hear these songs in a new way. I saw J on this small tour, and he played well and was rather funny if I remember right. The songs I like most are "Thumb", "Get Me", "Goin Home", and "Keeblin". I also love the covers of "The Boy With The Thorn In His Side" (Smiths), and "Anticipation" (Carly Simon). Good choices.

Since I'm a long-time Dinosaur Jr fan it's easy to overlook J's grumbling voice and awkward singing style. If one can get past that one will find a brilliant guitar player who sheds new light on some old songs. Being a guitar player myself, I found this album to be a treasure chest of strumming styles and melodies and, since it's 'unplugged', it's fairly easy to play along with this album. I can finally hear the chords J is playing on Blowin It. It's not a true 'live' performance nor is it recorded very well, BUT for J Mascis fans (all ten of us) and for Dinosaur Jr fans it's a refreshing take on grunge-rock. 'Thumb', 'So What Else Is New', and 'Goin Home' have more emotion than in the fuzzed-out studio versions, while 'Not You Again' retains it's aggressive punk-ain't-dead attitude, without percussion or even a guitar solo. Speaking of solos; I only wish there were more on this effort from Kurt Fedora. His solo on 'Drawerings' gives me goosebumps. FOUR STARS!

i have been a long time dinosuar jr fan and have loved almost everything they do(except for some of the early SST stuff) green mind is still his best album but this one is filled with the one thing that best describes his music Emotion!!! When i saw him open for the cure in 92' he was booed off stage for covering "just like heaven" people usually don't get the point behind music and J Mascis does and dosen't care to explain his style or method of conveying the point

For those of you pondering purchasing purchasing this album, a couple of things you might want to know:
-This is a live album. You can hear J. Mascis "noodling" between songs, and applause between tracks.
-It sounds rough. Kind of like the acoustic tracks on the Nirvana boxed set. It sounds like for this album, they just took a rough mix straight from the soundboard, no effects, no reverb, etc. and just put it straight on the cd.
-It is enjoyable to hear these songs in an acoustic form, and the playing and performance are good. I just think that a little bit better mix and a few effects would have made this a much more enjoyable listen. Right now, the quality is what I could get if I just plugged a microphone straight into some sort of recording device and played completely dry.
So....what I'm saying here is this album is interesting, and not a bad listen, but I wouldn't put it on at a party, and I probably won't listen to it too many more times.
Buy it used for 2 or 3 bucks if you like dinosaur jr, but don't drop fifteen bucks for this one. You work too hard for your money......