Customer Reviews

Mary Barton

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This is possibly the most devastating, yet uplifting novels I've ever read. The book explores the lives of the working class poor in Manchester, England, during the 1840s, a period of strife and hunger. The pretty, young, naive Mary Barton persues a romance with handsome, dashing Harry Carson, son the mill owner, while spurning the attentions of her childhood friend, Jem Wilson, who loves her passionately. Mary's intentions, however, are less than noble; while certainly attracted to Harry, she wishes to improve the lot of herself and her father, John, who, disconsolate over the loss of his wife and only son and the attendant poverty after the loss of his job, has slipped into a daze of opium and seeks vengeance against the Carsons for putting him into this position. This eventually leads to tragedy and redemption. Gaskell writes as if her life depended on it; she describes the horrible conditions of the Manchester poor with searing vision, and makes the influence of radicalism completely understandable, even if she doesn't always agree with it. The delineation of character is quite remarkable; one's heart beats faster as Mary realises who it is she really loves and particularly when she is forced to protect, against incredible odds, both of the men that truly love her. Admittedly, the second half of the book, detailing the murder and subsequent trial, is quite melodramatic, but it's grippingly told. A magnificent work that should be required reading.

Actually I read this book in three days' time (it can be even faster if I don't have to go to school). Anyway, Mrs. Gaskell's depiction of the working class people in Manchester during the 19th century was so vivid that you can just *see* and *feel* how the rich and the poor's lives were like back then by turning the pages. I believe no one who had read this book will not to some extent feel pity for the tragic hero, John Barton, in the story. But aside from this formal social theme being presented in the novel, there is also a very strong sense of religious/moral theme in it (espeically near the end of the story), as well as some drama and romance in it. Definitely worth a read, especially to those who are interested in Victorian Literature.

Gaskell wrote one of the most vivid descriptions of the gap between rich and poor in this novel of the Manchester 'hungry forties'.

The romantic plot centers around the murder of the son of a factory owner. While well written, the plot romance and mystery are almost cursory in comparison to the loving detail that Gaskell lavishes on Alice Wilson, the temptation of Esther, and all the little points of life in deep poverty. Gaskell is compassionate and clear-sighted in her writing, making this a very nice read.

Mary Barton appeals to readers of all ages, and works at the level of both plot and social history. Recommended for fans of the period, historians, and general readers.

This is a fine book, full of beautifully rendered characters. I love the painful and powerful picture Gaskell paints of life among the English working classes-- the struggles for physical and spiritual survival against horrific odds is rendered with compassion and depth. Her writing is emotionally rich and I found myself truly moved by the all the characters. The friendship between Mary and Margaret, the gentle, but rock solid faith of Alice, the passion of Jem, etc. This book is certainly worth reading.

After watching the 2005 BBC TV-adaptation of Elizabeth Gaskell's novel "North and South", I was intrigued to go back and read the novel. I liked it so much, that I wanted to read more, and so found "Mary Barton". In both novels, I was impressed with Elizabeth Gaskell's keen insight into the human spirit - despair, doubt, kindness, love, compassion, hopelessness, loyalty, frivolity, and most of everything in between. She has a rare talent to create believable male and female characters (with their inherent differences in perception and interpretation) at all walks of life, and to inspire compassion and understanding for all her characters' actions. The plot is largely divided between mystery and romance, both of which are done well. This is definitely a book I would recommend to fellow Austen fans!

Compared to the majority of modern novels, her writing has more of a leisurely pace to it and she takes the time to describe the emotional inner workings of her characters as much as she devotes to outward plot development. The frequent historical or literary references not immediately at a current-day reader's fingertips are explained well in this edition's notes at the end for those who want to know (like me).

Historically, this book is a fascinating treatise of the working class toil, life, and death in the mid-1800s in Manchester, England, the rise of trade unions, and the trouble attendant therewith. Gaskell's astute observations about the living conditions of the poor in that day and age make for a compelling and thought-provoking read. It is hard to leave her books not feeling that the two opposite points of view of masters and men can be true, and that compassion might go a long way to bridge the gap.

A tale of Manchester working life set in the 1830s, Mary Barton begins as bucolically as any gritty urban novel can. The Bartons, who are expecting an addition to the family, meet the Wilsons, who are carrying their infant twins, at Green Heys Fields. The charm of these low, flat, treeless tracts lies in their rural contrast to "the busy, bustling manufacturing town [he] left but half an hour ago." The couples adjourn to the Barton home for tea, where Gaskell lovingly describes every modest luxury such working folk can manage--the bright green japanned tea tray with its scarlet lovers, the cupboard of crockery and glass of which Mrs. Barton is so proud, and the hodgepodge of furniture ("sure sign of good times among the mills"). In honor of their guests, the Bartons send young Mary out for fresh eggs ("one a-piece, that will be five pence"), milk, bread, and Cumberland ham.

Thus Mary Barton commences with a self-conscious air of cautious prosperity, but underneath the pleasure of the occasion are hints of despair to come--Mrs. Barton's distress over the disappearance of her sister, and the Wilsons' "little, feeble twins, inheriting the frail appearance of their mother." In chapters I and II, Gaskell sets up the end of abundance and joy for the Bartons and the beginning of misery for their entire class in the mill city of Manchester.

Mary Barton is a novel of contrasts. While the Bartons take homely pride in their furniture and wares, the Carsons live in a "good house . . . furnished with disregard to expense . . . [with] much taste shown, and many articles chosen for their beauty and elegance." As Carson's former employee, Ben Davenport, lies dying in a filthy basement in the company of his wife and children, who are "too young to work, but not too young to be cold and hungry," Carson's youngest daughter Amy tells her brother and father that she "can't live without flowers and scents" and that "life was not worth having without flowers." They can't live without food and shelter, and she thinks she can't live without luxuries. Perhaps the most terrible contrast is between the "listless, sleepy" Carson sisters and the tragedy that interrupts their idle chatter.

The contrast and conflict between the rich and the poor, the men and the masters, is not conventionally based on envy or even class; Carson was once no better and no richer than anyone else. The men don't aspire to wealth, at least for now. They want to feed their families and perhaps to enjoy the simple comforts the Bartons once shared with the Wilsons. What keeps masters and men apart is not class or money, but a more fundamental unwillingness to acknowledge the other's humanity. Mr. Carson can't be bothered to recall who Ben Davenport is, other than one of the many faceless men who worked for him for many years, or to give Wilson more than a useless outpatient order. Instead of approaching the masters, the men, who are powerless as individuals, join groups and send delegates like John Barton to London and Glasgow to try to gain government support for their cause. On their own, they fail.

Neither side is willing to break the communication barrier. Ignoring one of their number who wisely notes, "I don't see how our interests can be separated," the masters choose to hide the conundrum they face from the men, who are described as "cruel brutes . . . more like wild beasts than human beings." Even as the omniscient narrator shows the just causes for both groups' anger toward one another and tries to avoid demonstrating a preference, she can't resist retorting parenthetically, "Well, who might have made them [the men] different?" It takes a murder and a near miscarriage of justice merely to open the door to redemption for the man in each side's leading role.

Mary becomes the fulcrum of the characters and plot, connecting the Bartons to the Carsons, the unforgiving John to the repentant Esther, the worldly men and the more spiritually minded women. Through positive and negative models like Alice, Job, Margaret, Esther, Mrs. Wilson, and Sally, and through her true and patient if frustrated lover, Mary avoids Esther's fate and is transformed from a heedless young girl into a courageous woman who is able to withstand the pull of her divided loyalties.

Confronted with the undeniable humanity of John Barton and the relentlessness of his unfamiliar poverty, Mr. Carson finally recognizes the need for change. As guardian of the old institutions, however, he struggles with his ambivalence toward taking action. Meanwhile, Mary Barton simply leaves the dead and the past behind to embrace an entirely different kind of future in a new country.

Mary Barton lacks some of the psychological depth and nuances that make Gaskell's Wives and Daughters more interesting and engaging; here, the characters behave consistently and predictably. Despite the ease of its characterizations and assumptions, though, Mary Barton is a surprisingly stark, unvarnished look at the poorer, seamier side of urban industrial life. Gaskell accomplishes what the masters and men have failed to do--she recognizes the humanity in each of them and hints at its potential if only it is discovered and embraced.

Copyright © 2009 by Diane L. Schirf.
16 September 2009.

If you are like me, you probably picked up Mary Barton after reading the literary classic, North and South. Mary Barton and North and South have many similarities. Both novels deal with the oppression of the working class and the effect of machinery on those who once earned their bread by performing the same task by hand.

Mary Barton is no Margaret Hale. Instead, Mary is the daughter of a union striker, who places her sights on a wealthy mill owners son named Henry Carson. Mary has lived a life so full of privations that her one goal in life is never to suffer the poverty her mother had to endure.

Like North and South, this novel is full of illness and death due to extreme poverty. It is written in the introduction that Gaskell wrote this novel shortly after losing a child. Her terrible lose echoes through the characters who lose child after child throughout the novel.

Mary Barton was an ambitious first novel. The romantic triangle between Mary, Henry, and Jem Wilson was a little abrupt, but once her choice is made, her sentiments towards her beloved reminded me of John Thornton's love for Margaret Hale. If you loved North and South, this is an excellent novel to indulge in!

I am a 19th century period drama avid reader and addict. This summer I read every single one of Ms. Gaskell's novels and just love the history she writes in all her novels. In college, I wasn't able to appreciate her writing because I read in a flash, did a review and got my grade. But here I am, years later, reading her novels again and with so much pleasure. Recommend all of Ms. Gaskell's novels if your an period drama reader; then read Jane Austin, Wilkie Collins, George Elliot, Bronte sisters, Charles Dickens, etc.

I am a huge Elizabeth Gaskell Fan, but hadn't read Mary Barton yet. I think I was scared off by the summary of the book which made it sound a bit depressing. But this is such a wonderful book! Gaskell writes with such apt descriptions as to make you really feel like you become part of that Manchester world. The chapter detailing the mill fire and rescue had me sitting on the edge of my seat. She manages to convey suspense in a way that's not overdone or cute-sy.

I loved this Oxford edition that had an appendix. It really increased my understanding of the original meaning of words not common to us now. You get the sense that Gaskell picked every word with so much care, and with the intention of providing the deepest understanding. Knowing her personal history with regard to why she wrote this book (the death of her child) made the book more meaningful to me, too, because there is a lot of strife and suffering in this book amid the hope that Mary has.

The characters are rich and unforgettable. Anyone that is a Gaskell or Austin fan should give Mary Barton a try. I'm so glad I did.

The Norton Critical Edition contains not only the original footnotes, but also much critical commentary from early reviewers. Excellent for understanding the Industrial Revolution and the time period.