Amazon.com Review
This first thriller by Irish television talk-show producer Julie Parsons became an overnight success in England and a high-ticket purchase by its American publisher. Here's why: it combines excellent writing with a strong, very moving story and a gimmick as big and shiny as the Ritz at its center.
Dr. Margaret Mitchell, who left Ireland for New Zealand when her daughter was just an infant, now returns 20 years later as a successful psychiatrist and expert on women's mental health. Shortly after she arrives in Dublin to care for her dying mother, Margaret's daughter, Mary, is brutally tortured and murdered.
I understand, thought Margaret, what happens when the heart stops pumping oxygen through the body, pushing its sweetness into every blood vessel. But I don't understand the loss of being, the negation of existence. It must be the reason why so many people believe in an afterlife. To make sense of the essentially meaningless. I know it in an abstract way, but I can't accept it. All I have is the knowledge that I will never see Mary again, that she has been taken from me and I will have to live with that. Until I, too, die.
Full of rage and sadness, Dr. Mitchell watches as a once-brilliant, now-boozy cop catches Mary's killer but botches the case against him and raises the possibility of his serving just a short sentence. Enter the gimmick--which we won't spoil except to point out that anyone who doesn't have suspicions about Mary's father hasn't been paying attention. Parsons makes both Margaret and Mary memorable characters who throb with vitality. The final, hot-button issue is that of retribution, and Meryl Streep is no doubt working on her Irish-New Zealand accent as we speak, for the inevitable film.
--Dick Adler
--This text refers to an out of print or unavailable edition of this title.
From Publishers Weekly
Narrated with stunning confidence and sophistication, Irish TV talk-show producer Parsons's first novel depicts the complex relationship between a mother and her daughter, who is murdered. Dr. Margaret Mitchell, a Dubliner who emigrates to New Zealand in 1975 shortly after the birth of her daughter, is now a well-known psychiatrist who has made her mark in women's mental health. When she returns to Dublin to care for her dying mother, Maggie is accompanied by her daughter, Mary, a vital young woman of 20. It is Mary's disappearance and the discovery of her viciously mutilated body that sets the story in motion. While some of the conventions of the crime novel seem inescapable (the attraction of Detective Inspector Michael McLoughlin to Maggie, the court scenes, the encounters between Maggie and the murder suspect), Parsons uses these events in unpredictable ways. Related alternately from the point of views of Maggie, the inspector and the murderer (whose identity we know, but whose motivation we learn gradually), each scene is beautifully paced and plotted, and even minor characters are deftly drawn and psychologically believable. Appearing in her mother's memory in a kind of instant flashback, Mary is vividly conjured, and Maggie's devotion to her poignantly portrayed. Parsons writes short, quickly paced scenes that raise the suspense level in taut increments, and her story is full of genuine surprises and fresh plot twists. While shocking, the novel's conclusion is powerful and convincing, totally in keeping with the characters Parson has drawn and with the complex psychological relationships she depicts. Already published in the U.K. and Ireland, the novel has also been sold in Germany, Italy, Spain, Sweden, Japan, the Netherlands and France.
Copyright 1998 Reed Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.