From Publishers Weekly
A paranoiac monologue by a nameless man with a face that no one recognizes or remembers reveals a life of carefully constructed obscurity. "Chilean exile Dorfman's latest work (after The Last Song of Manuel Sendero ) is a tantalizingly ambiguous web of deceit, intrigue and obsession," said PW.
Copyright 1989 Reed Business Information, Inc.
From Library Journal
Most of this exploration of memory and identity in an unnamed city is narrated by someone who remembers all faces but who can never be recognized. Although the book was written in English, its title is more appropriate in its Spanish definition, "mask"as evidenced by the narrator's confrontation with a plastic surgeon who can make a politician look like an up-and-coming rival. The novel's conception is interesting but, like much of this brilliant Chilean's fiction, fails to sustain the power of his "poems of disappearance." Still, it includes the wonderful tale of a four-and-a-half-year-old who stopped aging after being molested. This story, told by a part of her that secretly kept growing, explaining that people are at birth issued hands used by those who lived before, is first-rate. Ethan Bumas, Fudan Univ., Shanghai
Copyright 1988 Reed Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.