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Mascara & Monsters - The Best Of Alice Cooper

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Audio CD, January 16, 2001
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Mascara & Monsters - The Best Of Alice Cooper + Welcome to My Nightmare + Love It to Death
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Editorial Reviews

Product Description

For those not wanting to plunk down $60 for last year's boxed set, here's an expanded version of the 1974 anthology Alice Cooper's Greatest Hits -22 tracks on one CD! Includes School's Out; Poison; You and Me; How You Gonna See Me Now; Only Women; No More Mr. Nice Guy; I Never Cry; Body; Elected; Eighteen , and more of Ol' Black Eyes' 1971-1990 best!

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An essential figure in any history of the American grotesque, son-of-a-preacher-man Vincent Furnier served as a missing link between Screamin' Jay Hawkins and Marilyn Manson. As Alice Cooper, he helped make the pop world safe for morbidity and makeup, scoring a bunch of hits and misses along the way. Mascara & Monsters serves up a fairly rote chronology of Cooper's '70s singles, with the occasional B-side and 1989's "Poison" (cowritten by mainstream hitmeister Desmond Child!) thrown in for good measure. As such, the album doesn't live up to its best-of billing. "Dead Babies," arguably the best track on Killer, loses out to "Under My Wheels," while the garage-rock glories of the band's first two albums are also conspicuously absent. On the plus side, "School's Out," "Elected," and "No More Mr. Nice Guy" still sound great. If you're looking for easy access to those and numerous lesser singles, this collection will do the trick. --Bill Forman


1. I'm Eighteen
2. Is It My Body
3. Desperado
4. Under My Wheels
5. Be My Lover
6. School's Out
7. Elected
8. Hello Hooray
9. Generation Landslide
10. No More Mr. Nice Guy
11. Billion Dollar Babies
12. Teenage Lament '74
13. Muscle Of Love
14. Only Women Bleed
15. Department Of Youth
16. Welcome To My Nightmare
17. I Never Cry
18. You And Me
19. How You Gonna See Me Now
20. From The Inside
See all 22 tracks on this disc

Product Details

  • Audio CD (January 16, 2001)
  • Original Release Date: 1974
  • Number of Discs: 1
  • Label: Warner Archives/ Rhino
  • ASIN: B00004TZYJ
  • Average Customer Review: 4.5 out of 5 stars  See all reviews (122 customer reviews)
  • Amazon Best Sellers Rank: #2,399 in Music (See Top 100 in Music)

Customer Reviews

Most Helpful Customer Reviews

39 of 44 people found the following review helpful By T. C Lane on January 20, 2001
Format: Audio CD
This is an expanded edition of the classic 74 album, Greatest Hits. Rhino has added 10 songs from that edition: one pre-74 cut, "Generation Landslide" and 9 post 74 songs. They've also ditched the cover that graced the Greatest Hits album, but they have improved the sound from that CD. There are those who believe Cooper slipped after 1974, and have always believed that the Greatest Hits album was the best chronicle of the band's peak years. True, the majority of hits from the late 70's are ballads like "I Never Cry", "Only Women Bleed" and "You and Me", but these slower hits were guilty pleasures for me, so their inclusion doesn't bother me, but the rock and rollers who don't like the slower cuts might want to stick with the original, glorious and kick-ass Greatest Hits. Rhino has balanced the ballads by adding rockers like "Department of Youth", "Generation Landslide" , "Welcome To My Nightmare" and the eternally weird New Wave minor hit "Clones". There are track-by-track liner notes by Alice and a couple of band members. For those who thought the box set was too much, this turns out to be the best single disc of Alice Cooper's career.
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32 of 39 people found the following review helpful By John D. Pride on January 29, 2001
Format: Audio CD
Yes I, like you, still love Alice Cooper to death. I bought all of the albums by the Alice Cooper Group (including "Easy Action and "Pretties For You"), saw them live a bunch of times, even covered "Be My Lover" in a band when I was 17 years old.
This is definitely a better collection than any released so far, including the box set. Problem is, it reminds you of the fact that Alice had "it" through "School's Out", and then pretty much lost it until the brand new one (which is amazing).
The CD sort of evolves like this: Cuts 1 through 11 get you jumping all over the room with joy, then everything sort of falls apart until, strangely, "Clones" and "Poison". Maybe it's the fact that Alice wanted so badly during the period of cuts 12 through 20 to be "legit", playing golf with Bing Crosby and all, that the songs just weren't Alice anymore. You wind up wanting to hear "Raped n' Freezin'", "Black Juju", "Caught In A Dream", "I Love the Dead" and other vintage songs all the more.
So, knowing full well that Rhino did the best they could to make this a career-spanning retrospective, you can just feel them aching to get another "Sun Arise" or "Ballad of Dwight Fry" on this disk. Despite 9 really lame tracks, this record made me smile.
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18 of 21 people found the following review helpful By Steve Vrana HALL OF FAMETOP 500 REVIEWER on January 18, 2001
Format: Audio CD
Alice Cooper's career divides neatly into two distinct phases. There was Alice Cooper the band, which defined the shock rock genre from 1969 to 1974 and released classic albums like Killer and Love It To Death. Then there was Alice Cooper the solo artist, who would schmooze with celebrities on the golf course and make appearances on Hollywood Squares. The former was a terrific band and I saw them twice in the early Seventies when I was in college. The latter didn't hold my interest much--though "Only Women" and "I Never Cry" were pleasant, if somewhat wimpy, ballads.
When his box set came out last year, I was disappointed by how little attention was given to his early-Seventies glory years with the Alice Cooper band. So even when BMG offered it at an amazing discount, I passed. Instead, I stuck with my vinyl copies of his albums and a cassette copy of Greatest Hits. This new release, however, makes a nice addition to my CD collection. It completely duplicates 1974's Greatest Hits and adds all of his solo hits through 1989's million-seller "Poison." The only downside is that the only additional Alice Cooper band track is "Generation Landslide" from Billion Dollar Babies--not exactly the band's best album. "Black Juju" from Love It To Death or "You Drive Me Nervous" from Killer would have been better choices.
So what you have here is a terrific poor man's version of the box set--all the essential songs, great liner notes and terrific sound. If you want more, get Killer, then Love it To Death and (if you still need more) School's Out. HIGHLY RECOMMENDED
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9 of 10 people found the following review helpful By W.B. Willis on July 28, 2001
Format: Audio CD
*sigh* I'm 43, I grew up in phoenix during the '70's. Saw the coop during the "schools out" tour. The first time I heard "No more Mr. Nice Guy" was at my (future) wife's (ex, now) house one night in '73 (her parents were in California that week end...). So. I grew up, grew out of Shock Rock, tried settling down, tried being an "ADULT" you know, being responsible...
And then BANG! I almost 30 years later i grab a copy of Mascara and Monsters, and I swear I can still feel the maddness of those years. The tracks on this disc do the original "Greatest Hits" one better by offering not only the loud and raucus "Alice Cooper" (the band) stuff, but the later, more long suffering stuff from "Alice Cooper" (the guy). And guess what, it all holds up. Every darn bit. "I'm 18" still holds true, even in my 40's, and, oddly enough, "You and Me" speaks volumes. "Billion Dollar Babies" gives me chills, and "Welcome to my nightmare" makes more sense, now that I've lived a little. As for the sound quality, it is absolutly pristine. No doubt about it, Bill Inglot out did himself this time. The clarity of the recordings are amazing. It's like falling in love the first time... again. The sound is so stunning, so warm, that you'll swear you remember the L.P.'s sounding this good. but of course, they didn't.
Buy this disc. Buy it and play it for every one you know. Buy several copies and hand them out to people who need the experience. You'll be glad you did.
Ah well, time to slip back into the time machine, and you know, "I never cry..."
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