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Masculin Feminin (The Criterion Collection) (1966)

Jean-Pierre Léaud , Chantal Goya , Jean-Luc Godard  |  Unrated |  DVD
3.9 out of 5 stars  See all reviews (15 customer reviews)

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Product Details

  • Actors: Jean-Pierre Léaud, Chantal Goya, Marlène Jobert, Michel Debord, Catherine-Isabelle Duport
  • Directors: Jean-Luc Godard
  • Writers: Jean-Luc Godard, Guy de Maupassant
  • Producers: Anatole Dauman
  • Format: Multiple Formats, Black & White, Closed-captioned, NTSC, Special Edition, Subtitled, Widescreen
  • Language: French (Dolby Digital 2.0 Mono)
  • Subtitles: English
  • Region: Region 1 (U.S. and Canada only. Read more about DVD formats.)
  • Aspect Ratio: 1.33:1
  • Number of discs: 1
  • Rated: Unrated
  • Studio: Criterion
  • DVD Release Date: September 20, 2005
  • Run Time: 103 minutes
  • Average Customer Review: 3.9 out of 5 stars  See all reviews (15 customer reviews)
  • ASIN: B000A88ERS
  • Amazon Best Sellers Rank: #78,344 in Movies & TV (See Top 100 in Movies & TV)
  • Learn more about "Masculin Feminin (The Criterion Collection)" on IMDb

Special Features

  • Exclusive new video interviews, conducted in 2005, with actress Chantal Goya, cinematographer Willy Kurant, and Godard collaborator Jean-Pierre Gorin
  • Theatrical trailer for the 2005 rerelease
  • 16-page booklet featuring new essay by film scholar Adrian Martin and a reprint of a report from the set by French journalist Philippe Labro
  • Archival 1966 interview with actress Chantal Goya
  • Video discussion of the film by French film scholars Freddy Buanche and Dominique Paini
  • Swedish television footage of Godard directing the "film within the film" scene

Editorial Reviews

With Masculin Féminin, ruthless stylist and iconoclast Jean-Luc Godard introduces the world to "the children of Marx and Coca-Cola," through a gang of restless youths engaged in hopeless love affairs with music, revolution, and each other. French new wave icon Jean-Pierre Léaud stars as Paul, an idealistic would-be intellectual struggling to forge a relationship with adorable pop star Madeleine (real-life yé-yé girl Chantal Goya). Through their tempestuous affair, Godard fashions a candid and wildly funny free-form examination of youth culture in throbbing 1960s Paris, mixing satire and tragedy as only JLG can.

Customer Reviews

Most Helpful Customer Reviews
2 of 2 people found the following review helpful
It was in 1966 that Nouvelle Vague (French New Wave) director Jean-Luc Godard ("Contempt", "Breathless", "Pierrot le fou") would release his film about youth in the mid-60's titled "Masculin féminin: 15 faits précis".

Released after the successful "Pierrot le fou" (1965), "Masculin féminin: 15 faits précis" would become a different film by Godard standards as it would focus on Parisian youth in 1965 but also start to show signs of a different Godard (who separated from Anna Karina, who was a major actress in his films) and also a precursor to his films incorporating his political views. But as for the characters featured in "Masculin féminin: 15 faits précis", call the young adults that were a sign of the times or as Godard would call them, "the children of Marx and Coca-Cola".

"Masculin féminin: 15 faits précis" was scrutinized and lambasted by critics during its release in 1966, many of those critics who have revisited the film have taken back what they originally have said and now realize how it is one of Godard's best films and some have considered it a masterpiece that was ahead of its time.

VIDEO & AUDIO:

"Masculin féminin" is featured in black and white and presented in 1:33:1. Cinematographer Willy Kurant supervised the new high-definition digital transfer which was created on a Spirit Datacine from the 35mm grain master. Also, thousands of instances of dirt, debris and scratches were removed from the MTI Digital Restoration Ssytem.

As for the audio, the French monoraul soundtrack was mastered at 24-bit from the optical soundtrack master and audio restoration tools were used the Criterion to remove clicks, pops, hiss and crackle. The film is Dolby Digital 1.
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7 of 9 people found the following review helpful
5.0 out of 5 stars The innocence of sex November 6, 2005
Excellent movie. Jean-Pierre Leaud is playing the same insecure but dogmatic, innocent but manipulator, sex-obsessed but sex-ignorant character that he played so well for Truffaut, and he fits perfectly in this story as well. He as Paul falls crazily in love with Madeleine, who is insecure but open-minded, innocent but risk-aware, sex-interested but also sex-ignorant enough to be afraid about being - and to get - pregnant.

The script of the 60s is there: the young discover affluence and idealism, light entertainment with the heavy duty of changing the world, and exploration of sexual freedom. Boy-meets-girl and discover a new, uncertain world together.

Simply delicious...
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1 of 1 people found the following review helpful
5.0 out of 5 stars REGARDER! May 21, 2008
Verified Purchase
There are many interesting aspects to the "story" told in "Masculin Feminin", but there seem many more interesting things about Godard's approach to form, seemingly perfected here. The exquisitely timed intrusions and jokes that are once cruel then again simply clever; the seemingly omnipresent quotations which recast the context of the scenes we are viewing; the acknowledgments of the medium which make this so appealingly post modern; the glimpses of a play within a film and of course the hysterically funny and troubling foreign film within the film. Not to mention the use of sound and of music, so completely distinct to Godard -- just consider the on/off shuffling of location sound, music and silence played out in the first few minutes of the film, making their own cinematic confession in a way as different as his single-minded and seemingly arbitrary use of a single, extended piece throughout the course of "Contempt".

All these refinements make "Masculin Feminin" a model of cinema and its potential. The ideas are so thick and rich that it's both difficult and incredibly pleasurable to track the free interplay of ideas and gestures; and the sheer enjoyment of watching such a work offers just the sort of "entertainment" capable of fully engaging rather than simply mollifying the viewer. And in retrospect it's easy to see Godard's profound influence on the work of other directors of the time, especially that belonging to Lindsay Anderson. The difference here being that Godard's technique feels very natural while some others feel self-conscious and quite strained. Compare this work to today's mainstream film culture and it's easy to make that case that cinema has lost its sense of play as well as its way.
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1 of 1 people found the following review helpful
5.0 out of 5 stars Children of Marx and Coca Cola ! October 28, 2008
If there has been any other devastating and revealing film, capable to portrait with such magisterial realism, nostalgic uncertainness poetry and extraordinary vitality reflecting the contradictions between Marxist dialectic with such background as Paris of the 1960's , fears before Vietnam, and multiple concerns of a whole generation and starred by a sleepless young man (magisterially performed by Jean Pierre Leaud who deservedly won the Silver Bear as Best Actor in 1966), please be my guest.

Jean Luc Godard - one of the most irreverent filmmakers of the French New Wave - tells us a story through a perfectly achieved set of fourteen vignettes, in his accustomed journalistic and documental style, which conforms a work that in spirit still stands as the most powerful film of febrile anguish and active questioning of the emerging generation of the Post war.

A collector item, in few words.
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Most Recent Customer Reviews
2.0 out of 5 stars I expected so much more
While I have great respect for Jean-Luc Godard, I didn't enjoy his film Masculin Feminin. I understand where he was going with the movie, but I found the main character to be whiny... Read more
Published 1 month ago by B. Adducchio
4.0 out of 5 stars Everything I would want from Godard
Perfect comment on the zeitgeist for Godard's time, very poetic, and an atypical narrative. I highly recommend this any fan of French new wave, or films that capture the essence of... Read more
Published 6 months ago by astro138zombi
4.0 out of 5 stars Good Goddard movie with outstanding extras
Nice crisp video of a somewhat perplexing new wave movie. The thing that really sets the Criterion version off is the collection of extras that come with it. Read more
Published 9 months ago by Amazon Junkie
5.0 out of 5 stars Godard
Breathless is the quintessential Godard film, but do not overlook the genius of this film. Criterion includes a nice doc.
Published 19 months ago by HMan
3.0 out of 5 stars Thoughtful, artistic, and political; but disjointed, unentertaining,...
Masculin Feminin is the third film I have seen by Jean-Luc Godard after Alphaville: The Criterion Collection (which is outstanding) and Band of Outsiders: The Criterion Collection... Read more
Published on August 20, 2011 by Aaron Wooldridge
5.0 out of 5 stars excellent!
one of Godard's 2 really good films. he's too philosophical and abstract to portray real characters, except in this film. Read more
Published on December 19, 2010 by vta
5.0 out of 5 stars oh, to be a young French cineaste and radical in 1965
It's interesting to me that though this 1966 film is certainly quite political - overtly so in fact - in retrospect it feels almost the last of Godard's attempts at making a... Read more
Published on January 24, 2010 by Muzzlehatch
4.0 out of 5 stars Great glimpse into the 60's
An interesting coming-of-age commentry of the 60s. Great cameos.. you need to look out for them though because they are brief. This was a productive period for French Chantreuses. Read more
Published on December 21, 2008 by Gillian E. Mobey
1.0 out of 5 stars Not good.
Most of the time I love French films. 400 Blows, Breathless, etc. This one caught my eye so I bought it. Waste of $$. Horrible. Read more
Published on March 12, 2007 by Charles B. Temple
2.0 out of 5 stars Classic French New Wave Film, Bad for General Audiences
I watched this film as part of my history studies in Post-War Europe and before everyone docks me because I gave it two stars, hear me out. Read more
Published on April 2, 2006 by Kyle Slayzar
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