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The thing that really sets the Criterion version off is the collection of extras that come with it.
Compare this work to today's mainstream film culture and it's easy to make that case that cinema has lost its sense of play as well as its way.
I have said that I enjoyed Eric Rohmer's "My Night at Maud's" for effectively making long dialogue scenes so enjoyable but yet intelligent.
While I have great respect for Jean-Luc Godard, I didn't enjoy his film Masculin Feminin. I understand where he was going with the movie, but I found the main character to be whiny... Read morePublished 6 months ago by B. Adducchio
Perfect comment on the zeitgeist for Godard's time, very poetic, and an atypical narrative. I highly recommend this any fan of French new wave, or films that capture the essence of... Read morePublished 11 months ago by astro138zombi
Nice crisp video of a somewhat perplexing new wave movie. The thing that really sets the Criterion version off is the collection of extras that come with it. Read morePublished 15 months ago by Amazon Junkie
Breathless is the quintessential Godard film, but do not overlook the genius of this film. Criterion includes a nice doc.Published on April 1, 2013 by HMan
Masculin Feminin is the third film I have seen by Jean-Luc Godard after Alphaville: The Criterion Collection (which is outstanding) and Band of Outsiders: The Criterion Collection... Read morePublished on August 20, 2011 by Aaron Wooldridge
one of Godard's 2 really good films. he's too philosophical and abstract to portray real characters, except in this film. Read morePublished on December 19, 2010 by vta
It's interesting to me that though this 1966 film is certainly quite political - overtly so in fact - in retrospect it feels almost the last of Godard's attempts at making a... Read morePublished on January 24, 2010 by Muzzlehatch
An interesting coming-of-age commentry of the 60s. Great cameos.. you need to look out for them though because they are brief. This was a productive period for French Chantreuses. Read morePublished on December 21, 2008 by Gillian E. Mobey