Until Masculine Interests not much had been written about men "as men" in the cinema. Now Robert Lang considers how Hollywood articulates the eroticism that is intrinsic to identification between men. He considers masculinity in social and psychoanalytic terms, maintaining that a major function of the movies is to define different types of masculinity, and to either valorize or criticize these forms. Focusing on several films -- primarily The Lion King, The Most Dangerous Game, The Outlaw, Kiss Me Deadly, Midnight Cowboy, Innerspace, My Own Private Idaho, the Batman series, and Jerry Maguire -- Lang questions the way in which American culture distinguishes between homosexual and nonhomosexual forms of male bonding. In arguing for a much more complex recognition of the homosocial continuum, he contends that queer sexuality is far more present in American cinema than is usually acknowledged.
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Book Description
Editorial Reviews
Review
Articulates the big screen's dedication to eroticism between men, especially in movies that now belong to the film canon.
(Gay & Lesbian Review )Review
Lang subtly analyzes the manner in which movies generally attempt to offer a normative account of sexuality while insightfully stressing the rich potential that some offer for opposing this effort to marginalize alternative sexualities. The argument is timely and important.
(Peter Lehman, Arizona State University )
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