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The Masks of God, Vol. 4: Creative Mythology
 
 
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The Masks of God, Vol. 4: Creative Mythology [Paperback]

Joseph Campbell (Author)
4.5 out of 5 stars  See all reviews (24 customer reviews)

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Book Description

November 1, 1991
The whole inner story of modern culture since the Dark Ages, treating modern man's unique position as the creator of his own mythology.

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The Masks of God, Vol. 4: Creative Mythology + The Masks of God, Vol. 2: Oriental Mythology + The Masks of God, Vol. 3: Occidental Mythology
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Product Details

  • Paperback: 752 pages
  • Publisher: Penguin (Non-Classics) (November 1, 1991)
  • Language: English
  • ISBN-10: 0140194401
  • ISBN-13: 978-0140194401
  • Product Dimensions: 8.4 x 5.4 x 1.4 inches
  • Shipping Weight: 1.4 pounds (View shipping rates and policies)
  • Average Customer Review: 4.5 out of 5 stars  See all reviews (24 customer reviews)
  • Amazon Best Sellers Rank: #72,017 in Books (See Top 100 in Books)

More About the Author

Joseph Campbell was an American author and teacher best known for his work in the field of comparative mythology. He was born in New York City in 1904, and from early childhood he became interested in mythology. He loved to read books about American Indian cultures, and frequently visited the American Museum of Natural History in New York, where he was fascinated by the museum's collection of totem poles. Campbell was educated at Columbia University, where he specialized in medieval literature, and continued his studies at universities in Paris and Munich. While abroad he was influenced by the art of Pablo Picasso and Henri Matisse, the novels of James Joyce and Thomas Mann, and the psychological studies of Sigmund Freud and Carl Jung. These encounters led to Campbell's theory that all myths and epics are linked in the human psyche, and that they are cultural manifestations of the universal need to explain social, cosmological, and spiritual realities.
After a period in California, where he encountered John Steinbeck and the biologist Ed Ricketts, he taught at the Canterbury School, and then, in 1934, joined the literature department at Sarah Lawrence College, a post he retained for many years. During the 40s and '50s, he helped Swami Nikhilananda to translate the Upanishads and The Gospel of Sri Ramakrishna. He also edited works by the German scholar Heinrich Zimmer on Indian art, myths, and philosophy. In 1944, with Henry Morton Robinson, Campbell published A Skeleton Key to Finnegans Wake. His first original work, The Hero with a Thousand Faces, came out in 1949 and was immediately well received; in time, it became acclaimed as a classic. In this study of the "myth of the hero," Campbell asserted that there is a single pattern of heroic journey and that all cultures share this essential pattern in their various heroic myths. In his book he also outlined the basic conditions, stages, and results of the archetypal hero's journey.
Throughout his life, he traveled extensively and wrote prolifically, authoring many books, including the four-volume series The Masks of God, Myths to Live By, The Inner Reaches of Outer Space and The Historical Atlas of World Mythology. Joseph Campbell died in 1987. In 1988, a series of television interviews with Bill Moyers, The Power of Myth, introduced Campbell's views to millions of people.

 

Customer Reviews

24 Reviews
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Average Customer Review
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64 of 66 people found the following review helpful:
5.0 out of 5 stars Fantastic Voyage to Our Common Origin, June 8, 1999
By 
Tom Lombardo (Petaluma, CA USA) - See all my reviews
Along with "The Hero With a Thousand Faces," this is Campbell's greatest work. Campbell was a loving student of Native American cultures, and this book's historical achievement is to evaluate and compare all world mythologies as co-equal, including cogent and detailed examples from Native American mythology.

Campbell's core belief was that all humanity has a common origin, and that the study of mythology exposes this core identity amongst all peoples. By traversing the plains of time back to the very first artifacts of human behavior, he draws a compelling conclusion that we are all born of the same stock, from the same mythopoetic and spiritual origin, and destined to share the same future.

The student of humanity will find this study particularly compelling because Campbell identifies several mythological themes that span the globe. Among them are the virgin birth of a savior, the trial of the hero at the hands of evildoers, and the resurrection of the savior/hero from the dead. To my mind, these timeless echos of Christian beliefs place Western thought in an ancient and endlessly rewarding intellecutal context.

Campbell's higher purpose of showing that all humanity is united through its most fundamental ideas about the cosmos and our place in it is brilliantly synthesized in his discussion of the origin of agrigculture at the outset of the Neolithic. In the same way that all philosopy is "footnotes to Plato," all of history is "footnotes" to the Neolithic Revoltuion. Campbell handles this insight with a genius that must be read and re-read to truly appreciate.

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50 of 54 people found the following review helpful:
5.0 out of 5 stars A massive effort, March 17, 2000
By 
This review is from: The Masks of God, Vol. 4: Creative Mythology (Paperback)
This last volume of the Masks of God is a huge book that spans the efforts of artists to interpret the myths from early troubadour poems to Finnegan's Wake. Just for the books it added to my reading list, this book was valuable.

The idea of the book that has stayed with me the most since I read it is the idea that an artist neither accepts myth as historical fact, nor rejects it as useless, but moves somewhere between those two extreme poles to mine its history.

The book is dense, and not always easy to read. It took me a long time to pick through it-- particularly in sections with pages of quotations-- but it was ultimately quite rewarding. Being only an amateur student of religion and mythology, I am ill-equipped to judge the merits of its scholarship.

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37 of 39 people found the following review helpful:
5.0 out of 5 stars A true mythic masterpiece, June 21, 2000
The master of Comparative Mythology delves into the themes, that underlie the art, beliefs and literature of the Western Soul. The third volume explains why the Western culture is so much different from the Eastern Way.

It enables the reader to step back and review his/her own culture from a more objective point of view. In the West, it is about the monotheistic belief, about God and Man as a seperate being. Therefore occidental myths establishes a means of relationship between God to Man and vice versa. He also shows up, why Christianism, Judaism and Islam are so similar and the fight over the "true God" is so ridiculous.

If you haven't read the first two volumes "Primitive Mythology" and "Oriental Mythology", go for them first!

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Inside This Book (learn more)
First Sentence:
In the earlier volumes of this survey of the historical transformations of those imagined forms that I am calling the "masks" of God, through which men everywhere have sought to relate themselves to the wonder of existence, the myths and rites of the Primitive, Oriental, and Early Occidental worlds could be discussed in terms of grandiose unitary stages. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
mythogenetic zone, sacramental bowl, crystalline bed, love grotto, lunar queen, vas hermeticum, aesthetic arrest, erotic irony, maimed king, esthetic image, solar king, alabaster bowl, ethnic ideas, yonder shore, sun door, fairy hills, intelligible character, phoenix fire, courtly world
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Finnegans Wake, King Mark, Waste Land, Oriental Mythology, Thomas Mann, Stephen Dedalus, James Joyce, Occidental Mythology, Castle of the Grail, Sir Launcelot, Near East, Old Testament, Primitive Mythology, Grail King, Bronze Age, Round Table, Tonio Kröger, Hans Castorp, King Arthur, Good Friday, Portrait of the Artist, Saint Thomas, Castle of Marvels, Holy Ghost, Jesus Christ
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