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The Masks of God, Vol. 3: Occidental Mythology [Mass Market Paperback]

Joseph Campbell (Author)
4.5 out of 5 stars  See all reviews (11 customer reviews)

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Book Description

December 30, 2003
A systematic and fascinating comparison of the themes that underlie the art, worship, and literature of the Western world.

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Product Details

  • Reading level: Ages 18 and up
  • Mass Market Paperback: 576 pages
  • Publisher: Penguin (Non-Classics) (December 30, 2003)
  • Language: English
  • ISBN-10: 014019441X
  • ISBN-13: 978-0140194418
  • Product Dimensions: 8.4 x 5.5 x 1 inches
  • Shipping Weight: 1.1 pounds (View shipping rates and policies)
  • Average Customer Review: 4.5 out of 5 stars  See all reviews (11 customer reviews)
  • Amazon Best Sellers Rank: #238,718 in Books (See Top 100 in Books)

More About the Author

Joseph Campbell was an American author and teacher best known for his work in the field of comparative mythology. He was born in New York City in 1904, and from early childhood he became interested in mythology. He loved to read books about American Indian cultures, and frequently visited the American Museum of Natural History in New York, where he was fascinated by the museum's collection of totem poles. Campbell was educated at Columbia University, where he specialized in medieval literature, and continued his studies at universities in Paris and Munich. While abroad he was influenced by the art of Pablo Picasso and Henri Matisse, the novels of James Joyce and Thomas Mann, and the psychological studies of Sigmund Freud and Carl Jung. These encounters led to Campbell's theory that all myths and epics are linked in the human psyche, and that they are cultural manifestations of the universal need to explain social, cosmological, and spiritual realities.
After a period in California, where he encountered John Steinbeck and the biologist Ed Ricketts, he taught at the Canterbury School, and then, in 1934, joined the literature department at Sarah Lawrence College, a post he retained for many years. During the 40s and '50s, he helped Swami Nikhilananda to translate the Upanishads and The Gospel of Sri Ramakrishna. He also edited works by the German scholar Heinrich Zimmer on Indian art, myths, and philosophy. In 1944, with Henry Morton Robinson, Campbell published A Skeleton Key to Finnegans Wake. His first original work, The Hero with a Thousand Faces, came out in 1949 and was immediately well received; in time, it became acclaimed as a classic. In this study of the "myth of the hero," Campbell asserted that there is a single pattern of heroic journey and that all cultures share this essential pattern in their various heroic myths. In his book he also outlined the basic conditions, stages, and results of the archetypal hero's journey.
Throughout his life, he traveled extensively and wrote prolifically, authoring many books, including the four-volume series The Masks of God, Myths to Live By, The Inner Reaches of Outer Space and The Historical Atlas of World Mythology. Joseph Campbell died in 1987. In 1988, a series of television interviews with Bill Moyers, The Power of Myth, introduced Campbell's views to millions of people.

 

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60 of 62 people found the following review helpful:
4.0 out of 5 stars Tells a Great Story!, August 18, 2003
This review is from: The Masks of God, Vol. 3: Occidental Mythology (Mass Market Paperback)
Religion in the West is the story of the battle between immanence (God as present in and suffusing the existence of the world) and transcendence (God as removed from and greater than existence). OCCIDENTAL MYTHOLOGY, Volume III in Campbell's MASKS OF GOD series, tells this story: how Western mythology turned slowly away from polytheism, the transcending of duality, and God's immanence, and toward monotheism, the ontology of duality, and God's transcendence.

Before tackling Christianity, Campbell spends several chapters on its predecessor faiths. We see how Judaism emerges from the scraps of the so-called Jahwist (J), Priestly (P) and Elohim (E) texts, and how the priests who pooled these various tales together created a single mythology for the Hebrew people. Campbell spends a fair clip on the subject of Freud's MOSES AND MONOTHEISM: Did the Great Prophet really exist, and if so, was he Egyptian or Hebrew?

Campbell seems to detour when he takes up the Greek and Roman religions, but we soon realize that it's not as much of a detour as we have fancied. Campbell, following Jane Ellen Harrison's PROLEGOMENA TO THE STUDY OF GREEK RELIGION, argues that Greek mythology began as a group of Goddess-centric mystery cults (of which the Eleusinian, Orphic and Dionysian traditions became the last remaining vestages), and that beginning with Homer, the Greeks edged closer to a monotheistic, paternalistic religion; Zeus' slaughtering of the Titans, the children of the Earth Goddess Gaia, is symbolic of this conquest, and Campbell points out the parallels to the Babylonian God Marduk's slaying of Tiamat, and Yahweh's conquest of the sea-serpent Leviathan. This conquest of the Goddess is driven, Campbell argues, by the rise of the warrior-king - conquerers like Babylon's Hammurabi who used religion to give their invasions the imprimatur of Heaven, necessitating that their faith serve as man's "One True Religion". The Greeks, however, managed to avoid such dogmatism, their religion kept sober by the cool light of reason, bringing a detente between religion and science which has been repeated in few cultures since.

Campbell spends a number of pages on Zoroastrianism. Unlike the Jewish tradition, in which both good and evil flow from God, the prophecies of Zoroaster cast reality as a battle between Ahura Mazda's forces of Light and Angra Mainyu's forces of Darkness - a battle which would end in a single tumultuous war with the triumph of Ahura Mazda. Zoroaster set the stage for the Jewish doomsday cult of the Essenes, and for the foremost apocalyptic prophet of the era: Jesus of Nazareth. We see the message of Christ evolve as it flows through Paul, and then through the councils of the 3rd-5th centuries A.D. Along the way, Campbell delights us with more of his lateral thinking, detailing how the myth of the Disappearing God appears both in the stories of Jesus' resurrection as well as the sudden evaporation of Romulus, the founder of Rome.

In documenting the rise of Christianity, Campbell also shows us all the "heresies" that we lost: the Greek and Roman pantheons; Gnosticism, a "Buddhism for the West", with Christ assuming the role of Shakyamuni; the minor doctrincal differences regarding reincarnation and the bodily existence of Christ that were converted into high crimes. The book finishes with a chapter on Islam, in which Campbell brings the remarkable rise of Mohammed's prophecy to life, and shows how the tradition of immanence nearly lost with the suppression of Gnosticism and the Grecian mystery cults managed to live on in the works of the great poets of Sufism.

While I love the MASKS OF GOD books, and find them a gentle read, the pages upon pages of stone carvings, bas-reliefs and statues can quickly wear down the eyes and the mind. Campbell keeps the pace brisk, but this is still not a book you read in a single sitting. While Freud, Jung and Nietschze make their obligatory appearances, Campbell keeps the psychological theorizing in this volume to a minimum, content to let history tell its own story.

Many Christian authors have accused Campbell of blaming Judaism and Christianity for all the world's ills. But Campbell does the exact opposite: He shows how these religions were part of an inexorable - and, perhaps, inevitable - shift in the religious thinking of the West. This won't satisfy Christian traditionalists bent of proving the "uniqueness" of Christianity, but it will delight students of comparative mythology who seek to understand how religion became a tool of oppression.

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46 of 49 people found the following review helpful:
5.0 out of 5 stars Complex and rewarding read......, May 16, 2004
This review is from: The Masks of God, Vol. 3: Occidental Mythology (Mass Market Paperback)
When Joseph Campbell died, we lost a treasure. Campbell spent years building his vast knowledge of myths and thankfully, committed much of his distilled knowledge to writing. OCCIDENTAL MYTHOLOGY is one of three major works the author compiled about the history of the myth and is part of the THE MASKS OF GOD series. In OM Campbell reinforces the compelling case he made to Bill Moyers and through his writing, that we need to look beyond the masks if we would truly know `the thing that stands behind'. In the`Masks of the Gods'series, Campbell synthesizes much of the archeological, linguistic, and theological material discovered and analyzed in the 20th Century, to elaborate and modify many themes found in Sir James Frazier's GOLDEN BOUGH written almost a century earlier.

Campbell organizes his series historically across space, showing how the beliefs of one age and place influenced those of another. In OM he discusses in great depth and with scholarly wisdom how the religions of the Levant were shaped by internal and external forces, and how in turn religious movements that originated in the Middle East interacted with the beliefs of the various peoples of Europe. Religious beliefs apparently do not travel one-way. Among other aspects of religious transmission, Campbell discusses the process of `mythological defamation' the priests of newer religions employ to attempt to demonize the old religions. Using art forms such as statuary and painting, Campbell also demonstrates how themes and ideas from older religions survive in the guise of the newer religion as elements of the older religion become incorporated into the newer religion (if you can't demonize it, incorporate it). Some of the more interesting transformations in the West involve the snake, the Goddess, and the risen Lord, which have an ancient history.

After revealing how the attributes of one religion after another became incorporated in a succeeding religion (Christianity and Islam are covered), Campbell summarizes his thesis. It seems a core theological issues is this: If a Higher Power exists, is it (he/she) transcendent or immanent? The transcendent God is "out there" while the immanent God is "down here". In other words is God, part of his or her creation? Thousands of people have died fighting over this and other difficult questions.

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44 of 49 people found the following review helpful:
5.0 out of 5 stars The Passion of the Western Soul, November 28, 1998
By A Customer
This review is from: The Masks of God, Vol. 3: Occidental Mythology (Mass Market Paperback)
I cannot overrate the depth & breadth of Campbell's insights.This book is at once visionary and scholarly, passionate and detached:in sum, it reveals the powerful (under)currents that helped to shape our minds and hearts into what we are. From Persia and Israel, from Greece and Rome, through the crucible of Norse and Irish mythologies of the Middle Ages-this book ends with Zarathustra's words "By my love and my hope I beseech you-do not forsake hero in your soul!"
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Inside This Book (learn more)
First Sentence:
The geographical divide between the Oriental and Occidental ranges of myth and ritual is the tableland of Iran. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
lunar bull, ritual regicide, cosmic sea
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Ahura Mazda, Bronze Age, Near East, Old Testament, Angra Mainyu, Asia Minor, Primitive Mythology, King of Kings, Dead Sea, Jesus Christ, Two Queens, Arda Viraf, Far East, Great Mother, Iron Age, New Testament, King Darius, Middle Ages, Chosen People, The Masks of God, Zervan Akarana, Book of Genesis, Gaumata the Magian, Good Mind, Indus Valley
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