Massenet - Roma / Tamar · Mok · Arginbaeva · Rivenq · Ellero D'Artegna · Guidarini [Import]

Jules Massenet (Artist), Marco Guidarini (Artist), Iano Tamar (Artist), Warren Mok (Artist), Orchestra Internazionale d'Italia (Artist), Bratislava Chamber Choir (Artist), Svetlana Arginbaeva (Artist), Nicolas Rivenq (Artist), Francesco Ellero D'Artegna (Artist), Francesca Franzil (Artist), Carmelita Mitchell, Jean Vendassi, Giacomo Rocchetti Angela Masi (Artist) | Format: Audio CD

Product Details

• Audio CD (March 1, 2000)
• Number of Discs: 2
• Format: Import
• Label: Dynamic Italy
• ASIN: B00004OCGU
• Average Customer Review: 2.7 out of 5 stars  See all reviews (3 customer reviews)
• Amazon Best Sellers Rank: #490,516 in Music (See Top 100 in Music)

Track Listings

Disc: 1

1. Roma, tragic opera in 5 acts: Overture

2. Roma, tragic opera in 5 acts: Act 1: 'O tristes jours!'

3. Roma, tragic opera in 5 acts: Act 1: 'Quel est ce lieu, Galla?'

4. Roma, tragic opera in 5 acts: Act 1: 'Vingt blessures n'ont pu ternir l'ardente flamme'

5. Roma, tragic opera in 5 acts: Act 1: 'Nous suivrons ton exemple'

6. Roma, tragic opera in 5 acts: Act 1: 'L'Oracle a parlé'

7. Roma, tragic opera in 5 acts: Act 1: 'Regarde...'

8. Roma, tragic opera in 5 acts: Act 2: Introduction

9. Roma, tragic opera in 5 acts: Act 2: 'Ainsi donc, si vos yeux découverent la coupable'

10. Roma, tragic opera in 5 acts: Act 2: 'A vos ordres'

See all 17 tracks on this disc

Disc: 2

1. Roma, tragic opera in 5 acts: Act 3: 'Non, l'amour fut l'amour'

2. Roma, tragic opera in 5 acts: Act 3: 'Qu'un męme instant tous deux'

3. Roma, tragic opera in 5 acts: Act 3: 'Suivez-moi, tout est pręt!'

4. Roma, tragic opera in 5 acts: Act 4: Introduction

5. Roma, tragic opera in 5 acts: Act 4: 'O ma Fausta si chčre!'

6. Roma, tragic opera in 5 acts: Act 4: 'Fille des Fabius'

7. Roma, tragic opera in 5 acts: Act 4: 'Ne me refusez pas, hélas'

8. Roma, tragic opera in 5 acts: Act 4: 'Ecoutons Fabius'

9. Roma, tragic opera in 5 acts: Act 4: 'Posthumia!...'

10. Roma, tragic opera in 5 acts: Act 4: 'Aux voix!'

See all 14 tracks on this disc

Customer Reviews

Most Helpful Customer Reviews

6 of 6 people found the following review helpful:

5.0 out of 5 stars Massenet Gem, November 11, 2002

By 

Scott Jelsey "tscott2" (Houston, TX United States) - See all my reviews

This review is from: Massenet - Roma / Tamar · Mok · Arginbaeva · Rivenq · Ellero D'Artegna · Guidarini (Audio CD)

Have to chime in on this one, partly to offset some of the other reviews. Roma is a very enjoyable opera in the late Massenet style. The singing is generally outstanding and the recording is clear and very vivid. There is some stage and audience noise, but nothing too distracting. Massenet may not be breaking new ground here, but there is some colorful music along the way, and it's never boring. A must for Massenet devotees.

13 of 18 people found the following review helpful:

1.0 out of 5 stars Not everything merits digging up!, March 13, 2000

By 

Julian Grant (London, Beijing, New York) - See all my reviews
(REAL NAME)   

This review is from: Massenet - Roma / Tamar · Mok · Arginbaeva · Rivenq · Ellero D'Artegna · Guidarini (Audio CD)

I have a soft spot for Massenet and enjoy searching out his lesser known operas, but this, the last to be premiered in his lifetime, really sounds as if the bottom of the barrel is being well and truly scraped. In recent years the Festival Massenet have explored some of the late operas with varying success - 'Amadis' (see my review) was memorable, 'Cleopatre' less so even though it had its moments, and this may have prompted the festival at Martina Franca to explore further - this recording is of a live performance there. 'Roma', premiered in 1912, is based on a play that Massenet had seen 35 years earlier - and had been a vehicle for Sarah Bernhardt, who played the role of the blind grandmother Posthumia (this sounds as if it would be better featured in 'A Funny Thing Happened on the way to the Forum' - I can just see Zero Mostel in the part) , who stabs her grand-daughter, a sinning vestal virgin to save her from being buried alive - I'm sure this play must have been dated even then, as an opera plot it looks back to Italian versions of Ancient Rome by Donizetti, Pacini and the like c. 1840 - what Massenet is doing with it in 1912 (the year before the 'Rite of Spring' - is a wonder, and a worry! The musical invention is so thin it is almost non-existent - a prescription, rather, in how to cook up an opera and taking the line of least resistance throughout - Massenet sounds terminally exhausted and is unable to rise even to the melodramatic intervention of Posthumia in her Granddaughter's trial. Only in the love music in the third act do things charge up a little - but it's pale stuff (self-quotations mostly) compared to 'Werther' or 'Manon' - or even as yet unrecorded Massenet operas such as 'Ariane' and 'Bacchus'.

The recording quality is variable - an underlying vibration comes and goes (traffic outside the theatre?) the orchestral playing is adequate, some of the singing more than that - particularly Iano Tamar's vestal virgin and the cameo of a slave from Gaul sung by Jean Vendassi. But this opera is a lost cause - Massenet's reputation is not well served by such a sorry exhumation.

5 of 8 people found the following review helpful:

2.0 out of 5 stars Well ..., April 11, 2002

By 

Andrea Moreno (Syracuse, NY United States) - See all my reviews

This review is from: Massenet - Roma / Tamar · Mok · Arginbaeva · Rivenq · Ellero D'Artegna · Guidarini (Audio CD)

The audio balance (or whatever it's called) on this recording is so awful, it kills whatever good is going on. The higher voices are clear and upfront enough, the orchestra - which thankfully is interesting and expressive - is VERY loud, the bass and baritone leads sound like they are singing as loudly as they can from back stage. I think Francesco Ellero d'Artegna (bass) and Nicolas Rivenq (baritone) might have voices too small for the parts anyway, but really it's hard to tell. I might recommend this only if you like Massenet and are not acquainted with mighty soprano Iano Tamar. Her diction is not clear but she is a sensual and fearless singer and I've come to like her very much. A better vehicle for her is I think the Pacini opera "L'ultimo Giorno di Pompei", another live recording from Martina Franca that is lovely in every regard.