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Wilson nails down the essential creepiness of true fandom with the inclusion of such artifacts as an entirely genuine boxful of inadvertently deliriously funny fanmail for "New Kids on the Block": the tragically illiterate x-rated writings of desperate, usually suburban, adult women to teenage boys.
Her observations appear in chapter-length discussions of Elvis in Vegas; the ever more bizarre persona of Michael Jackson and its psycho-sexual origins; and the LA and New York commonplace of the rabidly, shamelessly ambitious aspiring actor, who defines degradation down in a quest for fame.
Wilson argues that celebrity culture is not only toxic to the egos and even physical well-being of celebrities, but also to ordinary folk, ceaselessly encouraged to regard their own lives as inherently shabbier and less important, going undocumented in gossip columns and tabloids.
Wilson's rages at celebrity culture are startlingly real, and produce unforgettably, cruelly funny putdowns of figures from divas Barbra Streisand and Celine Dion, to Siegfried & Roy, as the quintessence of the degraded Las Vegas performer. One can only wonder at what private events befell Wilson to produce this magnificent fury at the fame machine, and a wild attack on its cogs and wheels.
Easily one of the most uproarious and literate works of pop cultural commentary available. Wilson is a true original.
I was unfamiliar with Cintra Wilson's Salon column when I read "A Massive Swelling," but it doesn't surprise me that the book functions somewhat as an anthology of past writings. It does have that feel to it. I definitely don't think this weakens the book for the newcomer to her writings. I think it's a good sign that folks are mostly upset about not finding newer works from her. It just means we're all looking forward to what she has coming up next.