Review
"One of Fugard's most universal works of theatre. It operates on two levels: as the story of a loving but lacerating relationship between a black man and a white boy; and . . . as a powerful political statement about apartheid." —Mel Gussow,
New Yorker
"The greatest active playwright in the English-speaking world." —
Time
"In
'Master Harold' . . . and the boys the author has journeyed so deep into the psychosis of racism that all national boundaries quickly fall away, that no one is left unimplicated by his vision. . . . Mr. Fugard has forced us to face point-blank, our capacity for hate . . . but we're also left with the exultant hope that we may yet practice compassion without stumbling. . . . The choice, of course, is ours. Mr. Fugard's wrenching play, which insists that we make it, is beyond beauty."—Frank Rich,
The New York Times "An exhilarating play . . . a triumph of playmaking, and unforgettable!" —
New York Post
About the Author
Athol Fugard was born in South Africa in 1932 and is an internationally acclaimed playwright. His best-known plays include
Bloodknot (1961);
Boesman and Lena (1969);
Sizwe Bansi Is Dead (1972);
The Island (1973), and
My Children! My Africa! (1989).