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Most Helpful Customer Reviews
49 of 56 people found the following review helpful:
4.0 out of 5 stars
Another good solid Dio disc, better than most junk out there,
By
This review is from: Master of the Moon (Audio CD)
It's 2004. Return Craig Goldie again for a third go around in the band. Exit long time bassist Jimmy Bain. On this album, Jeff Pilson plays bass, but he was only intended for the album - the touring and formal bassist is now Rudy Sazro. Oh yeah, the album... :)
At first I didn't like this album. It took some listening to get into. I initially didn't like it. After Killing the Dragon being a very accessible disc that felt a lot like Holy Diver, we got Master of the Moon, which other than one track wasn't (to me anyway) very listenable. However, that changed over a few listens. My favorite tracks are The Eyes (which was the song I initially liked), plus Shivers, One More for the Road, and Living the Lie. It is a Dio album - there's no doubt about that. Which means it's good - Dio albums are always solid, good work. However, I was not a fan of the political song on here - "The Man Who Would be King", which is about George W Bush. I don't mind the message, but the song itself is my least favorite on the disc. Been a Dio fan since Day 1. Bought Holy Diver when it was new, and bought all the other ones when they came out. Given I also run www.black-sabbath.com , I'd like to say that I know Ronnie Dio well. This is up there with the good ones, but it didn't catch me quickly at first - I think if you dismiss it after just one or two listens, you're not giving it enough of a chance.
17 of 19 people found the following review helpful:
5.0 out of 5 stars
Wow!,
By
This review is from: Master of the Moon (Audio CD)
This is the best Dio cd since "Holy Diver"! There have been many great moments in the history of DIO, and this cd stands tall among them. Every track is incredible! Great lyrics, tight band, and the amazing vocals prowess of Mr. Dio make this a must-have cd for any fan of hard rock.This is also my favorite cover-art since "Dream Evil". All I can hope for is an extensive US tour to support this cd! Buy this - you won't be disappointed! Thank you, DIO for continuing on after 20 + years!
16 of 19 people found the following review helpful:
5.0 out of 5 stars
Sabbath, Rainbow, Dio...it's all Here!,
By Greg B. (Detroit, MI) - See all my reviews
This review is from: Master of the Moon (Audio CD)
Preface: This aint Magica or Killing the Dragon, Dio's two most
recent and rather bland offerings. This is definately a comeback. If you gloss over most of this review, at least read "Shiver". Ronnie James Dio is Sixty-Plus years old. His voice was recorded on Vinyl before the Beatles. With nearly 50 years in the business of Rock and Roll, Dio has seen it all. Literally. "Master of the Moon" is his latest studio product. I use the term "Product" because Ronnie does. I really dislike when muscians speak of "Product." It hints of silent contempt. However, if MotM is product, it is skillfully crafted. "One More for the Road" We begin the album with a Riff that immediately reminds us of Rainbow, with Blackmore at the helm. Classic Dio harmonies. RJD's voice is showing only the tiniest signs of age, and this is evidenced only when he tries to nail the high or sustainy notes. He seems to do this often on MotM. I'm skipping ahead now, so I'll sum up OMftR by saying this rocks. It is classic Rainbow. ***** "Master of the Moon" A real march towards melody. This song seems theatrical to me, as if I were watching a Rock Opera. This is not a bad thing at all. Choppy Riffing manages to come off as fresh. Is RJD's voice showing signs of age? Maybe I'm just obsessed with finding signs? When I forget to think about it, RJD's voice is tip-top. **** "The End of the World" As the album progresses, I am amazed at the Riffing. There is real creativity back in the Dio camp. I keep finding myself going "Wow, I haven't heard that before!" I like the lyrics of this track. It's making fun of me (an admitted conspiracy theorist with a smattering of Eschatology.) Nothing really great here though. *** "Shivers" Hold on to your seats, Dio's going to rock you properly. Fresh, Fresh Fresh. The title is apt, this song really does give one the shivers, the kind you get when something you love has returned, and it is every bit as great as the bits that made you love in the first place. Sabbathy Riff with lyrics you might imagine Ozzy singing, actually. There's a really cool keyboard effect in this song. Pinch-harmonics and flashy playing during the solo remind you that you're listening to Dio, and not Sabbath. Really clever lyrics on this track and the vocal melody is interesting. This is the track that will define this album. "Last in Line" "Rainbow in the Dark" and "Shiver" ! ***** "The Man Who Would Be King" Dare I say an Elf-ish intro? Piano. Yep, Piano. Strings. The intro readies us for something awe-inspiring like "Last in Line." It doesn't deliver. The pacing is all wrong. Plodding power-chord abuse. Lyrics are good, if you can handle some Political commentary from RJD. This is ultimately just too "Magica" for my tastes. The intro really had me geared up for something extra. ** "The Eyes" More strings back a muted monotone riff. Talk-box effects decorate the beats between verses. This is starting to remind me of Kashmir, but without the hypnotic grab that Kashmir can claim. Lyrics aren't very noteworthy, sort of "What is he talking about?" that we're used to from RJD filler material. For filler, it's a keeper. At around 5:00, this song introduces it's hook. Sort of an "Hey Jude" ending with ooohs instead of naahs. Any song that has this sort of ending steps itself up a notch. The riff behind this section is beautifully dark and heavy. **** "Living the Lie" Fast. "Stand Up and Shout" "We Rock" More shivers here. This is good. Very melodic. Reaching a break-down, there is a mis-step lyrically. Just a little akward. Solo smokes, and back to the rocking. Classic Dio. **** "I Am" Whitesnake Intro, "Slow and Easy". Another "March" sort of beat. This is really a re-write of "I" from Dehumanizer. Anthemic chorus. No really great riff here, unlike "I" which is rifftastic. This is the type of the song where you wait around for the chorus. Not that the verses are really bad or dull, just noting special. *** "Death by Love" Great Riff opens DBL. Stars and gypsy queens immediately. "Lady Evil" memories here. Perhaps "Tarot Woman." Now this baffles me, at the chorus the bass drops out totally. It's not very long, but long enough to be disturbing. There's a really sweet guitar fill ala "Temple of Syrinx" by Rush, or "Ten Years Gone" by Zep. I really admire RJD's commitment to staying in a higher-register key. A lot of older singers will start writing in D and then drop that down to a F in concert. Not RJD. I'm giving this *** but could probably pass for a four. "In Dreams" Blackmore and Iommi enter holy matrimony and create a real fusion song here. Dio's voice is really outstanding on this track, not for range, but sustain and vibrato. Ah! They through a bit of flange on him for a bit which was really cool. **** In Summary: This album is classic Dio. It is also Classic Dio-Era Sabbath. It is also Classic Rainbow. Hell, for a minute or two, it's even Classic Elf. This is a real return to songwriting for Dio and crew. It's a return to Riff Rock and MELODY for crying out loud. It's the kind of album I've been silently begging for aging acts to make for years. It is not boring like many of RJD's solo albums since Last in Line. It is also not "Just one or two tracks." You can really sit down and enjoy this album from start to finish. If this is product, then keep producing and I'll keep consuming. Dio doesn't "Still know how to rock." He remembered how to rock and brought it to us once again. -Greg B.
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