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20 Master Plots and How to Build Them [Hardcover]

Ronald Tobias (Author)
3.9 out of 5 stars  See all reviews (50 customer reviews)


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20 Master Plots: And How to Build Them 20 Master Plots: And How to Build Them 3.9 out of 5 stars (50)
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Book Description

0898795958 978-0898795950 September 15, 1993 1st
Presents 20 fundamental plots that recur through all fiction -- with analysis and examples -- outlining benefits and warnings, for writers to adapt and elaborate in their own fiction.


Editorial Reviews

About the Author

Nina Amir, the president of CopyWright Communications (www.copywrightcommunications.com), is a seasoned journalist, editor, author, blogger, writing coach, workshop leader, and speaker with more than 30 years of experience in the publishing field. She is the founder of Write Nonfiction in November, a blog and writing challenge, and currently writes four other blogs, including How to Blog a Book and Write Nonfiction Now! Amir has edited or written for more than 45 local, national, and international magazines, newspapers, e-zines, and newsletters, producing hundreds of articles. Her essays have been published in five anthologies.

Amir also has a proven track record as a book editor. One of her client?s books, Enlightened Leadership by Ed Oakley and Doug Krug, was self-published and then purchased and re-released by Simon & Schuster; it has sold more than 230,000 copies to date. Another, Radical Forgiveness by Colin Tipping, won the 1998 Writer's Digest Self-Published Book Award and went on to sell 115,000+ copies. Amir now resides with her husband and two children in the Santa Cruz Mountains in Los Gatos, CA. Visit her website at www.ninaamir.com. --This text refers to the Paperback edition.


Product Details

  • Hardcover: 240 pages
  • Publisher: Writers Digest Books; 1st edition (September 15, 1993)
  • Language: English
  • ISBN-10: 0898795958
  • ISBN-13: 978-0898795950
  • Product Dimensions: 9.1 x 6 x 1 inches
  • Shipping Weight: 1.2 pounds
  • Average Customer Review: 3.9 out of 5 stars  See all reviews (50 customer reviews)
  • Amazon Best Sellers Rank: #214,860 in Books (See Top 100 in Books)

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Customer Reviews

50 Reviews
5 star:
 (23)
4 star:
 (13)
3 star:
 (5)
2 star:
 (5)
1 star:
 (4)
 
 
 
 
 
Average Customer Review
3.9 out of 5 stars (50 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

113 of 118 people found the following review helpful:
5.0 out of 5 stars Most excellent book for the aspiring amateur novelist, January 24, 2004
By 
Patrick Thompson (Sydney, NSW Australia) - See all my reviews
(REAL NAME)   
If you've looked inside the book yet then you've noted the twenty master plots that are exposed in this book. So I won't list them here.

For each one there is an example, an analysis of the example and a three-act structure for using the plot. There is also a checklist at the end of each plot so you have some idea what you should be doing to develop this plot in a successful manner.

eg plot 3 the pursuit: the checklist is
* the chase is more important than the people who take part in it
* Make sure there's a real danger of the pursued getting caught
* your pursuer should have a reasonable chance of catching the pursued; they may even catch them momentarily
* rely heavily on physical action
* Your story and your characters should be stimulating, engaging and unique
* Develop your characters and situations against type to avoid cliches
* keep your situations as geographically confined as possible; the smaller the area the greater the tension
* The first dramatic phase should have 3 stages. a) establish the ground rules for the chase b) establish the stakes and c)start the race with a motivating incident

okay this book does a slightly cookbook feel about plot developement, but for those new to the game, what's wrong with getting a little support and help? Consider it a training manual for plotting! And sure you might not agree with the checklists and the manner...but don't you see, that it's getting you thinking about it too! So even if you hate it, you still gain because it pushes you to refute or accept or partially accept what it presents, and this requires effort. Effort creates thought, which leads to understanding and the development of your own ideas! So where's the problem! The only problem is if you're looking for a 'do-it-for-me'...sorry you miss out here.

Apart from the exposition of each of the 20 plots there are chapters (as listed in the table of contents) involving triangular relationships, structure, motivations, the basics of plotting: the things that are always the same.

Seriously for $10 you get a lot of book. It has some really useful content here. I am an engineer and have written two fictional novels (neither published, since I never realy tried to get them published). Yeah scary huh? A literate engineer! That aside, it appeals to my 'generalize the solution space' nature and make a solution that is readily acceptable, decipherable and accessible (there was once a british engineer who went to the local library, found out the most popular childrens books, analyzed them for the common characteristics and plots and then wrote his own...hey it's ugly but it worked!)

Just remember that there is no substitute for actually writing. Nothing will write for you. It is not a panacea. It won't give you ideas nor will it make you a good wordsmith. It will guide and help you to develop one of the major stumbling blocks in writing: having a story that actually goes somewhere (you just have to be sure you avoid being 'formulaic' and applying a given plot too rigidly- remember it's a guide, not a blueprint!). Great characters doing nothing don't interest too many poeple outside of the literary criticism clique. I'm sure it makes them cringe because one doesn't do these things...circumventing the process of suffering for ones art.

Great value for money, well written, using examples we all know and it's cheap. What more could you want? Definitely 5 stars!

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52 of 54 people found the following review helpful:
3.0 out of 5 stars Unique idea, a great guide to own, but falls a bit short, December 18, 2004
'20 Master Plots: And How to Build Them' is a well thought out idea that falls a little short in it's delivery, but in the end saves itself through originality.

The first chapter, titled 'Invisible Fiction', sets the mood for what's to come. The author expresses his opinions on plots and the many forms, how they all originate from a top three to be broken down into a 'top 20' for easier following. Chapter two, ' The Lowest Common Plot Denominators', discusses building tension through opposition, the three sections of a story (beginning, middle, and end), and other crucial things a plot requires to stay alive. Chapter 3, 'The Strong Force', is short in length, basically informing the reader what a 'character driven plot is' versus a 'plot driven' one.

Chapter four, 'Deep Structure', focuses on themes and moral arguments, while chapter five, 'Triangles', is an interesting, unique way to see characters and how they interact with each other.

After this, we finally begin the '20 plots', each divided by chapter. Each goes through all three 'acts' of the plot (again: beginning, middle, end), ending with a checklist to recap all that has been learned.

The wrap up chapter, 'Parting Shots', reminds you that the book is not a guide etched in stone and that rules are made to be broken. It's also stated that many times a plot is a mixture of two or more basic '20 Master Plots'.

At 232 pages, this book covers quite a bit. I was enthused as the sections, and recognized many of the 'patterns', but was left wanting in other areas. The information was useful, but if you read it straight through, many of the plot types repeat the same thing and it becomes redundant and dull. Also, some held examples of other novels and stories to illustrate what the author meant. I loved this; it enabled me to get a firmer grasp on things. Unfortunitely many of the plots don't have as many examples, or none at all, and I missed it when they did.

Wrapping up, this is a great resource guide for writers. If you have trouble with plotting, pick this up for a reasonable price. Heck, even if you don't, still pick it up for there are things out there you may not know about yet. On the downside it wasn't the most interesting thing to read, was a bit redundant, other times not being consistent enough.


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62 of 67 people found the following review helpful:
5.0 out of 5 stars The ONLY book on writing that helps in a practical way, December 15, 2000
By 
Claudia Summer (Puget Sound, USA) - See all my reviews
This review is from: 20 Master Plots and How to Build Them (Hardcover)
Ronald B. Tobias must have written this book with me in mind. I've published and edited non-fiction for years, but now trying my hand at writing fiction. Scary! I usually advise people to stay away for books on how to write, believing it can't be taught. But Tobias chops through the undergrowth and reveals very practical information on structuring your work.

Almost all of the books I've worked on as inhouse editor suffer from lack of structure. Intelligent people seem clueless when it comes to shaping their manuscripts and making them commercially viable. 20 Master Plots offers much more than plot ideas. It succinctly puts forth a wealth of information on how to think about what you're doing and where you are going with your work. I'm so jazzed by this book, I woke up after three hours' sleep to write this review and get back to my novel. Exciting!

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Inside This Book (learn more)
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First Sentence:
The shelves of libraries are stacked with the stories of centuries, but out in the street, the air swarms with newly made fiction. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
second dramatic phase, first dramatic phase, metamorphosis plot, underdog plot, maturation plot, motivating incident, rivalry plot, pursuit plot, rescue plot, quest plot, master plot, adventure plot, wretched excess, dramatic phases, character triangle
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Don Quixote, Killer Whale, Act One, Act Two, Golden Fleece, Indiana Jones, Anna Karenina, Red Chief, Two English Gentlemen, Death Wish, Emma Bovary, Michael Douglas, Act Three, Frog King, Henry James, Our Lady's Child, The Three Languages, Agatha Christie, Owl Creek Bridge, Will Kane, Billy Hayes, Fatal Attraction, Garden of Eden, Gregor Samsa, Judah Ben-Hur
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Front Cover | Table of Contents | First Pages | Index | Back Cover | Surprise Me!
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