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Master Shots: 100 Advanced Camera Techniques to Get an Expensive Look on Your Low-Budget Movie [Paperback]

Christopher Kenworthy
4.0 out of 5 stars  See all reviews (96 customer reviews)


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Master Shots Vol 1, 2nd edition: 100 Advanced Camera Techniques to Get an Expensive Look on Your Low-Budget Movie Master Shots Vol 1, 2nd edition: 100 Advanced Camera Techniques to Get an Expensive Look on Your Low-Budget Movie 4.7 out of 5 stars (16)
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Book Description

January 1, 2009
Master Shots gives filmmakers the techniques they need to execute complex, original shots on any budget. By using powerful master shots and well-executed moves, directors can develop a strong style and stand out from the crowd. Most low-budget movies look low-budget because the director is forced to compromise at the last minute. Master Shots gives you so many powerful techniques that youll be able to respond, even under pressure, and create knock-out shots. Even when the clock is ticking and the light is fading, the techniques in this book can rescue your film and make every shot look like it cost a fortune. Each technique is illustrated with samples from great feature films and computer-generated diagrams for absolute clarity.


Editorial Reviews

Review

THIS BOOK SHOULD BE BANNED! These are the really cool tricks and techniques of shooting that professional directors keep secret just for themselves to use. Why should they be given away for a few dollars? --John Badham, Director Saturday Night Fever, WarGames, Author, I'll be in My Trailer

Product Details

  • Paperback: 227 pages
  • Publisher: Michael Wiese Productions (January 1, 2009)
  • Language: English
  • ISBN-10: 1932907513
  • ISBN-13: 978-1932907513
  • Product Dimensions: 7.5 x 0.6 x 11 inches
  • Shipping Weight: 1.2 pounds
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (96 customer reviews)
  • Amazon Best Sellers Rank: #304,886 in Books (See Top 100 in Books)

More About the Author

Christopher Kenworthy was born in Preston, England in 1968, but now lives in Western Australia. His short stories have appeared in Interzone, The Third Alternative, The Time Out Book Of Paris Stories (Penguin), Neonlit (Quartet), The Agony & The Ecstasy (Sceptre), The Ex-Files (Quartet), A Book Of Two Halves (Gollancz), The Tiger Garden (Serpent's Tail), Year's Best Horror (DAW Books), the Event Horizon web site, and many others."

Customer Reviews

It really is just like learning all of the magician's tricks in one book. Devin M. Watson  |  30 reviewers made a similar statement
It might also be helpful for actors and aspiring screenwriters. Shevi  |  8 reviewers made a similar statement
Most Helpful Customer Reviews
40 of 42 people found the following review helpful
5.0 out of 5 stars Great help to visualizing your film February 19, 2009
Format:Paperback|Amazon Verified Purchase
For the beginner or occasional filmmaker, this is a great book. Essentially it is an encyclopedia of master shots, a hundred of them. Most are illustrated with stills from various films and with 3D models created in Poser 7.

The author provides details about how the shot is set up, the feeling the shot is intended to convey and pertinent information. Kenworthy deliberately stays away from things like lenses, equipment, lighting and so on.

His point is that the shots can be accomplished with any kind of camera. It is the point of view that matters and the action that establishes the meaning of the shot and advances the story.

Master Shots is definitely an aid to the beginning filmmaker or those who shoot only occasionally and could you a bit of assistance in visualizing how to tell their story.

For a very reasonable cost, you have a hundred classic master shots diagrammed and explained for you. Good deal.

Jerry
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25 of 25 people found the following review helpful
5.0 out of 5 stars A Great Collection of Templates for your Movie Project November 26, 2008
Format:Paperback|Amazon Vine™ Review (What's this?)
I'm impressed with the basic idea behind this book, it is simple, focused, and opens the door to creativity. The author takes a focused look at camera shot solutions pros have used to convey the story to the viewer. It would make brilliant text for an intro film class because it makes you concentrate on how you are turning your written script into visual medium. When I first got it I thought it would be just a bunch of plug in stock shots that you could link together to make a movie, but the author describes each shot and the reasoning behind it so you end up borrowing, adjusting and adding to the examples to get what you need. It definitely does not kill creativity.

The examples are great. Each takes a scene from a well known movie (the Shining, Enemy at the Gate, Children of Men,) then breaks it down into a generic graphics showing camera angles and actions. This helps clarify how and why the director staged the shot in this way. Also each example has a paragraph that explains why this works for the viewer and how camera work adds to the scene.

The book seems well balanced, it covers everything from fights and chases to love scenes. Personally I am not looking to do any action films, so fighting and such was not that important, but the sections on shooting dialog and car shots were invaluable. I read through this book while storyboarding my project and whole scenes fell together. And most importantly, I didn't feel like I was painting by numbers. More like, the template shots planted seeds which grew to be very personalized and perfect for my story.

A great book for anyone new to or a student of film.
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95 of 119 people found the following review helpful
Format:Paperback|Amazon Vine™ Review (What's this?)
I'm a film student (not the rich, fortunate, private school kind) and I was REALLY excited to receive a copy of this book. I realize this book is not about certain shots being limited to a particular example, but also giving you ideas to expand on. However, I was slightly disappointed. Don't get me wrong, this book is still helpful, but I'm having a hard time understanding who this book is MAINLY targeted towards to.

First of all, even if you follow the "techniques", your low budget film will still look low budget if you don't have the proper equipments (and believable actors, lighting, script, and the list goes on....) That's reality. This book alone is not going to give you that "expensive look on your low-budget movie". That's just a marketing tool. Just be aware of that. (This is not the reason I'm giving it a 3 stars!) If you do have a dolly track, Steadicam, or crane, THAT will give you an "EXPENSIVE" *LOOK* -- however, if you're trying to convey a STORY using those tools, then there has to be a meaning to it or feel natural; or else the audience will feel disconnected. That's what this book is here to help you with. It's all about the e-MOTION. (Get it? The motion has to convey the emotion.)

The author mentions about using long/short lens, focus pull, dolly. etc, so you better really have that ability down first or know the basics. If you try to go hand held on a consumer camera, unless you're going for the Blair Witch/Cloverfield style, it's still going to look BAD.

As far as camera techniques go, it just uses the same, common, existing shots several times (it could just be a simple motionless long shot, or tracking/panning and coming to a halt; but just used in different examples). If you're looking for mindblowing innovation, this is not it. I guess when I heard the term "camera techniques", I had the wrong expectation of thinking it would be several camera tricks; for example, like "The Vertigo effect" (dolly zoom). However, the techniques in this book rely heavily on directing the actor's movements (and sometimes post editing and using props/location/lighting shadows; I thought this book was supposed to teach CAMERA techniques? I mean sure, all those things are crucial to a cinematographer, but it doesn't necessarily pertain all to the camera itself). It will keep using things like dolly, long/short lens, low/high angle, close up, etc, but what this book goes over briefly is basically the motivation of when to use them. There's a lot of recycled shots, but the only difference is the situation.

The shots are broken down for these categories:
Ch. 01: Fight Scenes (8 shots total)
Ch. 02: Chase Scenes (10 shots)
Ch. 03: Entrances & Exits (8 shots)
Ch. 04: Suspense, Searching & Creeping (9 shots)
Ch. 05: Dramatic Shift (9 shots)
Ch. 06: Revelations & Discoveries (9 shots)
Ch. 07: Shock Horror (9 shots)
Ch. 08: Directing Attention (7 shots)
Ch. 09: Car Scenes (7 shots)
Ch. 10: Dialogue Scenes (8 shots)
Ch. 11: Arguments & Conflict (8 shots)
Ch. 12: Love & Sex Scenes (8 shots)

If you don't know how to shoot a person in a car scene (have the camera in front of the car, backseat, or passenger side...) and need "advanced" help from this book, then you really shouldn't be a DP. I mean, there's some really useful examples and subtle tips in this book, don't get me wrong, but I just find some shots to be a little redundant or so basic that it's not even worth mentioning (or cause it to receive an applause from the viewer to say, "Wow, that looked advanced.")

The 3D model (made with Poser 7) picture, with only arrows pointing, and only two or three screen STILLS at most, from the actual movie, wasn't really helping me to fully understand, especially when I'm not familiar with the movie. I thought it was kind of strange, and somewhat humorous, for the sex scene shots, they would actually make female 3D model fully nude and detailed (hide this away from your kids! Will somebody please think of the children?!? Sorry.), while the male 3D rendering has his pants on (not that I'm complaining or anything about the latter). I almost think the 3D renderings were just something the makers enjoyed doing for themselves. Even some movies I were familiar with, the author explains it differently or there were discrepancies with the 3D diagram (Romeo + Juliet, the camera was panning around, so shouldn't it be showing arrows instead of three different camera set-ups and cutting between them?). The book contains brief short paragraphs of the explanation than being in-depth. For some shots, the author doesn't even mention what the movie is from. It would have been better if he had the movie title (and possibly the timecode for the scene) next to the screen stills, just for better organization, instead of sometimes being mentioned in the paragraphs.

Sure, if this was a drawing art book then stills are fine, but for movies... not quite. Some were quite obvious and a 3D model was totally unnecessary. I mean, camera placement is pretty evident just by looking at the still picture; however, if you haven't seen the movie before, it's a little difficult to understand what the movement exactly is. It would have been nice if this book came with a DVD-Rom with sample clips of the movie or clips of the 3D models! I'm sure costs would be a problem, but I wouldn't mind paying extra for it.

The author obviously knows his stuff. I don't hate this book. However, I think it could be a lot clearer in some examples, especially the 3D models and stills, and be more consistent on the order of explaining and which movie it is from. Moreover, focus on a certain target audience (maybe add a "level of difficulty" rating of what the author thinks on each example) than try to be too broad with obvious basic/repetitive examples or too complex to pull off without having the right setup. Overall, I think this book is targeted more towards people who already understand the basics of filmmaking and willing to invest on the essential tools to truly fulfill these shots (do not rely on hand held shots), but just can't come up with anything besides keeping the camera still on a tripod and cutting between them. For professional cinematographers, this will just be a nice reference, a "reminder".

After further review, I guess I wouldn't mind giving this book a 4 stars. The author at least doesn't ramble, doesn't use too much jargon, and gets to the point. The book doesn't feel outdated and uses mostly contemporary movies such as Children of Men, Minority Report, Fight Club, Terminator 3 (Not sure why he used the worst one out of the series), Amelie, Crouching Tiger, etc.

I find it pretty amusing that other reviews/"authors" (mentioning in their review that they're a successful instructor in this type of field) seem to praise each other's book, but at the same time, they self-promote their own.
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Most Recent Customer Reviews
5.0 out of 5 stars the best in shots
Excellent book, killed it. It was very enjoyable and I learned a lot. In the future I will continue this writer, to see what else makes publications. Read more
Published 2 months ago by Israel Diaz Torralba
4.0 out of 5 stars Great for beginners, may be helpful for more advanced filmmakers
Master shots is an INCREDIBLE book for a beginner / intermediate filmmaker. It does not spend any time going on and on about the history and reasoning for doing this or that. Read more
Published 4 months ago by JB
4.0 out of 5 stars Master Shots
This book contains a mix of actual photos, as well as virtual images to go with the proper camera placement, and angle for the shot that you are trying to attain. Read more
Published 6 months ago by washman6044
4.0 out of 5 stars good for aspiring film makers
this book is very good for aspiring film makers. it gives good examples of the 100 different camera shots in this book with pictures from an actual movie, pictures from a 3d... Read more
Published 9 months ago by Jon Ruckman
1.0 out of 5 stars Don't waste your money
I got this book as a present and i was excited about it, even the format of the book (kind of panoramic) looked very promising. Read more
Published 10 months ago by hcd22
5.0 out of 5 stars A clear and practical guide to shooting movies
A very self-explanatory guide to setting up shots and composing scenes so they work in the editing room. Read more
Published 11 months ago by Jay S
3.0 out of 5 stars why i did not purchase this book
My problem was when I looked at the table of contents I noticed things like backwards dolly in the toc. Isn't a backwards dolly a reverse dolly? Read more
Published 13 months ago by Alphaboo
1.0 out of 5 stars GARBAGE social agenda book! DON'T BUY!
DON'T BUY!!!
It's a GARBAGE social agenda statement book under the guise of a film book!
Uses film stills then instead of truthfully rendering same, author inserts... Read more
Published 16 months ago by 137
4.0 out of 5 stars A great unvarnished crash-course
I was a bit skeptical of the digest format when I bought this, but it's a great little guide to adding some variety to your short productions. Read more
Published 16 months ago by Johnnycache
5.0 out of 5 stars Great book, a must have
This book is awesome, it's a must have for every filmmaker out there, it's good as a production guide when making the storyboard of your production, it comes with very clear... Read more
Published 19 months ago by Israel Cepeda
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