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Master Shots: 100 Advanced Camera Techniques to Get an Expensive Look on Your Low-Budget Movie Paperback – January 1, 2009


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Product Details

  • Paperback: 227 pages
  • Publisher: Michael Wiese Productions (January 1, 2009)
  • Language: English
  • ISBN-10: 1932907513
  • ISBN-13: 978-1932907513
  • Product Dimensions: 0.6 x 7.5 x 11.1 inches
  • Shipping Weight: 1.2 pounds
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (98 customer reviews)
  • Amazon Best Sellers Rank: #173,295 in Books (See Top 100 in Books)

Editorial Reviews

Review

THIS BOOK SHOULD BE BANNED! These are the really cool tricks and techniques of shooting that professional directors keep secret just for themselves to use. Why should they be given away for a few dollars? --John Badham, Director Saturday Night Fever, WarGames, Author, I'll be in My Trailer

More About the Author

Christopher Kenworthy has worked as a writer, director, and producer for the past fourteen years. He directed The Sculptor's Ritual, which played to sold-out screenings in Australia, received strong reviews and is now selling on iTunes. Christopher works on music videos, visual effects tutorials and commercial projects. He's the author of the best-selling Master Shots Vol 1, 2 and 3. He's the author of two novels and many short stories. Born in England, he currently lives in Australia.

Customer Reviews

It might also be helpful for actors and aspiring screenwriters.
Shevi
One look at this book will be enough to sell anyone who needs a little help in remembering just what they need for a shot.
Carbonadam
It really is just like learning all of the magician's tricks in one book.
Devin M. Watson

Most Helpful Customer Reviews

42 of 44 people found the following review helpful By Jerry Saperstein HALL OF FAMETOP 500 REVIEWERVINE VOICE on February 19, 2009
Format: Paperback Verified Purchase
For the beginner or occasional filmmaker, this is a great book. Essentially it is an encyclopedia of master shots, a hundred of them. Most are illustrated with stills from various films and with 3D models created in Poser 7.

The author provides details about how the shot is set up, the feeling the shot is intended to convey and pertinent information. Kenworthy deliberately stays away from things like lenses, equipment, lighting and so on.

His point is that the shots can be accomplished with any kind of camera. It is the point of view that matters and the action that establishes the meaning of the shot and advances the story.

Master Shots is definitely an aid to the beginning filmmaker or those who shoot only occasionally and could you a bit of assistance in visualizing how to tell their story.

For a very reasonable cost, you have a hundred classic master shots diagrammed and explained for you. Good deal.

Jerry
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26 of 26 people found the following review helpful By Bryan Newman VINE VOICE on November 26, 2008
Format: Paperback Vine Customer Review of Free Product ( What's this? )
I'm impressed with the basic idea behind this book, it is simple, focused, and opens the door to creativity. The author takes a focused look at camera shot solutions pros have used to convey the story to the viewer. It would make brilliant text for an intro film class because it makes you concentrate on how you are turning your written script into visual medium. When I first got it I thought it would be just a bunch of plug in stock shots that you could link together to make a movie, but the author describes each shot and the reasoning behind it so you end up borrowing, adjusting and adding to the examples to get what you need. It definitely does not kill creativity.

The examples are great. Each takes a scene from a well known movie (the Shining, Enemy at the Gate, Children of Men,) then breaks it down into a generic graphics showing camera angles and actions. This helps clarify how and why the director staged the shot in this way. Also each example has a paragraph that explains why this works for the viewer and how camera work adds to the scene.

The book seems well balanced, it covers everything from fights and chases to love scenes. Personally I am not looking to do any action films, so fighting and such was not that important, but the sections on shooting dialog and car shots were invaluable. I read through this book while storyboarding my project and whole scenes fell together. And most importantly, I didn't feel like I was painting by numbers. More like, the template shots planted seeds which grew to be very personalized and perfect for my story.

A great book for anyone new to or a student of film.
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97 of 121 people found the following review helpful By Kiyo M. VINE VOICE on January 22, 2009
Format: Paperback Vine Customer Review of Free Product ( What's this? )
I'm a film student (not the rich, fortunate, private school kind) and I was REALLY excited to receive a copy of this book. I realize this book is not about certain shots being limited to a particular example, but also giving you ideas to expand on. However, I was slightly disappointed. Don't get me wrong, this book is still helpful, but I'm having a hard time understanding who this book is MAINLY targeted towards to.

First of all, even if you follow the "techniques", your low budget film will still look low budget if you don't have the proper equipments (and believable actors, lighting, script, and the list goes on....) That's reality. This book alone is not going to give you that "expensive look on your low-budget movie". That's just a marketing tool. Just be aware of that. (This is not the reason I'm giving it a 3 stars!) If you do have a dolly track, Steadicam, or crane, THAT will give you an "EXPENSIVE" *LOOK* -- however, if you're trying to convey a STORY using those tools, then there has to be a meaning to it or feel natural; or else the audience will feel disconnected. That's what this book is here to help you with. It's all about the e-MOTION. (Get it? The motion has to convey the emotion.)

The author mentions about using long/short lens, focus pull, dolly. etc, so you better really have that ability down first or know the basics. If you try to go hand held on a consumer camera, unless you're going for the Blair Witch/Cloverfield style, it's still going to look BAD.

As far as camera techniques go, it just uses the same, common, existing shots several times (it could just be a simple motionless long shot, or tracking/panning and coming to a halt; but just used in different examples). If you're looking for mindblowing innovation, this is not it.
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14 of 15 people found the following review helpful By Dr. E VINE VOICE on December 22, 2008
Format: Paperback Vine Customer Review of Free Product ( What's this? )
As a huge fan Jennifer Van Sijll's Cinematic Storytelling: The 100 Most Powerful Film Conventions Every Filmmaker Must Know, I thought Master Shots would be a great addition to my collection (same publishing-house/same style) ... and I wasn't wrong.

Master Shots addresses the basics. The language is simple and jargon-free ... very accessible to young people. Moreover, the descriptions are succinct. No needless words. This text will appeal to both new film-makers and those who want to understand the film-making process (to better appreciate the art). (I use Van Sijll's text in my film courses for a quick student-refresher and plan to use this work for a similar purpose).

Unlike many similar texts, Kenworthy uses easily recognizable films as examples: Cuarón's Children of Men Kubrick's The Shining, Lee's Crouching Tiger, Hidden Dragon Lynch's Blue Velvet,etc... So, no need to worry about a Fellini fiasco.

A minor critique: while the film examples are excellent, the computer renderings are bizarre and strangely distracting. I wonder if using a small panel of actors to acquire these tableaux-like moments wouldn't be a better choice. Likewise, some of the captured film-frames are a little too dark or (in some cases) too small.
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