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Most Helpful Customer Reviews
22 of 25 people found the following review helpful:
3.0 out of 5 stars
Could have been so much better...,
This review is from: Masterpiece Theatre: Room With a View (DVD)
I didn't hate this version of Room With a View. Yes, I have seen the Merchant Ivory version. Yes, I have read the book. Although I thought the cast of the Merchant Ivory production was magnificent, I actually like a great deal of the cast in this adaptation as well, so I was prepared to view this with an open mind and not hate it instantly because it wasn't Merchant Ivory. I have seen several of this cast (Cassidy, Cusak, Thompson, Spall) in other productions and thought they were wonderful. The aspects of this production I found most disappointing were the script and direction. I found the dialogue to be lackluster, and the interpretation of some of the characters (primarily Cecil) just plain dull. I have admired some of Davies' adaptations in the past, but his more recent works seem to have an underlying conceit in them that I find distasteful, as though he would deign to "improve" the works of the authors he is adapting. Davies is, indeed a gifted and talented man, but is he really so lofty that he feels capable of enhancing Austen, Forster, and Waugh? He had a wonderful cast of people to work with for this adaptation, but their performances were never going to reach the stellar level they were capable of when the script they were given to work with was second rate. I know there was a time limitation, but the story was just diluted and unnecessary additions were made (the additional meeting with the gig driver, George's death, etc)that seemed to serve no purpose other than to needlessly outrage the audience. I don't understand why Davies feels the need to shock a response out of his audience, rather than impress them with quality. That cheapens the whole production. This production wasn't awful, but if could have been so much better.
33 of 41 people found the following review helpful:
1.0 out of 5 stars
What were they thinking?!,
By Winter Wren "wren99" (New York) - See all my reviews
This review is from: Masterpiece Theatre: Room With a View (DVD)
If you're a fan of this great novel, do not watch this adaptation. The acting was very lack luster and it just didn't capture the feel and the essence of the novel. There was no wit and so many things were either added or changed. There was no need for a sex scene when so much about the novel is about repressed sexuality and freedom to make choices. It did not have to be spelled out for the viewer. The transformation of Lucy Honeychurch was barely touched upon and I think E.M. Forster's underlying messages were completely lost.
I have no idea what they were thinking when they decided to change the ending. I watched it open mouthed in disbelief. It was unnecessary and I think it totally took away the meaning of the novel. The ending is supposed to make you feel optimistic and good, despite the obstacles the lovers face. This ending was depressing and sad. I think the viewers were cheated. If you want to watch a better adaptation, watch the 1985 version with Helena Bonham Carter, Julian Sands and Maggie Smith. No, it's not a perfect adaptation if you want it to be completely true to the book, but it follows the novel much more closely and the casting is wonderful. Julian Sands, in my opinion, perfectly portrayed George Emerson and Maggie Smith was wonderful as Charlotte Bartlett. Denholm Elliot was incredibly believable in his touching portrayal of the older Mr. Emerson. I'm only giving this adaptation one star because it was visually pleasant to watch. Otherwise I think one star may have been pushing it.
6 of 6 people found the following review helpful:
2.0 out of 5 stars
The Pension Bertolini Revisited,
By
This review is from: Masterpiece Theatre: Room With a View (DVD)
After having adapted so many great Victorian novels for the BBC successfully, Andrew Davies tried to set the bar for himself even higher by adapting this E. M. Forster novel which most people would think had been definitively adapted as a film in 1986 by Merchant/Ivory. To give Davies credit, he does work to make this adaptation as different as possible, so he intriguingly plays up the class difference between Lucy Honeychurch and her suitor George Emerson (an element all but ignored in the Merchant-Ivory film) and also elects to have her other suitor, Cecil Vyse, more of a Bloomsbury type than he was in Daniel Day-Lewis's indelible broad caricature of the role from twenty-some years ago. All this seems potentially quite interesting; but Davies--disastrously--chose to make this version much grimmer than the 1986 film. All of the more comic elements of the original novel are drained away so completely that you'd think this were an adaptation of George Moore rather than of one of Forster's funniest novel. The cinematographer's palette here is murky and unlovely, and there's even a grossly unneeded framing device involving George Emerson's death in the trenches of the war and Lucy's return visit to Florence in the 20s that seem pompous and unwieldy. All the actors, even the excellent Sophie Thompson, seem suitably depressed and unhappy; this is really an experiment that failed.
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