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| Disc: 1 | |||
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| 1. East St. Louis Toodle-Doo | |||
| 2. Birmingham Breakdown | |||
| 3. Black And Tan Fantasy | |||
| 4. Black Beauty | |||
| 5. The Mooche | |||
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| Disc: 2 | |||
| 1. Slippery Horn | |||
| 2. Drop Me Off At Harlem | |||
| 3. Daybreak Express | |||
| 4. Delta Serenade | |||
| 5. Stompy Jones | |||
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| Disc: 3 | |||
| 1. I Let A Song Go Out Of My Heart | |||
| 2. Rose Of The Rio Grande | |||
| 3. Pyramid | |||
| 4. Prelude To A Kiss | |||
| 5. Blue Light (Transbluency) | |||
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| Disc: 4 | |||
| 1. Pussy Willow | |||
| 2. The Sidewalks Of New York | |||
| 3. Take The 'A' Train | |||
| 4. Blue Serge | |||
| 5. Just A-Settin' And A-Rockin' | |||
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This set, released by the English label Proper, attempts to correct these omissions. The most rewarding part is an entire CD of rare and seldom-reissued material from 1932 through 1938, most of which was originally recorded for the Brunswick label. Great recordings of "Stompy Jones", "Reminiscing in Tempo", "Echoes of Harlem", "Diminuendo and Crescendo in Blue", and "Pyramid" that date from this time period are included in this set.
Another problem encountered in working with Ellington material is the massive amount of reworkings and re-recordings that he produced over the years. This set includes one version of each of Duke's major early works ("East St. Louis Toodle-oo", "The Mooche", "Black and Tan Fantasy", etc.) and most of these tunes are included here in their first recorded version.
The booklet and liner notes are excellent, and the discographical information is complete. As with many third-party or independent label issues, the sound quality is good overall, but varies somewhat, particularly on disc one, which sounds like it was compiled from a variety of sources. Many cuts are obviously from much older analog resissues and are included here with boxy, muffled sound and artificial reverb. The sound improves on the 1930's material, much of which sounds as though it was taken directly from clean 78 rpm sources (as all of it should have been). The sound quality of the later 1940's RCA recordings is quite good, and these were probably taken from digital transfers prepared for RCA's "Blanton/Webster Band" boxed set from the late 1980's.
The varying sound quality of the set, particularly disc one, keeps me from giving this set a full 5-star rating. But these picky details should not detract most listeners from the wonderful, enduring beauty of this music. If you are looking for the best all-inclusive collection of Ellington's 78rpm-era recordings, this is probably it.
If you don't feel like devoting that type of time and money to such a quest, this collection is perfectly nice substitute. Reasonably well-engineered and with excellent liner notes, this collection provides a good cross-section of Ellington's work over 2 decades. The selections, for those who particularly care, are in chronological order, and are supposed to be the first recordings issued on the label in question. The notes will also tell you which original labels under which these recordings were issued, and also the band personnel for each selection.
It also helps that this collection is extremely affordable. You get 4 discs containing nearly 5 hours of music for little more than 20 dollars. It is hard to complain about that. Hard-core Ellington devotees will want a more definitive collection, of course. If you are looking for more from this period, the complete collections of the Okeh & Brunswick labels are available. The Vocalion label is (I believe) available with the RCA/Victor complete collection. I particularly like the Brunswick collection, and would encourage its addition to your collection, but this collection here is an excellent place to start.
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