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9 of 13 people found the following review helpful:
5.0 out of 5 stars a communion with the gods
When I was young I used to think that Tiepolo was a Renaissance painter.A contemporary of Raphael, I thought, perhaps a real live rival of Titian and Tintoretto. But as I found out this languorous painter was in reality an 18th C Venitian virtuoso. After a while, still in awe, I started to view him as a superb anachronism, and like he belonged, also, atop the Sistine...
Published on May 22, 2001 by A. Sebastian Catala

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3 of 4 people found the following review helpful:
3.0 out of 5 stars some tiepolo
not a master catalogue of paintings or info, but there's some info here. focuses mainly on his biblical-reglious images. i actually wanted more of his allegorical/mythological paintings, in particular his fresco The Allegory of Apollo and the Continents. None of that, nothing even like that is in this. again, this is mostly just some of the biblical paintings.
Published on October 21, 2009 by dontbesojumpy


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3 of 4 people found the following review helpful:
3.0 out of 5 stars some tiepolo, October 21, 2009
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This review is from: Masters of Art: Tiepolo (Hardcover)
not a master catalogue of paintings or info, but there's some info here. focuses mainly on his biblical-reglious images. i actually wanted more of his allegorical/mythological paintings, in particular his fresco The Allegory of Apollo and the Continents. None of that, nothing even like that is in this. again, this is mostly just some of the biblical paintings.
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9 of 13 people found the following review helpful:
5.0 out of 5 stars a communion with the gods, May 22, 2001
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A. Sebastian Catala "Chany Catala" (Wallingford, CT United States) - See all my reviews
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This review is from: Masters of Art: Tiepolo (Hardcover)
When I was young I used to think that Tiepolo was a Renaissance painter.A contemporary of Raphael, I thought, perhaps a real live rival of Titian and Tintoretto. But as I found out this languorous painter was in reality an 18th C Venitian virtuoso. After a while, still in awe, I started to view him as a superb anachronism, and like he belonged, also, atop the Sistine Chapel somewhat.If Caravaggio astonishes with his inner turmoil. Tiepolo vis-a-vis seems to enjoy the purity of soul, of a monk. His brush seems pulled by a determined higher force. Christianity was sometimes his great medium, and he continuously uses every religious legend to express something divine that was in him, naturally. He is as pure as Praxiteles. And William Barcham deliniates Tiopolo's life as ordely and purposely as can be. The lucid preface, from Venice to Madrid. Tiepolo, a life, seemingly in a higher realm, dedicated to his art. But the many grandiose frescoes, beautifully illustrated here, don't need any words, really.
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Masters of Art: Tiepolo
Masters of Art: Tiepolo by William L. Barcham (Hardcover - April 30, 1992)
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