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65 of 67 people found the following review helpful:
2.0 out of 5 stars
Closing in on Caligari, February 28, 2000
After the superb job Elite did on their "Night of the Living Dead" disc a while back, I was rather deflated when this compendium of German Expressionist horror arrived. On one hand, it's nice to have three films as seminal as "The Cabinet of Dr. Caligari," "Nosferatu," and "The Golem" brought together in one package, and it's a beautiful-looking set from the outside.Problem is, when you explore the discs themselves, you discover they are not drawn, as the package proclaims, from the "finest" film elements available (though perhaps this simply means the finest available to Elite). "Caligari," for instance, is taken from a very shabby print, previously available in a budget VHS edition, with the same non-synchronized score as on that version. I was hoping for a "Caligari" that improved on the Kino-on-Video print already on disc, a version compromised by a translucent "bar" that runs across the top of the screen through many of the sequences. In fact, I was really wishing for a digitizing of the print brought out a few years ago by Republic Pictures video, a beautiful black-and-white copy that was further enhanced by an excellent music score. Here's hoping the latter print makes it to DVD one of these days; meanwhile, those wishing for a good copy of "Caligari" had better seek out the RP version as a tape rental. "The Golem," which has the distinction of being the first rendering of this film on DVD, was an equal letdown. Not only was there no attempt to restore the print (the package boasts of the "restored" Astaroth sequence, but there's nothing here that was not already available on the VHS edition released by Video Yesteryear in 1985), but there is NO music score at all. Is there an excuse for this? After all, if it was a matter of budget, they could simply have omitted one of the other two films (especially since they are already available on DVD), and presented this package as a twofer. Admittedly, it's nice to have "The Golem" on DVD in any form, but this begs the question of the lack of music. As the critic Walter Kerr once noted, music in a silent film is "half" its life. Which brings us to "Nosferatu," and it is here that we get the best offering of the set. We're given a very nice black-and-white print, not as complete as the tinted version on the Kino/Image DVD, but excellent nonetheless for a film of this age, and well worth having. Also, Elite went out of its way to commission a new score for the film, something that should have been done for all three films. The music, moreover, is synchronized, and while I didn't especially care for some of the post-modern jazz elements (which seemed out of sympathy with the dark Gothic mood of the film itself), it at least showed care of presentation, and respect for the film's integrity. I must confess that the relative lack of "extras" in this set (nothing more than some historical notes and a brief collection of prints and stills) didn't particularly bother me. Additional bonuses would have been nice, but the real problem lay in the prints ("Nosferatu" excepted), and the shortcomings in the musical area. Miroslaw Lipinski, who's done important work in the genre translating stories of the Polish fantasist Stefan Grabinski, contributes valuable liner notes to the films in an accompanying leaflet; these make a good primer for those approaching these films for the first time. But, overall, such efforts only emphasize how superior this set might have been under the right auspices. It's best to see "Masterworks," then, as an interesting but flawed representation of German horror Expressionism. Let's hope that better editions of all three films appear on future DVDs (including, for instance, a copy of "Nosferatu" that contains the brilliant score from the Kartes Video edition released in the early 80s).
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