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Matisse with Bookmark [Misc. Supplies]

Henri Matisse (Author)
4.5 out of 5 stars  See all reviews (2 customer reviews)


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Book Description

July 2000
Many view Henri Matisse as the outstanding painter of the twentiety century, and certainly he is one of the great colorists of all time. This volume, oversized and lavishly illustrated, offers an impressive and eminently accessible introduction to the artist and his work.
Nicholas Watkins traces Matisse's career from the Fauve paintings of the 1907 Salon d'Automne to the final flowering of his paper cut-outs, culminating in his masterpiece, the Vence Chapel. Along the way Watkins describes the full range of Matisse's paintings, sculpture, book illustrations, and paper cut-outs with visual sensitivity, a keen knowledge of technique, and, above all, a warmth of style. He is at his most eloquent and perceptive when he pauses to look at specific masterpieces in all their complexity--The Dinner Table, Le Bonheur de vivre, and Luce, calme et volupe, among many others. He also shows us how Matisse responded to the artistic, political, and social events of his day, from Cubism to the two World Wars.
The 225 illustrations--nearly 100 of them in color--represent the full richness of Matisse's oeuvre, while maintaining a balance between key works, familiar masterpieces, and rarely reproduced paintings. There are also numerous back-up illustrations of works by predecessors and contemporaries who influenced Matisse.

About the Author:

Nicholas Watkins is Senior Lecturer in the History of Art at Coventry Polytechnic in England. He is a regular contributor to a number of leading art journals.
--This text refers to an out of print or unavailable edition of this title.


Editorial Reviews

From Library Journal

These three books are part of a series of brief monographs on big-name artists that also includes titles on Rembrandt, Monet, Bosch, da Vinci, Caravaggio, Gauguin, van Gogh, Titian, and C?zanne. The popularity of the artists, the glitzy format, and the low price will probably guarantee sales. Reading these three installments, however, was more bewildering than enlightening. The publisher states that they are a perfect gift or study companion for art history students and art lovers alike. Yet art history students expect and deserve bibliographies and citations (neither of which are present), and art lovers will probably not appreciate the number of illustrations printed right into the book gutters. The text portions are well written, but editorial negligence in other areas is distracting: inconsistencies, typographical errors, and incorrect headings appear throughout, and illustrations are included in sections where they do not seem to belong. Even the covers have misleading juxtapositions. The Matisse volume features his portrait prominently under his name, but under Goya's name there appears a servant from one of his paintings. And whoever is pictured under D?rer's name is a mystery, since he does not look like D?rer, but no identification appears anywhere. Some mistakes are glaring; for example, a section headed "Matisse and etching" discusses his lithographs instead. Conversely, D?rer's famous woodcut of "The Four Horsemen of the Apocalypse" is noted as one of a series of lithographsAa process not even invented yet. The layout of the books is overly complex, with snippets of information under small illustrations scattered about in irregularly alternating color-coded sections. Although the colored sidebars suggest a distinction between "Life and Works," "Background," and "Masterpieces," there is often overlap, and some of the illustrations do not fall into whatever date span distractingly heads each page. Every facing two-page spread is concerned with a particular theme. Although these themes are relevant and interesting, when over 50 of them are presented this way in each book, the end result feels superficial rather than thorough. On top of all this, the film layer over the paperback covers peels away from the edges as one reads the books. Not recommended.AAnn Marie Lane, Univ. of Wyoming, Laramie
Copyright 1999 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

Review

...late author and noted art critic Federico Zeri's engaging verve and expertise are cast easily within even a novice's grasp... -- Karen A. Wyckoff, ForeWord Magazine, October 2000

The series offers a welcome update to older volumes... -- Sarah Raymond, Professionally Speaking: The Magazine of the Ontario College of Teachers, December 2000

This truly outstanding series, a bargain at $14.95 per book, deserves a place in any private, public, or school library -- Kimberly Hundley, Today's Librarian, November 2000 --This text refers to the Hardcover edition.

Product Details

  • Misc. Supplies
  • Publisher: Dover Publications (July 2000)
  • Language: English
  • ISBN-10: 0486410781
  • ISBN-13: 978-0486410784
  • Product Dimensions: 5.8 x 4.2 x 0.2 inches
  • Shipping Weight: 1.1 ounces
  • Average Customer Review: 4.5 out of 5 stars  See all reviews (2 customer reviews)
  • Amazon Best Sellers Rank: #6,306,761 in Books (See Top 100 in Books)

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Average Customer Review
4.5 out of 5 stars (2 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

8 of 10 people found the following review helpful:
5.0 out of 5 stars great stocking stuffers, September 7, 2000
By A Customer
This review is from: Matisse (Paperback)
These stickers are approx. 1 3/4" x 2 3/4" and include the title of the painting and artist name.They are clear, good quality despite being sticker size. There are many applications for these including stationary, envelopes, etc. or make great stocking stuffers.
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4.0 out of 5 stars Matisse: Master of Pure Color -- His Life in Paintings, December 13, 2006
By 
Mary Lucille (Perth, Australia) - See all my reviews
A wonderful collection of Matisses art. Easy to read and useful in the creation of my own art pieces.
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