From Publishers Weekly
In 1987, Manhattan-reared hothouse flower Julian Wainwright matriculates at the alternative Graymont College for the express purposes of attending Professor Stephen Chesterfield's exclusive fiction writing workshop. As Chesterfield dryly infuses his writing wisdom, Julian befriends the cocky, aloof, lesser-born Carter Heinz when they are the only two to whom Chesterfield gives the nod. Carter soon meets Pilar in the cafeteria; Julian meets Mia in the laundry room. Carter's simmering class resentment of Julian surfaces. Senior year finds the two couples living next door to one another and plotting their futures. Henkin (
Swimming Across the Hudson) subsequently follows the lovers for the next 15 years through countless college towns, family dramas, failed literary projects and the dot-com boom. Many scenes are too long, and never get below the surface of the cast, particularly wannabe-litterateur Julian. But for a book called
Matrimony, Henkin offers surprisingly little about Julian and Mia's marriage, so when big confrontations do arrive, they quickly slide into melodrama. By then, lines like But I don't want to get my M.F.A. Can't you understand that? I've already been in enough writing workshops will have cleared the classroom.
(Oct.) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
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Toward the end of Henkins second novel, Julian, who has just arrived at the Iowa Writers Workshop, finds that the other students do not like his work. "The story was quiet; all his work was," Henkin writes. "He had nothing against muscular prose; it was the flexing of those muscles that he objected to, and, along with it, a disregard for character." The passage encapsulates Henkins telling of the story of two couples who meet in college and quickly fall into domestic arrangements that they keep for years to come. On their path to middle age, momentous events occur, but Henkin gives equal space to the unmomentous, and everything is related in the same measured tone. Although the mundane sections tend to fall flat, when Henkin handles material with more inherent drama, like the sickness and death of one characters mother, his quiet approach pays off.
Copyright © 2007
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--This text refers to the
Hardcover
edition.