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A Matrix of Meanings: finding God in pop culture (Engaging Culture)
 
 
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A Matrix of Meanings: finding God in pop culture (Engaging Culture) [Paperback]

Craig Detweiler (Author), Barry Taylor (Author)
4.2 out of 5 stars  See all reviews (8 customer reviews)

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Book Description

November 1, 2003
From the glittering tinsel of Hollywood to the advertising slogan you can't get out of your head, we are surrounded by popular culture. A Matrix of Meanings is a hip, entertaining guide to the maze of popular culture. Plentiful photos, artwork, and humorous sidebars make for delightful reading. Readers who distrust popular culture as well as those who love it will find useful insight into developing a Christian worldview in a secular culture.

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Customers buy this book with The Evangelistic Love of God and Neighbor: A Theology of Witness and Discipleship $22.00

A Matrix of Meanings: finding God in pop culture (Engaging Culture) + The Evangelistic Love of God and Neighbor: A Theology of Witness and Discipleship


Editorial Reviews

From Publishers Weekly

Until a few years ago, many faithful Christians saw popular culture the way the Dutch presumably see the oceanas a vast force to be kept at bay by any means necessary. That began to change with Tom Beaudoin's Virtual Faith, a heady mix of cultural analysis and theology. Fuller Theological Seminary alumni Detweiler and Taylor are the latest authors to call fellow Christians to take their thumbs out of the dike. Detweiler, producer of the City of the Angels Film Festival, and Taylor, a sound engineer with a roster of top clients, follow (ir)reverently in Beaudoin's wake, exploring the signs of a God-haunted generation in everything from Chris Ofili's dung-smattered Madonna to Jesus' appearance in South Park. Their book is ambitious in scope and smartly structured. Detweiler and Taylor begin with chapters on advertising and the role of celebrities, topics that other Christian commentators have generally ignored, and they are consistently alert to the commercial forces that drive pop culture's production and consumption. They are also witty, readable and passionate about both pop culture and their evangelical faith. But their cultural analysis borrows heavily from previous writers, and their claim to be discovering a "theology" of pop culture may surprise readers who expect a book from the Baker Academic imprint to engage its sources, whether Tom Beaudoin or Ned Flanders, with more critical rigor.
Copyright 2003 Reed Business Information, Inc.

From the Back Cover

Craig Detweiler (M.F.A., University of Southern California, School of Cinema/TV) is an accomplished screenwriter whose movies include Extreme Days. He is the codirector of Reel Spirituality, an annual international film roundtable conference, and adjunct professor at the Los Angeles Film Studies Center.

Barry Taylor (Ph.D., Fuller Theological Seminary), adjunct professor of popular culture and theology at Fuller, is a professional musician, painter, and the leader of New Ground, an alternative worship gathering in Los Angeles.


Product Details

  • Paperback: 352 pages
  • Publisher: Baker Academic (November 1, 2003)
  • Language: English
  • ISBN-10: 080102417X
  • ISBN-13: 978-0801024177
  • Product Dimensions: 8.8 x 6 x 0.8 inches
  • Shipping Weight: 1 pounds (View shipping rates and policies)
  • Average Customer Review: 4.2 out of 5 stars  See all reviews (8 customer reviews)
  • Amazon Best Sellers Rank: #356,096 in Books (See Top 100 in Books)

More About the Author

Dr. Craig Detweiler directs the Center for Entertainment, Media and Culture at Pepperdine University. He's a Phi Beta Kappa graduate of Davidson College and earned an M.F.A. from the University of Southern California's acclaimed film school. He edited the first book on theology and video games, Halos and Avatars: Playing Video Game with God. His previous book, Into the Dark, searches for the sacred amidst the top-ranked films on the Internet Movie Database.

Craig's cultural commentary has appeared on ABC's Nightline, CNN, Fox News, Al Jazeera, NPR, and in The New York Times and The Wall Street Journal. His comedic documentary, Purple State of Mind, won Best Spiritual Film at the 2008 Breckenridge Festival of Film and the Audience Award at the 2009 Tallahassee Film Festival. He blogs at PurpleStateofMind.com.

 

Customer Reviews

8 Reviews
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Average Customer Review
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20 of 24 people found the following review helpful:
5.0 out of 5 stars Flipping the Script, March 19, 2004
This review is from: A Matrix of Meanings: finding God in pop culture (Engaging Culture) (Paperback)
(Note: This review not only attempts to review the book, but also engage some previous reviews.)

What Detweiler and Taylor have done here is what Detweiler calls "reversing the hermeneutical flow" (a.k.a. "flip the script", to quote "8 Mile"). In other words, rather than taking the Bible and looking at (a.k.a. criticizing) Pop Culture through what we think the Bible says, they take a thorough look at pop culture and use than as a method of viewing - or at least presenting - the God of the Bible. For any who have a hard time with that, read on.

As one reviewer has already stated, from the outset this book states that it's primarily for people that already like Pop Culture and have wondered how to reconcile that with their Christian worldview. Furthermore, the authors ask tough questions of the Church. If the majority of the world connects with Pop Culture way better than they do with the Church, then why is that and what are we to do about it? Sorry, but the "they're fallen beings" excuse isn't gonna cut it anymore. Detweiler and Taylor take us beyond the "seeker-sensitive" approach and genuinely challenge the Church to engage Pop Culture in a respectful, dynamic way. Even in the profane, God is talking and it's time we recognized holy ground when we saw it. It's a different and (I think) more accurate version of things than we typically hear from the evangelical pulpit. God is talking through culture with or without the Church's approval!

For those who have "reservations" about whether Christians should be as comfortable with culture as the book suggests, I offer this thought. The Bible was not written in a cultural vacuum, nor was Jesus born into one. Inspired? Sure. Absolutely devoid of any cultural influence? I think not. Read John 1 to those who haven't grown up in the church (or even those who have) and most would have a blank expression on their face because it was written to appeal to those influenced by the contemporary hot worldview: Stoicism. Parables were the movies of the day. There are four different Gospels in order to present Jesus slightly diffently to four different cultures. Paul understood culture enough to address it in Athens at the tribute to the "unknown god" (note that he didn't try to disprove their other gods before making the connection for them). These guys presented God (and, I would argue, understood God) through the lens of their culture. Why are we so affronted by others suggesting we do the same?

"There's nothing new under the sun", and God is still looking for those who will help meet Pop Culture where it's at and make those connections. This book does it in a whole different sort of way. Rather than giving easy examples ("this movie means this") that you can use in your next Bible study, they attempt to form a worldview that takes in all of culture and finds where God is working ("teach a man to fish", etc). Bottom line: most of us still need to have our "scipt flipped". For me, this book, and the thought behind it, was the best place to do that.

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17 of 21 people found the following review helpful:
5.0 out of 5 stars Looking at God through the lens of pop culture, November 25, 2003
This review is from: A Matrix of Meanings: finding God in pop culture (Engaging Culture) (Paperback)
In a time when individualism can slide into solipsism and alienation, and community can slip into the masses, we need books like this to keep us mindful of the real value of "mass" media for each one of us as God's children.

Overall, I'm impressed with the penetrating and embracing analysis of pop culture as the expression of the deepest yearnings of the human heart. I'm used to and sick of Christian's rejection of pop culture and read each chapter with huge sighs of relief. The encyclopedic overview, the scores of references and quotes from books, magazines, websites, and the great minds of the past are an embarrassment of riches. I am also impressed with the balance and fair-mindedness given to the full spectrum of faith expressions, from the conservative to the radical. And also that the authors take on areas that are rarely dealt with in these kinds of books, like fashion or sports or celebs.

Coincidentally, I just read Kreitzer's books, referenced in the intro, on reversing the hermeneutical flow with film, fiction and the two testaments, and I'm also a big fan of Johnston and his work on Reel Spirituality. I also have been reading up on Bresson and was led by it to Tarkovsky's brilliant work, Sculpting in Time. Glad to see that work and director getting his due in this book.

And I would never have thought the chapter on sports would touch me the way it did. I had a dismally bad experience with sports as a kid -- and then moved to Dallas of all places, where I felt like I was in a sports prison and every other sermon had a team sports analogy to God. I'm glad to see that extreme sports are on the rise (I'm going to copy the Dilbert cartoon for a teenager in our apartment complex who has been restricted by our new Draconian managers from skateboarding in the driveway) and I'm glad to see that team sports are on the demise. Nothing against team sports, but I side with the millions of disgusted fans and, with that bad experience in my past, take a "sick" pleasure in seeing them tank.

One personal negative: although this is a book, the authors do not consider books as an area of investigation, although thanks to Oprah and Amazon, reading is back. And although they bring the 'net in on the chapter about TV, I think it got short shrift in comparison to its importance to the children of the (technological) revolution. But perhaps they will put up a website that deals with the internet more fully. They will surely find their best audience online.
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11 of 15 people found the following review helpful:
5.0 out of 5 stars Read the preface and introduction, February 12, 2004
This review is from: A Matrix of Meanings: finding God in pop culture (Engaging Culture) (Paperback)
Some in haste to dismiss this book might fail to recognize the starting point the authors readily admit they are coming from.

"We acknowledge that the entertainment industry generates plenty of products worth criticizing...we believe that the "sins" of pop culture have received ample coverage in previous books. Our book will concentrate on what's right with pop culture." (pg. 9)

"We congratulate those who have sought to frame cultural engagements as a test of personal purity...For those hoping to find clear prescriptions for what Christians should or shouldn't watch and listen to, this is not your book. Instead, we write for students who have decided to live out their faith with feet planted firmly in the world." (pg. 9)

With a proper understanding of the context the authors are coming from, this is a quietly engaging book with deep insight into the many mundane and profane works of God.

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Inside This Book (learn more)
First Sentence:
Blending, cut and paste, bricolage, cafeteria are all words that have been employed to describe the postmodern approach. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
virtual faith, celebrity industry
Key Phrases - Capitalized Phrases (CAPs): (learn more)
New York, Los Angeles, Old Testament, Super Bowl, United States, Michael Jordan, Tom Beaudoin, Run Lola Run, Andy Warhol, Daniel Boorstin, World Series, Britney Spears, Nick Cave, World War, Blair Witch, Great Britain, James Twitchell, Neal Gabler, Elvis Presley, Entertainment Tonight, Julia Roberts, Martin Scorsese, Star Wars, Tom Cruise, Fox Network
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Front Cover | Table of Contents | First Pages | Index | Back Cover | Surprise Me!
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