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Matters of Gravity: Special Effects and Supermen in the 20th Century [Paperback]

Scott Bukatman (Author)
5.0 out of 5 stars  See all reviews (1 customer review)

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Book Description

July 21, 2003 0822331195 978-0822331193
The headlong rush, the rapid montage, the soaring superhero, the plunging roller coaster—Matters of Gravity focuses on the experience of technological spectacle in American popular culture over the past century. In these essays, leading media and cultural theorist Scott Bukatman reveals how popular culture tames the threats posed by technology and urban modernity by immersing people in delirious kinetic environments like those traversed by Plastic Man, Superman, and the careening astronauts of 2001: A Space Odyssey and The Right Stuff. He argues that as advanced technologies have proliferated, popular culture has turned the attendant fear of instability into the thrill of topsy-turvydom, often by presenting images and experiences of weightless escape from controlled space.

Considering theme parks, cyberspace, cinematic special effects, superhero comics, and musical films, Matters of Gravity highlights phenomena that make technology spectacular, permit unfettered flights of fantasy, and free us momentarily from the weight of gravity and history, of past and present. Bukatman delves into the dynamic ways pop culture imagines that apotheosis of modernity: the urban metropolis. He points to two genres, musical films and superhero comics, that turn the city into a unique site of transformative power. Leaping in single bounds from lively descriptions to sharp theoretical insights, Matters of Gravity is a deft, exhilarating celebration of the liberatory effects of popular culture.


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Editorial Reviews

Review

Matters of Gravity is more than a collection of tour de force essays, although it is certainly that. It maps an important theoretical and critical project, reclaiming the ‘lively arts’ and exploring the kinetic and affective dimensions of popular culture. Scott Bukatman’s breathless prose and conceptual pyrotechnics embody popular culture’s dynamism, making us feel it, making us want to dance it. His writing crackles with wit, sparkles with vividness, and throbs with his own passionate engagement with his topic.”—Henry Jenkins, coeditor of Hop on Pop: The Politics and Pleasures of Popular Culture


“Scott Bukatman is one of the very top figures in the attempt of cultural studies to understand modernity by looking at the interlocking of such phenomena as urbanism, new forms of masculinity, new technologies, and the role of the body.”—Dana Polan, author of the British Film Institute books In a Lonely Place and Pulp Fiction

About the Author

Scott Bukatman is Associate Professor of Art and Art History at Stanford University. He is the author of Terminal Identity: The Virtual Subject in Postmodern Science Fiction, published by Duke University Press.


Product Details

  • Paperback: 296 pages
  • Publisher: Duke University Press Books (July 21, 2003)
  • Language: English
  • ISBN-10: 0822331195
  • ISBN-13: 978-0822331193
  • Product Dimensions: 9.3 x 6 x 0.7 inches
  • Shipping Weight: 15.5 ounces (View shipping rates and policies)
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Best Sellers Rank: #624,290 in Books (See Top 100 in Books)

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3 of 6 people found the following review helpful:
5.0 out of 5 stars Amazing., December 3, 2003
This review is from: Matters of Gravity: Special Effects and Supermen in the 20th Century (Paperback)
I have been studying film history for over 30 years and never have I been privy to a more avant garde and well supported book. Bukatman certainly knows his material, and takes the genre of science fiction to a new high. Kudos, Bukatman!
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Inside This Book (learn more)
First Sentence:
One Tomorrowland attraction in the early days of Disneyland was the Autopia, where youngsters could drive actual, though miniature, automobiles. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
syncopated city, kaleidoscopic perception, mutant superheroes, superhero body, panoramic perception, artificial infinite, terminal identity, magisterial gaze, modernity thesis, superhero comics, special effects sequences, science fiction cinema, postmodern science fiction, mass ornament, ultimate trip, blackface performance, musical sequences, technological sublime, commercial aesthetic, electronic culture, armored body, city symphony
Key Phrases - Capitalized Phrases (CAPs): (learn more)
New York, Times Square, Blade Runner, Jerry Lewis, The Band Wagon, The Right Stuff, Fantastic Four, Radiant City, Clark Kent, Coney Island, Disney World, Douglas Trumbull, Green Lantern, Image Comics, Michael Jackson, Star Trek, West Side Story, African American, Gotham City, Doom Patrol, Plastic Man, Silent Running, Star Wars, Fred Astaire, Kaleidoscopic Perceptions
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