A story of a Jewish survivor of Hitler's Europe and his son, a cartoonist who tries to come to terms with his father's story and history itself.
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More from Art Spiegelman
Art Spiegelman's biographical graphic novels about family, history, and survival, have earned him a Pulitzer Prize. Visit Amazon's Art Spiegelman Page. |
Book Description
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Editorial Reviews
Amazon.com Review
Some historical events simply beggar any attempt at description--the Holocaust is one of these. Therefore, as it recedes and the people able to bear witness die, it becomes more and more essential that novel, vigorous methods are used to describe the indescribable. Examined in these terms, Art Spiegelman's Maus is a tremendous achievement, from a historical perspective as well as an artistic one.
Spiegelman, a stalwart of the underground comics scene of the 1960s and '70s, interviewed his father, Vladek, a Holocaust survivor living outside New York City, about his experiences. The artist then deftly translated that story into a graphic novel. By portraying a true story of the Holocaust in comic form--the Jews are mice, the Germans cats, the Poles pigs, the French frogs, and the Americans dogs--Spiegelman compels the reader to imagine the action, to fill in the blanks that are so often shied away from. Reading Maus, you are forced to examine the Holocaust anew.
This is neither easy nor pleasant. However, Vladek Spiegelman and his wife Anna are resourceful heroes, and enough acts of kindness and decency appear in the tale to spur the reader onward (we also know that the protagonists survive, else reading would be too painful). This first volume introduces Vladek as a happy young man on the make in pre-war Poland. With outside events growing ever more ominous, we watch his marriage to Anna, his enlistment in the Polish army after the outbreak of hostilities, his and Anna's life in the ghetto, and then their flight into hiding as the Final Solution is put into effect. The ending is stark and terrible, but the worst is yet to come--in the second volume of this Pulitzer Prize-winning set. --Michael Gerber
From School Library Journal
YA Told with chilling realism in an unusual comic-book format, this is more than a tale of surviving the Holocaust. Spiegelman relates the effect of those events on the survivors' later years and upon the lives of the following generation. Each scene opens at the elder Spiegelman's home in Rego Park, N.Y. Art, who was born after the war, is visiting his father, Vladek, to record his experiences in Nazi-occupied Poland. The Nazis, portrayed as cats, gradually introduce increasingly repressive measures, until the Jews, drawn as mice, are systematically hunted and herded toward the Final Solution. Vladek saves himself and his wife by a combination of luck and wits, all the time enduring the torment of hunted outcast. The other theme of this book is Art's troubled adjustment to life as he, too, bears the burden of his parents' experiences. This is a complex book. It relates events which young adults, as the future architects of society, must confront, and their interest is sure to be caught by the skillful graphics and suspenseful unfolding of the story. Rita G. Keeler, St. John's School , Houston
Copyright 1987 Reed Business Information, Inc.
Copyright 1987 Reed Business Information, Inc.
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Most Helpful Customer Reviews
82 of 86 people found the following review helpful
Format:Paperback
This is a powerful work. The tale of a young man's painful relationship with his father is elegantly interwoven with the father's recollection of life as a Jew in Nazi-occupied Poland. Spiegelman's skill and honesty make this a raw, gut-wrenching read, though the tale is somehow ultimately uplifting.
I first read this book as a teenager, and would highly recommend it to people of any age. Over the years, I have re-read it frequently and shared it with friends of all ages. All have taken much from Spiegelman's tale.
A few notes must be made in response to the 10/26/97 comment posted below by a reviewer from Ontario, Canada. It is quite clear that this reviewer did not, in fact, read the book. (S)he mistakenly attacks Spiegelman for portraying the Poles as rats, and wonders if he would be offended if a book were written portraying Jews as rats. Anyone who took the time to read Maus (or merely to examine it's cover!) would know that it is, in fact, the Jewish people who are portrayed as mice/rats, whereas the Poles are portrayed not as vermin, but rather as pigs.
In fact, far from a "vicious" attack against Poles, there are many acts of kindness by Polish people portrayed in the book. Certainly there is unkindness as well, but how can the reviewer forget that this is a factual account of Vladek Spiegelman's life, told from his perspective. If unkind acts by Polish people are a part of that life, then they should be in the book.
Finally, the reviewer in question inelegantly raises a point of some merit, though it is one that is only tangentially related to Spiegelman's work. The Polish people did, in fact, suffer horribly at the hands of both Nazis and Soviets alike. Their death toll in the concentration camps numbered in the millions, and should never be forgotten or omitted when discussing the Holocaust. This book, however, is about Vladek Spiegelman, and so surely it cannot be assailed for its focus on events from his perspective.
Spiegelman's fidelity to his father's! story is to be admired, not attacked. And certainly not by a reviewer who could not be bothered to read the book.
49 of 54 people found the following review helpful
Format:Paperback
As a history and literature major, I wrote my senior thesis on Maus and Maus II because, after reading them for a class, I couldn't stop thinking about them. The imagery, both drawn and implied, was masterful. Each panel tells the story of the Holocaust as SOMEONE REMEMBERS IT. Spiegelman took his father's story and graphically interpreted it in an incredibly moving way. He did not write a work of historical fact (for whatever those books are worth anyway - even history is a work of memory and interpretation). I love these graphic novels for what they are - brilliant literature and testimony.
I was looking over some of these reviews of Maus because I am going to see Spiegelman speak this weekend and just wanted to know what others had said in the past. I was disheartened to read some of the negative responses to the use of animal caricatures, especially since I have always felt this was the most ingenius part of the works. Looking at these reviews, though, I remembered an interview with Spiegelman I read a while back. He explains the animal caricatures a bit, and I thought it might be beneficial to place a quote here, in this forum.
Published in The Comics Journal, October 1991:
Spiegelman says of the animal portrayals,
"These images are not my images. I borrowed them from the Germans. At a certain point I wanted to go to Poland, and I had to get a visa. I put in my application, and then I got a call from the consul. He said 'the Polish attache wants to speak with you.' And I knew what he wanted to talk to me about. On the way over there, I tried to figure out what I was going to say to him. 'I wanted to draw noble stallions, but I don't do horses very well?' When I got there, he gave me the perfect opening. He said, 'You know, the Nazis called us schwein' (German for pig). And I said, 'Yes, and they called us vermin (German for mouse or rat).'
Ultimately, what the book is about is the commonality of human beings. It's crazy to divide things down the nationalistic or racial or religious lines. And that's the whole point, isn't it? These metaphors, which are meant to self-destruct in my book - and I think they do self-destruct - still have a residual force that allows them to work as metaphors, and still get people worked up over them."
I guess he's right. People do get worked up over the metaphors. Too bad some of those people can't understand them. If you haven't read Maus, you are missing a true piece of art.
43 of 49 people found the following review helpful
Format:Paperback
First of all, if you've read or are reading the other reviews, ignore the blather about how the whole "Animal Farm" metaphor--Jews as mice, Germans as cats, etc..--being racist and demeaning.
Art Spiegelman attempts to tell the story of his father Vladek's life in Hitler's Europe. By and large, the book is a detailed, objective retelling of his Vladek's story. However, as Art himself will realize, "I can't even make sense out of my relationship with my father--how am I supposed to make sense out of the Holocaust?" and "Reality is much too complex for comics--so much has to be left out or distorted." Thus liberated from the impossible standard of complete objectivity, Art is free to insert two important subjective elements into the story--the depiction of different races as different species, and the insertion of himself as a character in MAUS.
Obviously, Art is not a overt racist--in fact, in the second part of MAUS, Art will scold his father for distrusting a black person, and a German-Jewish couple will help Vladek return home after being freed from the death camps. The point of portraying Jews as mice, Germans as cats, Poles as pigs, etc. is to show what race relations during Hitler's Europe might have been like.
The characterization of race doesn't end there, though--as the scene shifts from Nazi Germany to the present, and as Art must suffer the daily trials and tribulations of life with a father permanently scarred by his experiences, Art depicts himself as a mouse as well, a confession that he himself is unable to completely escape the aftermath of the poisoned race relations of the Holocaust. Maybe this makes him a covert racist. But if he is, then who isn't?
Art's involvement in MAUS goes beyond interviewing his father, though. Later in the story we will see that Art was treated in a mental hospital and sees a psychiatrist regularly. As the book cover declares, "MAUS is a story about the survivors of the Holocaust--and of the children who somehow survive the survivors."
The storytelling in MAUS is stellar, and the craftsmanship is as well. The comics medium allows Spiegelman to employ some interesting tricks. For example, whenever Vladek is trying to sneak around, he is portrayed with a pig mask. When Vladek and Anja are trying to escape from the ghetto, Anja, who in real life was easily identifiable as a Jew by her appearance, is drawn with a long tail, while Vladek is not.
In sum, MAUS is a gripping story of his parents' experience during the Holocaust, filled with countless brushes with death, tales of betrayal, and plenty of terrible, graphic illustrations of victims being executed. It is not a history text in the most austere and empirical sense. Rather, it is a confession that the Holocaust defies dispassionate and detached analysis.
Most Recent Customer Reviews
loved this book!!
This was a great book. I enjoyed it so much. Would recomend the book to friends. This is a book I will keep for all time and re-read.
Published 22 days ago by angela johnson
like it~^_^
very interesting books~i bought those books for my rhetoric class as my instrctor required~~and i like the book very much.:)
Published 3 months ago by wendi
MY FAVORITE GRAPHIC NOVEL OF ALL TIME!
This Graphic novel is INCREDIBLE! I Read it 2 Times and i just HAD to purchase it for myself. It's A Great Book!
Published 3 months ago by H&M_Junkiex3
Perfectly portrays the idea of postmemory
Art Spiegelman continues his story in this sequel. His personal story is further explained, as well as his father's experience in the Holocaust and World War II. Read more
Published 5 months ago by Tom S.
This was a gift
Ordered this for my grand-duaghter for HS, so I did not read it. But from what I heard about it, why are they not teaching the classics in school or maybe a little American... Read more
Published 6 months ago by R. Belfield
Shameful and insulting in its anti-Polish slant
Just imagine, hypothetically, a Polish writer comes up with a book in which Jews are referred to as pigs. Read more
Published 7 months ago by Night Owl
Great
this book was in top shape it got to my house very quickly . i loved reading it and i will be getting the second one soon:)
Published 7 months ago by emilyturrell
History in graphic form
Well, I seem to love all of my books. That's because I only borrow books that have been well-reviewed. I guess. Read more
Published 7 months ago by C. Keck
Depressing
I remember reading this graphic novel many years ago. Although, this is a "comic book," it really isn't a comic book. Read more
Published 8 months ago by Peter Tsang
No praise too high for Maus
Maus is the story of Art Spiegelman's father, Vladek Spiegelman, and his life in Poland in the 1930s and 1940s with his first wife (and Art's mother) Anja; this is mirrored by the... Read more
Published 8 months ago by Surferofromantica
Inside This Book
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First Sentence:
I went out to see my Father in Rego Park. Read the first page Browse Sample Pages:
Front Cover | Table of Contents | First Pages | Back Cover | Surprise Me!
I went out to see my Father in Rego Park. Read the first page Browse Sample Pages:
Front Cover | Table of Contents | First Pages | Back Cover | Surprise Me!
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