Product Details

• Actors: Piccoli, Binoche, Lavant
• Format: Color, Subtitled, NTSC
• Language: French
• Subtitles: English
• Rating: Unrated
• Number of tapes: 1
• Studio: Fox Lorber
• VHS Release Date: April 10, 2001
• Run Time: 125 minutes
• Average Customer Review: 3.9 out of 5 stars See all reviews (7 customer reviews)
• ASIN: B000059XVZ
• Amazon.com Sales Rank: #52,620 in Video (See Bestsellers in Video)

Editorial Reviews

Product Description
Set a few years before the 21st century, Mauvais Sang (Bad Blood) tells the story of Alex (Denis Lavant), the teen-age son of a murdered criminal who is enlisted by two former associates of his father to steal a valuable serum for an AIDS-like disease.

Customer Reviews

Most Helpful Customer Reviews

15 of 15 people found the following review helpful:

5.0 out of 5 stars A Celebration of Cinema!, October 30, 2003

By	D. O. Hanlon "dohanlon" (Dublin, Ireland) - See all my reviews (REAL NAME)

This review is from: Mauvais Sang (DVD)

Leos Carax's 1986 film "Mauvais Sang" was only the directors second. Yet it immediately confirmed his status as the inheritor of the New Wave legacy. The film is above all a celebration of cinema and all things cinematic (including the entrancing Juliette Binoche's flawless face).

The plot of the film is slight and inconsequential, concerning the heist of a serum that cures STBO an Aids like virus which effects people who "make love without being in love". Piccoli plays Marc the gang leader who enlists the quick fingered Alex (Lavant) to break into the Darley-Wilkinson building and steal the serum. Matters are complicated when Alex falls in love with Anna, Marc's vastly younger girlfriend Anna (Binoche).

Carax's film is a visual tour de force. His main concern in "Mauvais Sang" is a celebration of cinema. The film constantly alludes to Godard (Binoche is a dead ringer for Anna Karina in this role ), to Chaplin (Lavant's clown like movements) and to film Noir in genereal through the use of music and the presence of Piccoli.

A previous review likens the film to "Amelie". However barring a resemblance between Binoche and the cookier and altogether more cartoonish Audrey Tautou these likenesses are unfounded. Unlike the entertainment based Amelie, "Mauvais Sang" aspires to the art of cinema itself as a visual medium.

The visuals by the late, great Jean Yves Esscoffier, as stated constantlty allude to Godard's 1960's masterpieces (the use of extreme close ups and primary colours, and have been repeated since in more mainstream fare such as "The Professional" ("Leon" in Europe).

"Mauvais Sang" was a cult hit and winner of the prestigious Louis Delluc Prize in 1986. It paved the way for Carax's more ambitious 1991 stunner "Les Amants du Pont Neuf" and was the first film where Juliette Binoche's face (now an important cinematic institution) was used as a visual reference.

Mauvais Sang is a difficult, at times exasperating film, but it is also sublime and rewarding...

7 of 8 people found the following review helpful:

4.0 out of 5 stars Gorgeous and rewarding, November 8, 2001

By	alchea (hills+water) - See all my reviews

I couldn't disagree more with the previous reviews posted on this page. An incredibly moving film, focusing on slight movements and glances to convey the most complicated human emotions. Beautiful camerawork and pacing. Very symbolic. Love, instead of theft, as the "heist" of the film.
One of the best films I've seen.

4 of 4 people found the following review helpful:

5.0 out of 5 stars The icon of the European cinema of the 80th, October 30, 2004

By	Serge Fenenko (Utrecht, Netherlands) - See all my reviews

This review is from: Mauvais Sang (DVD)

You will remember Mauvais Sang because of:
- its unique & very recognizable director's style;
- visual experiments that have broadened the cinema art horizon (please don't forget that this film was released in 1986 and was copied since then in many other films and videos, which makes it less experimental nowadays);
- high energy level due to variation in static close-ups and dynamic scenes shot by the moving camera;
- love story that touches but stays far away from clichés;
- plot that plays with stereotypes of a gangster film and leaves enough space for your imagination.

My favourite scene is Denis Lavant running through the night Paris on the David Bowie's "Modern Love". Feel the energy and watch the poetry!