Max Beckmann was among the greatest painters of the 20th century, yet no retrospective of his work has been mounted in the art capitals of New York, London, and Paris in over 30 years. Perhaps the lapse of attention has to do with the importance of abstraction in 20th-century art, and Beckmann's work is always figurative, simultaneously muscular and enigmatic and has enormous and unsettling power. Beckmann began his career as a naturalist and Symbolist in the period before World War I. After the war he developed a unique pictorial style that mixed expressionist color and gesture, mythological and mystical allegory, and the harsh new objectivity of his portrayal of modern life throughout the Nazi reign of terror. A prolific artist in painting, drawing, and printmaking--as well as a powerful sculptor--Beckmann created mysterious images and dense tableaux of unparalleled intensity and complexity during an odyssey that took him from his native Germany to Paris, Amsterdam, St. Louis, and New York. A new examination of Beckmann's role and reputation during the first half of the 20th century has been eagerly awaited. Making use of new scholarship and previously unavailable research materials, this book sheds light on Beckmann's work and his influence on and interactions with the artists of his day. Essays include discussions of Beckmann's Frankfurt cityscapes, his pictures from Italy, his triptychs, his group portraits, and his relationship with cultural politics in the 1920s and 1930s; texts and interviews by artists Leon Golub and Ellsworth Kelly; curator Robert Storr on "The Beckmann Effect"; and artist William Kentridge on Beckmann's Death. This sumptuous volume is published on the occasion of the retrospective exhibition mounted jointly by the Tate Modern, Centre Georges Pompidou, and The Museum of Modern Art, New York. It is the first comprehensive exhibition of Beckmann's work to be seen in the United States since 1984, and the first in New York since 1964.
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Book Description
Editorial Reviews
About the Author
Max Beckmann was born in Leipzig in 1884 to a family of farmers. He began his formal studies in 1900 at the Weimar Art Academy and moved to Paris soon after with his new wife. Drafted into World War I, he was deemed unfit to serve in the second, and spent the war years in Germany, outlawed by Hitler from exhibiting his "degenerate" paintings. After the war he came to America, taking up the post of painter in residence at Washington University in St. Louis, Missouri. In the late 1940s he moved to Manhattan, where he died of a heart attack en route to see his work in a show at The Metropolitan Museum of Art on December 27, 1950.
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Most Helpful Customer Reviews
12 of 12 people found the following review helpful:
5.0 out of 5 stars
The definitive Beckmann monograph,
By Claude Reich (Florianopolis, Brazil and Paris, France) - See all my reviews (TOP 1000 REVIEWER) (REAL NAME)
This review is from: Max Beckmann (Hardcover)
This book is the catalogue for the largest Beckmann exhibition ever held, in 2003,at the Centre Pompidou, the Tate Gallery and the Moma. All the masterpieces of this great artist are illustrated and explained, following a clear chronology and putting them in the historical and social context in which they were created. High-quality texts (especially the analysis of Beckmann's influence on contemporary artists like P.Guston, or the recurrent presence and meaning of the mirror in his paintings) make this an indispensable work. Highly recommended.
4 of 4 people found the following review helpful:
5.0 out of 5 stars
A comprehsive coverage of the artist and his work,
By
This review is from: Max Beckmann (Hardcover)
Max Beckmann edited by Sean Rainbird, published by Tate Publishing in conjunction with the Centre Georges Pompidou and the MoMA. ISBN 0870702416 clothbound, ISBN 0870702426 Paperbound. 296pp, 11.5"x9.75" (29x25cm). - Check these details as Amazon sometimes get their cross-listings for other editions wrong.
The dust-jacket flap describes this as "the first comprehensive English language catalogue on the artist published since ... 1984. It contains new research by German, British and American scholars." The book comprises thirteen essays, including several by practising artists; it concludes with an extensive and detailed Chronology, a Select Bibliography, List of Works and an Index. The many essays make fascinating reading, some deal with more general subjects or a period in the Beckmann's development including the difficult times of his exile; others discuss perhaps a specific work. There are extensive Notes for each essay. It illustrated profusely throughout in full colour (174 illustrations), including many of the drawings; the images are of a good size with many full page or larger. In addition there are 40 black and white illustrations which include examples of the work of other artists, a few of Beckmann's drawings, and many photographs of the artist. The illustrations run with the text and appear on or close to the page upon which they are discussed, this rule appears at time to be followed so closely that some works appear more than once. It is a very well produced book; the illustrations are of high quality and reveal the texture of the paint surface and the colours are rich and bold. It is a worthy book providing a broad coverage of the artist, his work and his life.
2 of 7 people found the following review helpful:
3.0 out of 5 stars
comprehensive but....,
By Ralcarbo (Philadelphia, PA) - See all my reviews
This review is from: Max Beckmann (The Museum of Modern Art reprints) (Hardcover)
intelligent text and many illustrations, sadly however, none are in color. Beckmann deserves more.
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