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May and Amy: A True Story of Family, Forbidden Love, and the Secret Lives of May Gaskell, Her Daughter Amy, and Sir Edward Burne-Jones
 
 
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May and Amy: A True Story of Family, Forbidden Love, and the Secret Lives of May Gaskell, Her Daughter Amy, and Sir Edward Burne-Jones [Paperback]

Josceline Dimbleby (Author)
4.8 out of 5 stars  See all reviews (4 customer reviews)


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Book Description

March 28, 2006
Always intrigued by Edward Burne-Jones’s portrait of her great-aunt, Amy Gaskell, Josceline Dimbleby’s chance meeting with the painting’s current owner encouraged her to explore the mystery of her own family’s past and the life and death of her beautiful great-aunt.

In her search, Dimbleby uncovered a passionate correspondence between Burne-Jones and her great-grandmother, May Gaskell, Amy’s mother, which continued throughout the last six years of the Pre-Raphaelite painter’s life.

As she delved deeper into their engrossing lives, questions emerged. What was the deep secret May had confided to Edward? And what was the tragic truth behind Amy’s wayward, wandering life, her strange marriage, and her unexplained early death?

Weaving together the threads of this tale, Dimbleby takes us through a turbulent period in English history and visits the most far-flung corners of the Empire. William Morris, Rudyard Kipling, William Gladstone, and prominent members of the Souls also play a part in this sweeping, often funny, and sometimes tragic story. Richly detailed and exquisitely told, May and Amy is a stunning account of hidden love and family secrets.


Editorial Reviews

From Publishers Weekly

Starred Review. The Victorian era's convoluted romances are famously entertaining: men and women, married (but not to each other), exchanging passionate letters and whispering endearments yet frequently remaining virtuous in their actions. May Gaskell, a proper British society woman at the turn of the 20th century, was no stranger to these fervent friendships. For six years, the unhappily married Gaskell corresponded romantically with Edward Burne-Jones, the pre-Raphaelite artist. Each promised to destroy the other's letters, but Gaskell, comforted by rereading them, preserved hers for "those who come after." These letters—as well as period novels, Burne-Jones's paintings and family photographs—reveal Gaskell family secrets and tragedies, including the strange death of Gaskell's daughter Amy ("all anyone seemed to have been told was that she had died young, 'of a broken heart' "). Cookbook author and food columnist Dimbleby became obsessed with unraveling the mysteries of May (her great-grandmother) and Amy, and she successfully draws readers into her dramatic search. The facts of daily late-Victorian life are captivating enough, but add to this Gaskell's circle of friends—including Henry James and Rudyard Kipling—and the intrigues surrounding Amy's love life (her younger sister married a man who pined for Amy), and this family memoir is riveting. Photos, drawings.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to the Hardcover edition.

From Booklist

Captivated as a child by the ethereal portraits of her Victorian ancestors--her great-grandmother May Gaskell and great-aunt Amy--Dimbleby's fascination would be further piqued when a trove of correspondence between May and the esteemed artist, Sir Edward Burne-Jones, was discovered in an abandoned family trunk. Opening that trunk would be akin to unlocking Pandora's box, however, for the letters not only exposed a tantalizing tale of unrequited love, unbridled passion, and unwavering devotion, they also revealed the tortured romanticism that haunted May, her predecessors, and her progeny. Although May found solace from her unhappy marriage in her relationship with Burne-Jones, daughter Amy would not fare so well, dying at an early age from what the family would always refer to as a "broken heart." With the indefatigable determination of a cunning detective, Dimbleby ferrets out her accomplished yet enigmatic ancestors' secrets, uncovering evidence of depression, abuse, infidelity, even suicide. Lavishly illustrated, lovingly researched, Dimbleby's riveting memoir reveals an intriguing yet anguished family. Carol Haggas
Copyright © American Library Association. All rights reserved --This text refers to the Hardcover edition.

Product Details

  • Paperback: 384 pages
  • Publisher: Three Rivers Press (March 28, 2006)
  • Language: English
  • ISBN-10: 0307335895
  • ISBN-13: 978-0307335890
  • Product Dimensions: 5.3 x 1 x 8 inches
  • Shipping Weight: 11.2 ounces
  • Average Customer Review: 4.8 out of 5 stars  See all reviews (4 customer reviews)
  • Amazon Best Sellers Rank: #1,346,378 in Books (See Top 100 in Books)

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Customer Reviews

4 Reviews
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Average Customer Review
4.8 out of 5 stars (4 customer reviews)
 
 
 
 
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5 of 5 people found the following review helpful:
4.0 out of 5 stars An interesting story of a mother and daughter during the mid-Victorian times, April 23, 2008
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This review is from: May and Amy: A True Story of Family, Forbidden Love, and the Secret Lives of May Gaskell, Her Daughter Amy, and Sir Edward Burne-Jones (Paperback)
This is a rather difficult book to review because of the sub-title (ie: " ....A True Story of Family,Forbidden Love,and the Secret Lives of Mary Gaskell,her daughter Amy, and Sir Edward Burne-Jones").

Originally, I had purchased this book when I did a SEARCH for the Pre-Raphaelite Artist "Sir Edward Burne-Jones". Therefore, this book was one of the first results to come-up in my Search under "Burne-Jones".
I was therefore, entrigued by the sub-titles and I soon bought this book.

To start off with, if a reader is even somewhat familiar with the Pre-Raphelite Brotherhood, and particularly with Edward Burne-Jones, they would know that Edward Burne-Jones had the habit of writing many letters to pretty women that he had met along the way. Some of these "writing relationships" were just that---"writing relationships" (ie: not necessarily physical relationships,or not necessarily un-like that more famous Burne-Jones relationship with Mary Zambaco).

(PLEASE NOTE: Burne Jones got involved in these interesting female "relationships" while still married to his only wife: GEORGIE BURNE-JONES).

Anyhow, Burne-Jones was taken by pretty women that were "thin" (a MUST under his book) and/or also, by women that were quite fragile-looking. I don`t know why, but for some bizarre reason, Burne-Jones was repulsed by "fat" women (??).

So, according to the books I have read about Burne-Jones,once Burne-Jones was teken-in by that woman's thinness and fragile looks, he would soon expand his relationship to a more "intellectual relationship" (as he perceived it) .

Sometimes, these relationships became more physical, and sometimes NOT. (By the way, his wife GEORGIE was well aware of all of this).

Anyhow, one of the pretty women Burne-Jones encountered, (while still married to Georgie) was a woman named MAY GASKELL.
May Gaskell was a very interesting woman with an interseting background, adn this book will discuss these facts.

Therefore, the first half of this book by Dimbleby deals with May's background. This part of the book puts, in perspective, May's life --- and especially in context to a typical upper-middle-class VICTORIAN life. Thus, please keep this in mind while reading the first part of this book.

Once the reader becomes accustomed to May Gaskell's life, the reader will soon learn about May's relationship to her relatives and especially May's children. Specifically, one of May's favorite children was a beautiful daughter called AMY.

Amy, quickly becomes the focus of this Dimbleby book and along with wonderful photos of Amy and her many "boyfriends", Amy's personality begins to emerge throughout this book.

In a nutshell, Amy is a very complex person, just like her mother May.

Without giving too much away, Amy's life unfolds in the book and there are many pretty Victorian photos of Amy showing the reader why Amy must have been so admired by men and male Artists.

Next in this book, the reader becomes involved with the interesting "correspondence relationship" that Amy's mother , May, begins with Burne-Jones.

Once again, I don't want to give too much away, but I can say that through all the letters written between May and Burne-Jones, the reader can get a 'feel' for what may have been going on (or not) throughout their 'platonic' relationship.

I must stress that this book ("May and Amy") is rather a book about ONE aspect of Burne-Jones' life--and not about his entire life! Primarily, this book deals with the correspondences between Burne-Jones and May Gaskell. In these letters, a reader can gather what Burne-Jones may have been like. But since this book is primarily about May Gaskell (and Amy Gaskell), please note that this book is myopic in it's viewpoint,in regards to Georgie and Edward Burne-Jones.

Still, this book is quite intersting to read because it captures the essence of the Pre-Raphaelite movement, via one participant (ie: Sir Edward Burne Jones) and ONE of his many friends (ie: May Gaskell).


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1 of 1 people found the following review helpful:
5.0 out of 5 stars May and Amy - enjoy it as much as I did!, August 30, 2011
By 
JohnF (Charlottesville, VA) - See all my reviews
This review is from: May and Amy: A True Story of Family, Forbidden Love, and the Secret Lives of May Gaskell, Her Daughter Amy, and Sir Edward Burne-Jones (Paperback)
I am an unashamed biography reader. I am also completely besotted with the period from late 19th century to the 1930s. This book fitted right in. I should also say that as soon as I realized this was a book about a voyage of discovery into family history, unraveling family mysteries and finding treasures of hidden papers and photogrpahs in attics, the Ashmolean and the Bodlean libraries, I was completely taken in and smothered by the fascinating story such that almost everything I did while reading the book was tinged by a comparison to that time. Other reviewers have outlined the story so I won't repeat that. However I will remark that this is a story primarily about May Gaskell and her daughter Amy, not about Byrne-Jones although he does play an important role in the center of this story. The appeal for me lies in the vivid picture Dimbleby paints of the era, the array of privileged characters and the great sadnesses that were suffered by them. This is a tale about very privileged folk who have unlimited resources it seems, and who need not work. Somehow this doesn't diminish the pain of their personal suffering even if we, in the 21st century, might regard them as melodramatic and self-absorbed. And Dimbleby does an admirable job in surfacing the emotions in her reader through those of her protagonists. The Victorians, or at least those who had the luxury to dwell on their emotional lives, were clearly prone to melancholy and sadness. The whole Pre-Raphaelite movement, you might say, was underpinned by a longing for a world and loves that were forbidden or withheld which thus created their sad musings. The longing for the return of Arthur and the Round Table with all its romantic associations is just one example that crops up in this story. The Arts and Crafts movement as a whole was bent on preserving a world that was fast disappearing; a world where the inidvidual craftsman was preeminent; which set out with a lofty goal to make beautiful objects available for the masses. Somehow this was not well thought through economically and it backfired. Perhaps this sad fact was inevitable given the advent of industry and what was forever created by the changes brought about by the Great War. The immediate pre-war period was one where there was immense tension between the 'old world' of craftsmen, class distinction and leisure for the minority; and the soon-to-be new world order of mass production, speed and more equality. This story paints an interesting and vivid picture of this time and the minority of wealthy individuals who inhabited this privileged world, which was soon to change for ever. While it is a story about a family and a few individuals, it can stand for a broader expose of a world which almost entirely disappeared after 1918.
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1 of 1 people found the following review helpful:
5.0 out of 5 stars Fascinating, Irresistable and Delicious!, August 16, 2008
This review is from: May and Amy: A True Story of Family, Forbidden Love, and the Secret Lives of May Gaskell, Her Daughter Amy, and Sir Edward Burne-Jones (Paperback)
This book came into my life while I was on holiday in Maui. I found it left in a condo I was renting. Once I picked it up, I couldn't put it down. It is the kind of book one will read until 3:00am because one wants to read just one more chapter before putting it aside for the night. I found this book mesmerizing. The dual excitement of accompanying the author on her detective mission into the history of her relatives along with the discovery of the life journey of her ancestors is one of the best adventures I have had in a long time. Ms. Dimbleby is already an accomplished writer, and her writing style is beautifully elegant and swiftly moving. Her ability to bring the personalities of some intensely fascinating Victorian era characters to warm-blooded life is awe inspiring. Serendipitously, her ancestors were similarly talented with a pen, prolific letter writers, and thereby preserved first person accounts of many of the most interesting events and issues of their time. One gets to know these people in an intimate way and feels an inkling of understanding about what motivated them, inspired them, made their lives worth living or took the desire to live away from them entirely. One also gets a bonus understanding of the Boer Wars and other military actions of the British Government during Victorian times. I loved this book and am delighted to have happened upon it as I did. A wonderful and rewarding read. Enjoy!
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