5 of 5 people found the following review helpful:
4.0 out of 5 stars
An interesting story of a mother and daughter during the mid-Victorian times, April 23, 2008
This is a rather difficult book to review because of the sub-title (ie: " ....A True Story of Family,Forbidden Love,and the Secret Lives of Mary Gaskell,her daughter Amy, and Sir Edward Burne-Jones").
Originally, I had purchased this book when I did a SEARCH for the Pre-Raphaelite Artist "Sir Edward Burne-Jones". Therefore, this book was one of the first results to come-up in my Search under "Burne-Jones".
I was therefore, entrigued by the sub-titles and I soon bought this book.
To start off with, if a reader is even somewhat familiar with the Pre-Raphelite Brotherhood, and particularly with Edward Burne-Jones, they would know that Edward Burne-Jones had the habit of writing many letters to pretty women that he had met along the way. Some of these "writing relationships" were just that---"writing relationships" (ie: not necessarily physical relationships,or not necessarily un-like that more famous Burne-Jones relationship with Mary Zambaco).
(PLEASE NOTE: Burne Jones got involved in these interesting female "relationships" while still married to his only wife: GEORGIE BURNE-JONES).
Anyhow, Burne-Jones was taken by pretty women that were "thin" (a MUST under his book) and/or also, by women that were quite fragile-looking. I don`t know why, but for some bizarre reason, Burne-Jones was repulsed by "fat" women (??).
So, according to the books I have read about Burne-Jones,once Burne-Jones was teken-in by that woman's thinness and fragile looks, he would soon expand his relationship to a more "intellectual relationship" (as he perceived it) .
Sometimes, these relationships became more physical, and sometimes NOT. (By the way, his wife GEORGIE was well aware of all of this).
Anyhow, one of the pretty women Burne-Jones encountered, (while still married to Georgie) was a woman named MAY GASKELL.
May Gaskell was a very interesting woman with an interseting background, adn this book will discuss these facts.
Therefore, the first half of this book by Dimbleby deals with May's background. This part of the book puts, in perspective, May's life --- and especially in context to a typical upper-middle-class VICTORIAN life. Thus, please keep this in mind while reading the first part of this book.
Once the reader becomes accustomed to May Gaskell's life, the reader will soon learn about May's relationship to her relatives and especially May's children. Specifically, one of May's favorite children was a beautiful daughter called AMY.
Amy, quickly becomes the focus of this Dimbleby book and along with wonderful photos of Amy and her many "boyfriends", Amy's personality begins to emerge throughout this book.
In a nutshell, Amy is a very complex person, just like her mother May.
Without giving too much away, Amy's life unfolds in the book and there are many pretty Victorian photos of Amy showing the reader why Amy must have been so admired by men and male Artists.
Next in this book, the reader becomes involved with the interesting "correspondence relationship" that Amy's mother , May, begins with Burne-Jones.
Once again, I don't want to give too much away, but I can say that through all the letters written between May and Burne-Jones, the reader can get a 'feel' for what may have been going on (or not) throughout their 'platonic' relationship.
I must stress that this book ("May and Amy") is rather a book about ONE aspect of Burne-Jones' life--and not about his entire life! Primarily, this book deals with the correspondences between Burne-Jones and May Gaskell. In these letters, a reader can gather what Burne-Jones may have been like. But since this book is primarily about May Gaskell (and Amy Gaskell), please note that this book is myopic in it's viewpoint,in regards to Georgie and Edward Burne-Jones.
Still, this book is quite intersting to read because it captures the essence of the Pre-Raphaelite movement, via one participant (ie: Sir Edward Burne Jones) and ONE of his many friends (ie: May Gaskell).
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1 of 1 people found the following review helpful:
5.0 out of 5 stars
May and Amy - enjoy it as much as I did!, August 30, 2011
I am an unashamed biography reader. I am also completely besotted with the period from late 19th century to the 1930s. This book fitted right in. I should also say that as soon as I realized this was a book about a voyage of discovery into family history, unraveling family mysteries and finding treasures of hidden papers and photogrpahs in attics, the Ashmolean and the Bodlean libraries, I was completely taken in and smothered by the fascinating story such that almost everything I did while reading the book was tinged by a comparison to that time. Other reviewers have outlined the story so I won't repeat that. However I will remark that this is a story primarily about May Gaskell and her daughter Amy, not about Byrne-Jones although he does play an important role in the center of this story. The appeal for me lies in the vivid picture Dimbleby paints of the era, the array of privileged characters and the great sadnesses that were suffered by them. This is a tale about very privileged folk who have unlimited resources it seems, and who need not work. Somehow this doesn't diminish the pain of their personal suffering even if we, in the 21st century, might regard them as melodramatic and self-absorbed. And Dimbleby does an admirable job in surfacing the emotions in her reader through those of her protagonists. The Victorians, or at least those who had the luxury to dwell on their emotional lives, were clearly prone to melancholy and sadness. The whole Pre-Raphaelite movement, you might say, was underpinned by a longing for a world and loves that were forbidden or withheld which thus created their sad musings. The longing for the return of Arthur and the Round Table with all its romantic associations is just one example that crops up in this story. The Arts and Crafts movement as a whole was bent on preserving a world that was fast disappearing; a world where the inidvidual craftsman was preeminent; which set out with a lofty goal to make beautiful objects available for the masses. Somehow this was not well thought through economically and it backfired. Perhaps this sad fact was inevitable given the advent of industry and what was forever created by the changes brought about by the Great War. The immediate pre-war period was one where there was immense tension between the 'old world' of craftsmen, class distinction and leisure for the minority; and the soon-to-be new world order of mass production, speed and more equality. This story paints an interesting and vivid picture of this time and the minority of wealthy individuals who inhabited this privileged world, which was soon to change for ever. While it is a story about a family and a few individuals, it can stand for a broader expose of a world which almost entirely disappeared after 1918.
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