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I May Be Some Time: Ice and the English Imagination
 
 
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I May Be Some Time: Ice and the English Imagination [Hardcover]

Francis Spufford (Author)
3.3 out of 5 stars  See all reviews (6 customer reviews)

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Book Description

November 15, 1997
Francis Spufford explores the British obsession with polar exploration in a book that Jan Morris, writing in The Times, called, “A truly majestic work of scholarship, thought and literary imagination...” The title, a last quote from one explorer to his party as he left their tent never to return, embodies the danger and mystery that fueled the romantic allure of the poles and, subsequently, the British imagination. Far from being a conventional history of polar exploration, I May Be Some Time attempts to understand what was going on in the minds of the polar explorers as they headed toward destinies like Terra Nova. Serving up a heady brew of Captain Perry, Jane Eyre, gastronomic obsessions with iced deserts, and the daily lives of the Eskimos, Spufford treats the reader to one of the most satisfying and imaginative contemporary works dealing with exploration and human need.

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Editorial Reviews

Amazon.com Review

What on earth could inspire so many men--so many British men, in particular--to brave unimaginable cold, hunger, fear, and physical danger in the planet's most remote and forbidding locales? In the case of many polar explorers, writes Francis Spufford, it was a complicated amalgam--English notions of sportsmanship, heroism, and honor mixed with romantic notions of the sublime. In his I May Be Some Time: Ice and the English Imagination, Spufford explores the British obsession with the world's coldest and bleakest climes, using their literary representation as his guide. Although his book gives some historical background about early polar explorations, Spufford concerns himself more with English perceptions of snow and ice than with the snow and ice itself. He considers the writing of Byron, Coleridge, Tennyson, Melville, Mary Shelley, and others, as well as that of the polar explorers themselves, expertly limning how coldness and its metaphors captured the imagination of a generation of Englishmen. Along the way Spufford examines exploration's often unsavory ideological bedfellows, including Victorian views about class, race, and empire.

From Kirkus Reviews

Spufford, of the Guardian in London, plumbs the cultural fascination and aesthetic attraction of cold regions for British explorers, and how their romance with snow was fashioned by an evolving national sensibility, in this smartly argued, wide-ranging book. The polar regions--with their isolation, nullity of landscape, cold so extreme that ``the breath of the travellers crystallizes and falls to the snow in showers''--were explored by many nations (not to mention the Inuit, who lived there), but by none more than the superbly ill-experienced British. Cook, Franklin, Scott, Shackleton--what drove these men to the ends of the earth, wondered Spufford, ``Why do these insane things?'' Well, he answers, it's more than just a passing fancy. Drawing on the diverse works of Byron, Coleridge, Cruikshank, the Shelleys, Conrad, and many others, the author paints an extraordinary portrait of a culture shaped by the notion of cold and its representations. A yearning for the sublime, for sights great and terrible, played a part, as did the strength of soul necessary to tangle with the most hellacious elements--to brush with them, or even to be utterly beaten by them, was to be touched in a rare way. There were the uncertainty and filtered truths from which spring romance and fantasy. There was the chance for the explorers to distinguish themselves, to shoulder a heroic mantle. Each chapter is an archaeology of the British love affair with ice, Spufford often unearthing unattractive strata: the class nature of exploration, colonialism, racism toward the Inuit, who undercut all the heroism by the simple fact that they lived where the explorers more often died. Spufford elegantly details how all these images, elements, and metaphors came home to roost in the Edwardian imagination, leading directly to parts unknown. -- Copyright ©1997, Kirkus Associates, LP. All rights reserved.

Product Details

  • Hardcover: 388 pages
  • Publisher: Palgrave Macmillan (November 15, 1997)
  • Language: English
  • ISBN-10: 031217442X
  • ISBN-13: 978-0312174422
  • Product Dimensions: 8.9 x 5.6 x 1.2 inches
  • Shipping Weight: 1.3 pounds (View shipping rates and policies)
  • Average Customer Review: 3.3 out of 5 stars  See all reviews (6 customer reviews)
  • Amazon Best Sellers Rank: #2,969,538 in Books (See Top 100 in Books)

More About the Author

I'm a writer of non-fiction who is creeping up gradually on writing novels. I write slowly and I always move to new subject-matter with each book, because I want to be learning something fresh every time, both in terms of encountering history and people and thinking which are new to me, and also in the sense of trying out a new way of writing. My idea of a good project is one that I can only just manage. I've written a memoir of my childhood as a compulsive reader, an analysis of the British obsession with polar exploration, a book about engineers which is also a stealth history of Britain since 1945, and now "Red Plenty", about the moment in the early 1960s when it looked as if Soviet communism really might be beating the capitalist west in the race to abundance. But "Red Plenty" isn't exactly history, and it isn't exactly a novel either: it's a fusion of the two, to try to bring the world of the early-60s USSR alive. It's a comedy of ideas, and a sad story about the cost of ideas, all at once. I haven't finished my slow crabwise crawl into fiction yet; my next book, or maybe the one after next, will be a full-on freestanding novel with (I promise) no notes at the back of it at all. But this is where I've got to so far. I hope you enjoy it. The book has its own website at www.redplenty.com, where I've put out-takes, Soviet jokes, background material on the main characters, clips from Soviet music and film of the time - generally, things I used or enjoyed when I was doing the writing.

(Oh, biography. I was born in 1964, I'm married with a six-year-old daughter, and I teach on the MA in Creative and Life Writing at Goldsmiths College, London.)

 

Customer Reviews

6 Reviews
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Average Customer Review
3.3 out of 5 stars (6 customer reviews)
 
 
 
 
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11 of 15 people found the following review helpful:
4.0 out of 5 stars Psychohistory of a famous disaster, July 22, 1999
By A Customer
Amazon Verified Purchase(What's this?)
This review is from: I May Be Some Time: Ice and the English Imagination (Hardcover)
Fascinating exploration of how the romantic movement nurtured the creation of an ideal vision of arctic/antarctic ice that ultimately contributed to a sense that it was nobler to suffer than survive. I found the book a well-written survey of popular opinion and response to polar exploration in England that presents an interesting thought: the idea that the ultimate source of Scott's disaster in the Antarctic may not have been stupidity, ego, arrogance, or any of the character flaws with which Robert F. Scott has been charged so much as hopeless romanticism (a character flaw all its own, true enough, which may contain elements of All Of The Above).
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1 of 1 people found the following review helpful:
5.0 out of 5 stars A wonderful--and moving--book., November 9, 2010
I May Be Some Time is a wonderful--and moving--book. Readers who were disappointed in it may have been looking for an adventure story. Well, it is that at the end, but the end comes as the climax of a long, complex, and fascinating cultural history. Readers interested in English culture in the 19th century--the world that gave rise to much Arctic and Antarctic exploration--will find this book compelling. Spufford examines imaginative literature of the period, the impact of new developments in the sciences, changing ideas of history and culture, British pride in the empire, and the roles expected of and actually played out by men and women whose lives involved them in exploration. He concludes his study with a profoundly moving narrative account of Scott's doomed final journey. This is a book that requires patience and attention on the part of the reader, but it is also a book that offers real rewards.
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8 of 12 people found the following review helpful:
4.0 out of 5 stars I began to think then that things were getting a bit serious, December 30, 2003
By A Customer
If you have come this far into the Antarctic you've already read Lansing,
Mawson, Scott, Shack, Cherry-Garrard, and Lashly. So those trudging first person narratives that caught your attention have given over to the Huntford style management critic, you got that. And here with Spufford you arrive at the analytical pole. This is not a discussion of technique nor tactics but from the South Center you can look in all directions at religion, music, poetry, myth, media; and the very power of precedence to both push and pull men.
Here is the geography that makes otherwise hard practical men simply and ultimately spiritual; the deserts frozen or not, hold horizons of nothing that fill mens' heads with everything.
Beyond this is to dream and hallucinate; try a little
Vollmann. Enjoy the ride.

PS. The last chapter of this book is worth its price; 48 pages of the best in the language on Scott and his men.
It will make you cry.

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Inside This Book (learn more)
First Sentence:
We had better begin with the question asked by very reader of the standard accounts of the great expeditions, the urgent question that floats irresistibly to the surface of one's mind as the contrast grows stronger and stronger between the safe, sensible surroundings in which one is reading, and the scenes that are being described. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
polar landscape, polar exploration, last expedition
Key Phrases - Capitalized Phrases (CAPs): (learn more)
North Pole, Lady Jane, Terra Nova, Clements Markham, Snow Queen, South Georgia, Lady Franklin, Cape Evans, Eleanor Porden, South Pole, Great War, Mary Shelley, Sophy Cracroft, Cape Tennyson, Isabella Parry, Jane Franklin, Personal Narrative, Teddy Evans, United States, Canadian Arctic, Cape Crozier, Edward Wilson, Green Stockings, Mother Carey, Ross Island
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