Product Details

• Actors: Maya Deren Experimental Films
• Directors: Maya Deren
• Format: Color, DVD, NTSC
• Language: English
• Region: All Regions
• Aspect Ratio: 1.33:1
• Number of discs: 1
• Rated: Unrated
• Studio: Mystic Fire Video
• DVD Release Date: June 26, 2007
• Run Time: 76 minutes
• Average Customer Review: 4.6 out of 5 stars  See all reviews (20 customer reviews)
• ASIN: B000PY3XE6
• Amazon Best Sellers Rank: #59,453 in Movies & TV (See Top 100 in Movies & TV)

Customer Reviews

Most Helpful Customer Reviews

41 of 42 people found the following review helpful:

5.0 out of 5 stars A brilliant, must-have collection of short films, March 5, 2008

By 

Craig Dickson (San Mateo, CA USA) - See all my reviews
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This review is from: Maya Deren: Experimental Films (DVD)

I think it was Stan Brakhage who once explained the importance of Maya Deren to the development of underground film culture by saying, "She is the mother of us all." This DVD collects the short films that prove Brakhage right. All of them are in black and white; most of them are about 15 minutes long (the one exception is even shorter than that); and all are silent, though some have musical accompaniment.

"Meshes of the Afternoon" (1943), made in collaboration with her then-husband, Hollywood cameraman Alexander Hamid, is the foundation of American experimental cinema. It tells a dream-like story that loops back on itself with variations, telling a dream-like story of a woman (Deren) following a strange, cloaked figure with a mirror for a face. It is an endlessly fascinating film made all the more intense by its brevity. Along with Kenneth Anger's "Fireworks", it is the finest distillation of dream into film that I have seen.

"At Land" (1944) begins with a woman (Deren again) being washed up on the shore by the ocean and climbing up into a series of curious adventures. A good early example of the "trance" film.

"A Study in Choreography for Camera" (1945) is only four minutes long and doesn't really tell a story; it's more a brief experiment in the cinematography and editing of dance footage, with an innovative opening in which the camera rotates in place and manages to pass the same figure four times before completing the circle.

"Ritual in Transfigured Time" (1946) is arguably Deren's greatest film. Three women (Deren, writer Anais Nin, and dancer Rita Christiani) play archetypal roles in the the transformation of "widow into bride" (as Deren explained it).

"Meditation on Violence" (1948) is an extended study of ritual motion in which a master of Chinese martial arts demonstrates Wu Tang and Shao Lin forms. It is surprisingly difficult to tell that the last four minutes of the film are played backwards!

"The Very Eye of Night" (1958) is a curious piece in which dancers, filmed in negative, perform against a starry background. Some critics dismiss this film, but it is really quite absorbing, in a meditative sort of way, if you are willing to slow down and accept it as it is rather than demanding a "story."

The DVD also includes Alexander Hamid's charming documentary "The Secret Life of a Cat" (1945), which shows the birth and raising of a new litter of kittens in the Deren/Hamid household.

27 of 28 people found the following review helpful:

5.0 out of 5 stars A wonderful collection of experimental film, February 27, 2007

By 

Steward Willons (Illinois) - See all my reviews
(VINE VOICE)   

This review is from: Maya Deren: Experimental Films (DVD)

Contrary to some previous reviews, Maya Deren, at least in film circles, is one of the most popular experimental directors of the 20th century. And with good reason - her beautiful films are bold and groundbreaking, but also easily accessible and just plain fun to watch. Certain experimental classics such as Michael Snow's structuralist "Wavelength" are more interesting in theory, as they work very well conceptually, but are not as fun to watch. Similarly, Stan Brakhage left behind many beautiful works, but I still find myself more interested in his craft, the way he scratched, painted, or otherwise composed directly on the film stock itself.

By contrast, Deren's films work on many levels. A new viewer inexperienced in avant-garde film will find plenty to enjoy while the seasoned viewer will enjoy the innovative technique Deren employs as well as her metaphor and symbolism.

Besides being a filmmaker, Deren did much to further the art of avant-garde film including writing on aesthetics and helping her contemporaries find exhibition space and support. Her influence on cinematography in particular cannot be over emphasized. Reportedly, after viewing "A Study in Choreography for Camera", Gene Kelly telephoned Deren to ask how exactly she was able to get a dancer to do what was on the film. "At Land" is still has many of the most interesting match-on-action editing sequences of all time.

"Meshes of the Afternoon" is definitely her most popular work, and probably her best. It's a great example of trance film. Any explanation I could attempt to give is a poor substitute for watching it yourself. Although some films can be adequately described with a written statement (here I'm thinking Gehr's Serene Velocity or something similar), Deren's films must be seen to be fully appreciated. Start with Meshes and then maybe "At Land". They all have their charm.

I've avoided referring to Deren as a "woman director" because specifying gender implies to some that "she would be totally unimportant if she wasn't one of the few female directors". Very simply, gender is not an issue here - she's one of the most inventive and most important film directors, man or woman. There are feminist readings possible with Meshes, but most of her work is not preoccupied with typical feminist thought.

As one can imagine, these aren't exactly multiplex-friendly and prior to this DVD, Deren's films were difficult to track down. I was lucky enough to see Meshes in a film class on a big screen, but not everyone has this opportunity. This DVD is a wonderful collection of some of the best experimental film around. If you are already into this stuff, this DVD needs to be on your shelf. If you're just looking for a change from the typical narrative-based film, this is without a doubt the place to start.

23 of 24 people found the following review helpful:

5.0 out of 5 stars Maybe the Crown Jewel to my Movie Collection, December 26, 2005

By 

Kind of a Movie Fan "Movie Fan1" (Tacoma, WA) - See all my reviews

This review is from: Maya Deren: Experimental Films (DVD)

Let's get this out of the way first, go buy this DVD, it is perfect and easily worth the money.
If I were to have seen these films w/o the dates at the beginning, I would have never in a million years believed these films were made in the early to late 1940s. I truly could believe these films were made in Seattle this year. This lady is a great artist whose films need to be seen by a large audience today. I want to see her films on the big screen. There is hope as long as we have Indy theaters.