Mayor of the Sunset Strip 2004 R CC

Amazon Instant Video

(40) IMDb 7.1/10

Rodney Bingenheimer, The Mayor of the Sunset Strip, is perhaps the least-known celebrity in Hollywood, though somehow every celebrity seems to know him. From DAVY JONES' stunt double to KROQ DJ with a talent scout's vision, "Rodney on the ROQ" has done it all.

Starring:
Rodney Bingenheimer, David Bowie
Runtime:
1 hour 35 minutes

Mayor of the Sunset Strip

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Product Details

Genres Music, Documentary
Director George Hickenlooper
Starring Rodney Bingenheimer, David Bowie
Supporting actors Billie Joe Armstrong, Beck, Jello Biafra, Bing Bingenheimer, Zelda Bingenheimer, D.J. Bonebrake, Sonny Bono, David Bowie, Leo Braudy, Clem Burke, Neve Campbell, Belinda Carlisle, Chris P. Carter, Exene Cervenka, Camille Chancery, Cher, Tre Cool, Alice Cooper
Studio First Look Studios
MPAA rating R (Restricted)
Captions and subtitles English Details
Rental rights 48 hour viewing period. Details
Purchase rights Stream instantly and download to 2 locations Details
Format Amazon Instant Video (streaming online video and digital download)

Other Formats

Customer Reviews

Sad, sweet, ultimately enduring, even if at the fringes of his former glory.
Holly Gleason
One feels equally uncomfortable later when Rodney expresses his obvious love for Camille, his attractive companion who weaves in and out of the proceedings.
F. Gentile
It turned out when I watched it, it got my attention and I liked it very much.
Jordan Lee

Most Helpful Customer Reviews

30 of 32 people found the following review helpful By Roland E. Zwick on January 16, 2005
Format: DVD
***1/2 If "Mayor of the Sunset Strip" were not a documentary, no one would ever believe the story it tells. The film chronicles the life of Rodney Bingenheimer, the L.A. DJ who helped to launch the careers of many of the most influential bands in rock music history. However, if you're expecting Rodney to be a dashing, high-powered music exec with loads of cash and garages full of fancy sport cars, think again. He is, in fact, a painfully shy and unassuming man who seems totally out of place in the celebrity swirl of which he became so integral a part beginning in the 1960`s. This is what makes his story and the film so fascinating, for who could have imagined that this gnomish young lad from Mountain View, California - essentially abandoned by both his mother and father and rejected by his peers - would somehow manage to make himself the center of attention for some of the greatest rock celebrities of the 1960's and `70's. Everybody who was anybody knew and adored Rodney, and, after he landed a gig as DJ at L.A.'s KROQ in the 1970`s, he gave many struggling alternative artists their first real toehold on the radio, playing their records at a time when no other disc jockeys would touch them. The bands who practically owe their careers to Rodney Bingenheimer include Blondie, the Ramones, the Sex Pistols, the Runaways, the Go-Go's, No Doubt, Coldplay, and many many others.

As a documentary, the film, written and directed by George Hickenlooper, takes a fairly conventional approach, combining images from Rodney's life with interviews by celebrities, relatives and friends commenting on him both as a person and as a phenomenon.
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20 of 20 people found the following review helpful By Jason D Moss on October 20, 2004
Format: DVD
I'm giving this DVD 5 stars because, taken together with the special features, the film contributes to a package that may be essential for any rock fan/armchair historian like myself. I agree with the criticism that the film spends too much time probing into Rodney's personal life; I assume the film-maker felt an obligation to present his subject's inner life as well as his social world, but ultimately I really don't care whether Rodney's best female buddy is his lover or not - I'm far more interested in the man's profound contribution to rock history. That said, the movie does its job well enough to hold the attention of rock fanatics and casual viewers alike.

But what really seals the deal - and I'm surprised none of the reviews here have mentioned this - is a scene, tucked away in the special features, in which the film maker introduces Brian Wilson to Elvis Costello. The ensuing exchange is as fascinationg as you might imagine: A calm, collected Elvis does his best not to scream out "Ohmygod I'm talking to Brian Wilson!" while the latter goes on being his weird, intriguing self. The genius hangs like some luminescent protoplasm in the room while these two discuss recording studios, songwriting and fame. This segment alone moved me to go out and buy the DVD (I had rented it).

Oh yeah, and there are interviews with people like Cher, David Bowie, and Pamela and Michael Des Barres, who proves himself a really entertaining and engaging character. Enjoy!
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22 of 24 people found the following review helpful By D. Hartley on June 11, 2004
Format: DVD
By turns outrageously funny and reflectively sad, this fascinating look at the life of L.A. music scene fixture Rodney Bingenheimer is a must-see for anyone claiming to be a serious rock fan. The diminutive, skittish and soft-spoken Bingenheimer comes off as Andy Warhol's West coast twin, or perhaps the Forrest Gump of rock and roll-somehow he has been in the hurricane's eye of every major music "scene" since the mid 60's, from Monkeemania (working as Davey Jones' double!) to becoming the first DJ to champion current superstars Coldplay. Although ostensibly "about" Rodney, the film is at its core a whirlwind timetrip through Rock's evolution, filtered through a coked-out L.A. haze. The ongoing photograph montages of Rodney posing with an A-Z roster of every major seminal rock figure in the genre's history began to remind me of Woody Allen's Alfred Zelig, a nondescript milquetoast who could morph his appearance to match whomever he was with at the time. Rodney himself remains a cypher; in one scene he fidgets nervously and begs the director to turn off the camera when the questions get too "close". There is also a sad irony; despite his ability to attract the company of the rich and famous (and they all appear to adore the man), the fruits of fame and success evade Rodney himself. He drives a "beater" to his DJ job at L.A.'s legendary KROQ; he lives alone in a cluttered little hovel, where treasured memorabilia like Elvis Presely's first driver's license(!) collects dust next to the empty pizza boxes. Priceless commentary from the likes of music producer Kim Fowley (whose own wacked-out rock 'n' roll career contains enough fodder for a whole other documentary), Pamela Des Barres (legendary groupie; aka "Miss Pamela" of Frank Zappa proteges The G.T.O.'s)and her husband, musician Michael Des Barres. One of the best "rockumentaries" to date.
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14 of 15 people found the following review helpful By Tim Brough TOP 1000 REVIEWERVINE VOICE on November 2, 2004
Format: DVD
If you cared at all about the exploding new wave scene in the 80's, then you should see this movie. Rodney Bingenheimer was the architect of the KROQ sound, the radio format that spawned alternative stations across the nation. What "The Mayor Of The Sunset Strip" does provide beyond that is a snapshot of Rodney as the ultimate fanboy. He was the kind of guy who drove David Bowie around California, trying to get him an audience with US record companies. Rodney, pretty much left in Hollywood to fend for himself as a child, even landed parts as Davey Jones' double on "The Monkees." His fans and friends include people like Bowie, Alice Cooper and Gwen Stefani. Even Cher drops in to show Rodney her appreciation.

What you also gather from this DVD is Rodney as an attention starved man-child who turned his fascination with celebrity into a career without a fortune. The distressing thing is that Rodney, who dwells in a squalid apartment and drives a beat up Chevy, basically lives a pretty meager existence when all the artists he helped break pay him little more than general lip service, and the radio station he helped put on the map has reduced him to one shift a week from Midnight to 3 AM on Sundays.

"The Mayor Of The Sunset Strip" is a good watch for rock fans, but is ultimately depressing. Rodney cuts a tragic figure through a lot of the documentary and leaves the viewer with a bittersweet feeling about the current state of broadcasting. You squirm as Rodney, a man who programmed radio by the sounds of the music he loved, is slowly being squeezed into irrelevance. Then you come to understand that people who grab hold of music and records for the sheer love of glamor, glitter and the sound of it all are dangerously close to extinct.
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