Issue 16 presents new stories from McSweeney's regulars like Roddy Doyle and Denis Johnson, and exploits a never-before-seen tripartite format to bring you a hilarious Ann Beattie novella and a special deck-of-cards story from Robert Coover, one of the great masters of American experimental fiction. This issue uses more cloth than any issue to date. Also, it comes with a comb.
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3.0 out of 5 stars
Style over substance,
This review is from: McSweeney's Issue 16 (Mcsweeney's Quarterly Concern) (Hardcover)
McSweeney's 16 unfolds into 4 sections containing a paperback of short stories, a paperback novella, a pack of cards with a story printed on them, and a comb. Materially, this is one of the best produced and good looking books out there, McSweeney's proving their innovation extends beyond the written word into design. It's a shame the stories don't live up to the brilliant product.
Denis Johnson proves why he's the best known of all the contributors by providing an extract from his novel "Tree of Smoke" entitled "Lucky". The story follows young servicemen in Indo-China before Vietnam escalates into a full blown conflict and includes reactions to the assassination of JFK, prostitutes, squabbling brothers, and a monkey shooting all in 15 pages! Roddy Doyle, usually a very strong short story writer, provides a so so story called "Home to Harlem" while Adam Levin's "Considering the Bittersweet End of Susan Falls" has its moments as the story centres on a legless, abnormally intelligent teen girl in college falling in love with an older girl and then suddenly dying. Robert Coover writes a story on the playing cards about the Queen of Hearts baking tarts for the King and then having them stolen. The idea is that, besides the first and last card, you shuffle the deck and each time read a different story. It's a great idea but isn't as amazing as it sounds. Each card ends with a character doing something and the event being covered on the next card. Eg. "The Knave of Hearts then..." and the next card beginning "... jumped through the window into the garden". It's ok and a neat idea but basically not that enthralling especially as Coover's story isn't very interesting. Ann Beattie's novella was so insufferably smug I only managed 10 pages out of 50 before putting it down. It's a great issue if only for the presentation but there are some interesting stories within. I think style trumps substance in this regard but the style is so good it's worth checking out just for that.
5.0 out of 5 stars
Content & Style,
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This review is from: McSweeney's Issue 16 (Mcsweeney's Quarterly Concern) (Hardcover)
McSweeney's 16 is probably one of the most successful issues overall, just a gem to own, open, and discover. The packaging folds out four ways, once for the main book, another for a novella, a third for a deck of cards, and a fourth for a comb.
The deck of cards is actually an exceptional story written by Robert Coover in which there are a beginning and ending card, with the rest (2 of Hearts through King of Hearts) being readable in any order, allowing you to "shuffle" the story as you see fit. The effect works with the delight of a really good card trick, and the story (about a king and his missing tarts) is very funny, very silly, and very well-written. The novella (by Ann Beattie) is a concept piece without plot or narrative, a character exercise, essentially, with many, many people eulogizing a saintlike artist. It would have made a good short, but is far too long to be a novella. The stories in the book are prettinear all solid, featuring a common thread of infirmity: Brian Evenson writes a powerfully comitragic story about a father who loses the ability to speak coherently, Kevin Moffett writes with spot-on stream-of-consciousness about an ADD-addled uncle, and Adam Levin has a terrific story about a legless and suicidal girl whose infirmity leads her to early genius though she maintains her adolescent hormones. There's also an excerpt from Denis Johnson's Tree of Smoke, and good stories by Pia Ehrhardt (about a woman daring herself into infidelity), Hannah Pittard (about a colony of outcasts investigating a string of dog hangings), and Miranda Mellis (a tiny portrait of a zany therapist). Nathaniel Minton's story is another highlight, a canny rendition of a child's perception of the world as an imaginative, Calvin-like boy eavesdrops a bizarre cult ritual. The only dud among the stories is Roddy Doyle's Correct Topic Festival, about a black Irishman who gets misunderstood for being black and Irish in the most predictable, pandering ways imaginable. Overall though, great presentation, great ideas, great stuff. And: that comb.
7 of 11 people found the following review helpful:
5.0 out of 5 stars
goody good,
By
This review is from: McSweeney's Issue 16 (Mcsweeney's Quarterly Concern) (Hardcover)
McSweeney's 16 is a fantastic issue with some of the finest packaging ever crafted for anything. i would pay 14 dollars just for that comb.
for content, the main book has some of the best stories i've heard all year. highlights include: "considering the bittersweet end of susan falls", roddy doyle's short story, and some other stuff i can't remember the name of.
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