Customer Reviews

Mccoy Tyner & Latin All-Stars

5 star:		(6)
4 star:		(2)
3 star:		(0)
2 star:		(0)
1 star:		(0)

 

 

McCoy Tyner has an innate feel for Latin-jazz, especially of the Afro-Cuban variety. Indeed, he has played in such settings since at least the sixties, and has toured extensively with Latin-jazz musicians. Though his playing is not technically Cuban-derived, it nonetheless meshes seamlessly with Afro-Cuban styles.

This disc, a companion to his great record of 1981, La Leyenda de la Hora, is among Tyner's finest. The band, made up of equal parts jazz and Latin musicians, features some of the very best of each, including Ignacio Berroa (a carryover from La Leyenda) on drums, Dave Valentin on flute, Gary Bartz on alto sax, Avery Sharpe on bass, Claudio Roditi on trumpet, Johnny Almendra on timbales, Giovanni Hildago on congas, and Steve Turre on trombone and shells. The latter especially shines throughout.
One of my favorite moments is his great conch solo on "Afro Blue," the Mongo Santamaria classic, here given a very spirited reading by the whole band. He also uncorks a great trombone solo on "Festival in Bahia." But he saves his best for "La Habana Sol" (the only number from La Leyenda included here) where he lets loose with a burning solo entirely in keeping with the fiery treatment this magical piece receives. Indeed, it's hard to imagine this record without his huge presence.

A word must also be put in for the tremendous contributions of the three Latin percussionists, Berroa, Almendra, and Hildago. The latter blasts off with a stunning short solo, perfectly placed and timed, on "La Habana Sol," while Berroa shows he's grown with both a deeper groove and greater coloration than ever.

Tyner's playing, however, shines brightest. He's absolutely on with his trademark single-note runs, often taken at breakneck speed. But it's not just that he "plays a lot of notes." He knows exactly where to place each one for optimal tonal and rhythmic value. And his ensemble playing always brilliantly punctuates even as it pushes the other musicians forward. Indeed, this disc contains some of the very finest Latin-jazz ensemble playing anywhere on record.

I'd have to disagree with those who say this record fades after the--admittedly remarkable--opener, "Festival in Bahia." To these ears the ensemble and solo brilliance keeps up throughout the entire disc, with high spots being "Poinciana," "Afro Blue," "La Habana Sol," and "Blue Bossa," the latter featuring a burning flute solo by Valentin where he pulls out all the stops and proves himself to be, not counting Robert Dick, the reigning master of his instrument. Bartz, Sharpe, Roditi, and Turre also contribute some amazing moments when they trade fours with the percussionists.

If you have any affinity at all for this kind of music, you will want to add this disc to your collection.

McCoy gets into this Latin jazz thing with guns blazing. He's a marvel here; his modal playing is perfectly suited to the material. Many of the other musicians are Latin American, with the exception of the brilliant Gary Bartz on sax and Avery Sharpe on bass. Mongo Santamaria's Afro Blue gets a smokin' treatment--listen to Giovanni Hidalgo and Johnny Almendra on percussion. And Kenny Dorham's Blue Bossa swings and sways--its lyricism blossoms with these guys.

The original tunes here are also great; McCoy stretches out on A Song for Love and on the first track, Festival in Bahia. The mix of Cuban and Brazilian influenced material is inspired as well.

Everybody plays great here. Dig it!!

The Song Blue Bossa is really Great. His other songs aren't to bad but if you love beutiful piano interludes blue bossa is just for you. This is a rather different album but it is altogether pretty good!

I heard the Festival in Bahia on the radio and ordered the CD that day. Unfortunately the rest of the album is not so strong. As long as we're talking stars, I'd say the first song is 5 stars the rest of the album gets 3. There's some good playing, and the rhythms are definitely swinging, but the tunes aren't so memorable.

if you like latin jazz and the tyner's style you won't be dissapointed

This fine gathering of creative musicians were very obviously inspired when they joined their talents into one of the most complex Afro-Latin jazz works ever recorded! Each song is woven into a tapestry of varied musical delights. These masterpieces range from the shortest at over 5 minutes to the longest at over 12 minutes.

Give a listen to a new sophisticated feel to "Poinciana". "Afro Blue" is infused with fresh imagination! It is a musical journey that reaches into the depths of the soul. And, of course, there are the original songs of distinction that McCoy himself wrote. His songs allow each musician a glorious opportunity in the spotlight. His "La Habana Sol" is very heady! For those who love great jazz piano and/or grand Latin rhythms, "We Are Our Fathers' Sons" is a must!

This is a collaboration of spirit coupled with an earthy finesse. Sadly overlooked by Billboard and Grammy, they have no idea what they missed! This collection flows like rich honey.

A buddy of mine and I heard this CD, it was a demo and not in stock, by noon the next day we both had bought a copy. I'm sure that Ahmad and Mongo would love this album, it rocks, it swings,it transports.
It is genius just cutting loose and having fun.
I have 400-500 CDs and this is one of my most played.

Bought this after seeing an ad in Jazz Times magazine. As a long-time Tyner fan, I couldn't wait to slip it into my changer, and I was not disappointed! This disc will brighten your day, rock your soul, and even get your six year old dancing (mine did!)!