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"Steinberg is intent on probing just what the festival's founders saw themselves as celebrating and how their original vision can be understood against the background of forces and demands within fin-de-siecle Austria.... [He] shares his methods with many cultural historians and utilizes these methods with an impressive command, making his book an excellent example of what such an approach can accomplish". -- Opera Quarterly --This text refers to the Paperback edition.
"Steinberg is intent on probing just what the festival's founders saw themselves as celebrating and how their original vision can be understood against the background of forces and demands within fin-de-siecle Austria.... [He] shares his methods with many cultural historians and utilizes these methods with an impressive command, making his book an excellent example of what such an approach can accomplish". -- Opera Quarterly --This text refers to the Paperback edition.
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First Sentence:
IN 1947, Hermann Broch agreed to write a brief essay on the prose writings of Hugo von Hofmannsthal, a project that soon expanded beyond his intentions to become a massive appraisal of European culture between 1860 and 1920. Read the first page Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
nationalist cosmopolitanism, festival ideology, festival repertory, festival idea, critical modernism, völkisch ideology, cultural planning, baroque culture, festival hall, language crisis, conservative revolution Key Phrases - Capitalized Phrases (CAPs): (learn more)
The Meaning of the Salzburg Festival, New York, Hugo von Hofmannsthal, Max Reinhardt, Christian Social, Neue Freie Presse, Austrian Jews, The Magic Flute, Das Salzburger, Hermann Broch, Don Giovanni, Hermann Bahr, Social Democratic, Die Frau, Richard Strauss, Thomas Mann, Lord Chandos, Salzburger Chronik, Die Meistersinger, Franz Rehrl, Hans Sachs, Josef Redlich, Palais Garnier, Rudolf Hirsch, Second Empire New!
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Front Cover | Table of Contents | First Pages | Index | Back Cover | Surprise Me!
IN 1947, Hermann Broch agreed to write a brief essay on the prose writings of Hugo von Hofmannsthal, a project that soon expanded beyond his intentions to become a massive appraisal of European culture between 1860 and 1920. Read the first page Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
nationalist cosmopolitanism, festival ideology, festival repertory, festival idea, critical modernism, völkisch ideology, cultural planning, baroque culture, festival hall, language crisis, conservative revolution Key Phrases - Capitalized Phrases (CAPs): (learn more)
The Meaning of the Salzburg Festival, New York, Hugo von Hofmannsthal, Max Reinhardt, Christian Social, Neue Freie Presse, Austrian Jews, The Magic Flute, Das Salzburger, Hermann Broch, Don Giovanni, Hermann Bahr, Social Democratic, Die Frau, Richard Strauss, Thomas Mann, Lord Chandos, Salzburger Chronik, Die Meistersinger, Franz Rehrl, Hans Sachs, Josef Redlich, Palais Garnier, Rudolf Hirsch, Second Empire New!
Books on Related Topics | Concordance | Text Stats Browse Sample Pages:
Front Cover | Table of Contents | First Pages | Index | Back Cover | Surprise Me!
Citations (learn more)
This book cites 92
books:
See all 92 books this book cites
5
books
cite this book:
- Don Giovanni in Full Score (Opera Libretto Series) by Wolfgang Amadeus Mozart on 9 pages
- Don Juan by Wolfgang Ama Mozart on 5 pages
- Der Rosenkavalier: English National Opera Guide 8 (English National Opera Guides) by R. Strauss on 4 pages
- Max Reinhardt (Directors in Perspective) by John L. Styan on 4 pages
- Beyond Good & Evil: Prelude to a Philosophy of the Future by Friedrich Nietzsche on page 9, page 39, and page 104
See all 92 books this book cites
- The Cambridge Companion to Mozart (Cambridge Companions to Music) by Simon P. Keefe in Back Matter (1), and Back Matter (2)
- Reading Charlotte Salomon by Michael P. Steinberg in Back Matter
- Listening to Reason: Culture, Subjectivity, and Nineteenth-Century Music by Michael P. Steinberg on page 113
- Beethoven and His World by Scott Burnham in Back Matter
- The Cambridge Companion to Mendelssohn (Cambridge Companions to Music) by Peter Mercer-Taylor in Front Matter
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