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Most Helpful Customer Reviews
19 of 19 people found the following review helpful:
3.0 out of 5 stars
A wonderful movie, an awful DVD,
By
This review is from: Meantime (DVD)
I'd give the movie five stars. The problem is, the DVD release from Fox Lorber is awful. There's something seriously wrong with the soundtrack; the dialog elements are drowned out by the music, and there's a synchronization problem that often leaves the left and right channel staggered by about half a second. Even more distracting, added sound effects often come from the wrong channel compared to the supposed visual source of the sound. My guess is that instead of using a properly mixed mono soundtrack, Fox Lorber went back to the multi-channel master tapes for the mono soundtrack and used them as a fake stereo master -- but did a really bad job on the mix. Whatever the technical explanation, it ruined my enjoyment of the movie.
10 of 10 people found the following review helpful:
5.0 out of 5 stars
meantime,
By janet e jones (England) - See all my reviews
This review is from: Meantime [VHS] (VHS Tape)
This realist picture of the british working class was orginally made just for T.V. The reason it is now realeased on video is proberbly due to its highly noteworthy cast and the fact its directed by Mike Leigh. However "Meantime" truely deseaves to be rediscoved- its a little gem! Set on a council estate in London, Leigh masterfully caputures the sights and sounds of his environment. The film centres around the unemployed Pollock family, particually sons Mark and Colin. Mark(Phil Daniels) has an attitude of frankness and nihilism, not unlike that of johney in Leighs "Naked". Colin(Tim Roth) on the other hand is slow witted, confused and vunerable to the outside world. Through-out the film we sense Marks well guarded affection for his younger brother as he trys desperatly to protect him. Like most Leigh films "Meantime" is mostly improvised, and as usual, he has a fine ensemble of actors who wont disappoint. Daniels and Roth are both equally convincing and absorbing in their roles- they even look like brothers! Gary Oldman makes his debut and theatens to steal the whole show as impish, skinhead Coxy. But perhaps the most commendable performance here belongs to Marion Bailey as the middle class aunt who attempts to put an optomistic smile on their situation(only to have her good intensions torn apart by Mark). This film may be to bleak and low-key for some viewers. There is no real story line to speak of, but it is a very pure piece of art. I'd recomend it to anyone who is willing to look beneath the surface.
10 of 11 people found the following review helpful:
4.0 out of 5 stars
Time Keeps On Slipping,
By
This review is from: Meantime [VHS] (VHS Tape)
If you've any doubt of the difference between English and American cultures, watch this early Mike Leigh flick and then think about the fact that it was made for television. The writing in this dark little number is better than that of most of the movies released over here, let alone anything American-made you'll ever see on television.These are dark character sketches, and I too was reminded of Leigh's Naked as watched, though this movie doesn't share so much of Naked's explicit philosophizing. It does share similarly benighted characters, however, and a central character with the same shiftless way and easy ability to say whatever pops into his head. Phil Daniels portrays this character, Mark, the story's wise fool: he knows enough to understand his situation is a horrible one; he's quite adept at analyzing whatever goes on around him, and he's revolted by it; but he does little to extricate himself from the situation; his attitude reflects that of most in the film, expect perhaps for his aunt who is always somewhat futilely trying to adjust the status quo. Mark and his brother Colin and their father (who looks perfectly like an older Phil Daniels) are all on the dole, along with Gary Oldman's character Coxy. As Mark's half-witted brother, Tim Roth really steals the show; he's so deep into his part, it's easy to forget he's acting. The character development in this story belongs mainly to Roth's character and though the movie seems to start out focusing equally on all involved, events gradually accumulate to have the greatest effect upon him. Interaction especially with Coxy and his brother stirs him to life and the consequences are both amusing and touching. Some viewers won't be happy with the ending--the change may not be profound enough for them--but the change is there and it's a sign of inward struggle, a slight pulsing signal of hope . Kudos also to Marion Bailey who plays the boys' mother. Her role is not a particularly sympathetic one, but in one striking scene when she plays hurt, your heart goes out to this woman anyway. You understand that beneath her surly exterior there's a woman needing affection from her sons. Often amusing and surprisingly touching despite its torpid atmosphere, this cunningly simple movie is most greatly enrichened by its characters, many of whom will stay with me for quite some time. (Footnote: As I watched Naked, I thought that Mike Leigh may be the only director qualified to make a film of Martin Amis's London Fields; Meantime confirms his qualifications for me.)
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