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Measured Tones: The Interplay of Physics and Music, Second Edition
 
 

Measured Tones: The Interplay of Physics and Music, Second Edition [Hardcover]

Ian Johnston (Author)
4.4 out of 5 stars  See all reviews (5 customer reviews)


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Measured Tones: The Interplay of Physics and Music, Third Edition Measured Tones: The Interplay of Physics and Music, Third Edition 4.4 out of 5 stars (5)
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Book Description

0750307625 978-0750307628 March 1, 2002 2
There has always been a close connection between physics and music. From the great days of ancient Greek science, ideas and speculations have passed backward and forward between natural philosophers (physicists) and musical theorists. Measured Tones: The Interplay of Physics and Music, Second Edition explores the story of that relationship in an entertaining and user-friendly way.

The book provides an easy-to-understand introduction to the physics involved in every stage of the music making process: from the very earliest experiments on vibrating strings and primitive sound makers to the latest concerns of digital sound recording, MP3 files, and information theory. At the same time, it examines the story of our developing concept of the universe we live in: from the ancient visions of a cosmos regulated by the music of the spheres to our current understanding of an expanding universe controlled by the laws of quantum mechanics and string theory. Running through all this is one recurring question - the so-called puzzle of consonance. Why do humans respond to music and musical sounds the way they do? It is the attempts by musicians and scientists through the ages to apply new knowledge to answer this question that gives this story its fascination.

Measured Tones should provide rewarding reading for any physics teacher or student who would like to know more about music and where it impinges on their subject as well as for anyone who is musically inclined.


Editorial Reviews

About the Author

Ian Johnston spent his early years on a pineapple farm in southern Queensland, studied physics and mathematics at the Universities of Queensland and Sydney, and was appointed to a lecturing position at the University of Sydney in the late 1960s. He has been there ever since until he retired in 2001, except for two separate years in the U.S. at Cornell and Maryland Universities and one year in England at the Open University.

His early research work was in theoretical astrophysics, but lately he has become interested in research into physics education, with particular emphasis on the role to be played by computers and other forms of information technology. He has written a deal of educational software as a member of several international consortiums, most notably the Maryland University Project in Physics and Educational Technology (M.U.P.P.E.T.) and the Consortium for Upper-Level Physics Software (CUPS). His interest in acoustics and music has been with him all his working life.

In 1989 he made a series of six programs on Australian national radio, devoted to physics and music. It was from those programs that the idea of this book first arose. He has also made programs on other subjects of general interest, including astronomy and religion, science fiction and pseudo-science.

--This text refers to an alternate Hardcover edition.

Product Details

  • Hardcover: 420 pages
  • Publisher: Taylor & Francis; 2 edition (March 1, 2002)
  • Language: English
  • ISBN-10: 0750307625
  • ISBN-13: 978-0750307628
  • Product Dimensions: 9.1 x 6.1 x 0.8 inches
  • Shipping Weight: 1.6 pounds
  • Average Customer Review: 4.4 out of 5 stars  See all reviews (5 customer reviews)
  • Amazon Best Sellers Rank: #430,608 in Books (See Top 100 in Books)

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Average Customer Review
4.4 out of 5 stars (5 customer reviews)
 
 
 
 
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28 of 28 people found the following review helpful:
4.0 out of 5 stars An unusual approach to the topic, August 8, 2000
By A Customer
I have used this book as the secondary text for a college course in the physics of music. There are a number of textbooks out there for courses of this sort (Rossing, Backus, Rigden, etc.) but this book takes a very different, historical approach, with a strong emphasis on scales and intonation. The mathematical level and level of detail are quite low--I found it hard to devise test questions to see whether the students had read the book. But it is written in a quirky, engaging style, and the students in the course found it a more enjoyable read than the main textbook by Rossing. I would recommend this book to anyone interested in the relationship of history, physics, and music--no science background is required!
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23 of 23 people found the following review helpful:
5.0 out of 5 stars This book answered many questions, May 10, 2000
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I've been trying to understand why music works like it does for several years, and stumbled onto this book by accident. It's exactly what I needed! It explains why musical scales are like they are, and how they got that way (which is important for understanding why it used to be significant which key some symphony was written in). It explains how harmony works, and melody too. And, how musical instruments work. And on top of that, it includes a very interesting history of science and of music, a very enjoyable read.
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16 of 16 people found the following review helpful:
4.0 out of 5 stars Entertaining and historically informed account, October 16, 1999
By A Customer
A superior and engaging account of how progress in the physical sciences is intertwined with the development of music theory and the evolution of musical instruments. The conversational tone of the text is never dry, and is liberally sprinkled with illustrations. There is music, science and history a-plenty here. You do not have to be "scientifically minded" to derive a great deal of pleasure and edification from the book, it has definitely been thoughtfully shaped by a professional educator. I first read this in 1990 and return to it time and again for reference, only to find myself absorbed in re-reading sections. Obviously a labor of love, "Measured Tones" deserves a wide audience. I wish Prof Johnston had written more!
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Inside This Book (learn more)
First Sentence:
The story is often told of the tourist from the city asking the country vil how to get to the local church. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
effective absorbing area, speaker hole, equal tempered scale, high overtones, reverberation time, architectural acoustics, first overtone, combination curve, first formant
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Royal Society, Isaac Newton, John Cage, Bell Telephone Laboratories, Francis Bacon, Max Planck, Michael Faraday, The Magic Flute
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