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As Meat Loves Salt (Harvest Original) [Paperback]

Maria McCann
4.1 out of 5 stars  See all reviews (99 customer reviews)

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Book Description

January 7, 2003 Harvest Original
In the seventeenth century, the English Revolution is under way. The nation, seething with religious and political discontent, has erupted into violence and terror. Jacob Cullen and his fellow soldiers dream of rebuilding their lives when the fighting is over. But the shattering events of war will overtake them.
A darkly erotic tale of passion and obsession, As Meat Loves Salt is a gripping portrait of England beset by war. It is also a moving portrait of a man on the brink of madness. Hailed as a masterpiece, this is a first novel by a most original new voice in fiction.

A Harvest Original

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Editorial Reviews

Amazon.com Review

With her first book, As Meat Loves Salt, Maria McCann joins a small, esteemed company of writers--Umberto Eco and Gore Vidal among them--whose historical novels are meticulously researched, politically acute, and rattling good reads. Set in the 17th century, during the English civil war, As Meat Loves Salt follows the misadventures of Jacob, born a gentleman but raised a servant, whose overdeveloped sense of personal dignity leads him from one crisis to another. When the book opens, he is already a murderer. Within a hundred pages he becomes a rapist and a thief. All this is perfect training for a military career, and Jacob soon finds himself in Cromwell's New Model army and in thrall to a charismatic man named Ferris. "It was all pre-ordained," says Jacob later, when the men have deserted together, "there had never been a place where I could have leapt free of the net." Rich with period detail, multilayered, and erotic, this is a big, delicious novel with a hint of crunchy intellection. Expect a lost weekend. --Regina Marler

From Publishers Weekly

The 17th-century English revolution serves as backdrop to this brilliant, ambitious epic, the story of a compelling antihero who struggles against his own violent tendencies to little avail. Jacob Cullen, the well-intentioned but volatile narrator, is forced to flee his wedding ceremony with bride Caro and brother Zebedee when he learns that he is about to be accused of a murder he rashly committed, perhaps in self-defense. Shocked by Jacob's brutality, Caro takes off with Zeb, and the bereft Jacob is forced to become a soldier in Cromwell's army after being rescued by a soldier named Christopher Ferris. When Christopher deserts, he brings Jacob with him, giving him shelter in his family home in London. Their friendship, already charged, slips gradually into clandestine romance, and the two become passionate lovers. The trajectory of their relationship shapes the second half of the novel, as does a utopian project undertaken by Christopher with Jacob's help. Disillusioned with society, Christopher attempts to cobble together a tiny, independent farming colony, an effort that brings out the bully in Jacob and strains their relationship as the authorities move in to break up the group. Jacob, meanwhile, edges closer to learning the fate of Caro and Zebedee. The first half of McCann's narrative is rather slow moving, but she does a superb job of mustering historical detail and atmosphere in the service of a stunning character portrait of the troubled but charismatic Jacob. The scope of the narrative, the unusual conceit and the resonant writing combine to make this a powerful, unusual debut.
Copyright 2002 Reed Business Information, Inc.

Product Details

  • Paperback: 565 pages
  • Publisher: Harvest Books; 1 edition (January 7, 2003)
  • Language: English
  • ISBN-10: 015601226X
  • ISBN-13: 978-0156012263
  • Product Dimensions: 1.4 x 6 x 8.7 inches
  • Shipping Weight: 1.4 pounds (View shipping rates and policies)
  • Average Customer Review: 4.1 out of 5 stars  See all reviews (99 customer reviews)
  • Amazon Best Sellers Rank: #317,771 in Books (See Top 100 in Books)

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Customer Reviews

Most Helpful Customer Reviews
55 of 56 people found the following review helpful
5.0 out of 5 stars Harrowing, Essential Reading May 19, 2004
Format:Paperback
When I first finished this novel, I felt a terrible need to get it out of my sight. I couldn't return it to the library since it was about two in the morning, so I hid it under a pile of clothes in my closet. Such was the impact this story had on me - I could barely stand to keep it in my house.

Sound terrible? Well, it was, but in the best kind of way. I suffered through everything with Jacob Cullen, Maria McCann's fascinating narrator. Jacob is somewhat schizophrenic and completely obsessed with violence, but like most people he has his own (flawed) reasons for what he does. He doesn't hate himself, so in seeing everything from his perspective it becomes difficult to hate him for his actions. One also becomes aware of every possibility he has to improve himself and his life. Christopher Ferris, Jacob's lover, is the kind of person any man or woman could (and does) fall for, passionately. This makes it all the more horrifying to be trapped in Jacob's mind as he watches everything good in his life come to ruin. The ending, as gut-wrenching as it is, seems inevitable given that it's brought on by Jacob and Ferris both being true to who they are, for better or worse. There's no escape.

It's also worth noting that much could have gone wrong in the craft of this book, but didn't - quite the opposite. Not only is there the difficulty of narrating from Jacob's point of view (the mystery that is Jacob is dribbled out in the smallest hints, dreams or passing thoughts, never given too quickly), but also the story stretches from a manor house to London to the common fields, and it's all covered in compelling detail. The language, too, never falters in successfully blending 17th-century and modern. The underlying motif of hellfire/desire could come across as overused, but in the circumstances it's the right metaphor.

When I first finished this novel, it was a year ago. I never thought I could go through reading it again. But a few days ago I picked it up and found myself just as compelled as the first time. This book has it all - full characters, mystery, eroticism, tragedy, detailed history and a sweeping insight into human existence. I couldn't recommend it more highly.

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67 of 72 people found the following review helpful
5.0 out of 5 stars Love can't cure schizophrenia May 19, 2005
Format:Paperback|Amazon Verified Purchase
I finished this book about 4 hours ago and I feel like I have been on an emotional roller coaster. I actually feel disoriented and dizzy by this wonderful tragic book. I would have to say that this is one of the most intense reading experiences I have ever had. It opened me up and challenged me emotionally like few books or films have ever accomplished. I may read it again some day but not soon. I say this because this book is so realistic and tragic that it is painful.

Maria McCann gives us fair warning when she begins her story with a brutal murder, yet romantic idealist that I am, I kept hope alive in my heart that Jacob Cullen would overcome his dark interior voices and that he and Christopher Ferris would mature into a mutually supportive male-male couple. I hoped this to the final bleak and heartbreaking pages.

We see the world narrated through the eyes of Jacob Cullen, who maintains control of his irrational violent impulses 99% of the time, however, when he is threatened or hurt, he becomes a terror, a Dark Angel. McCann carefully allows us to see deeper and deeper into the disturbed mind of Jacob. He rationlizes much of his hostility and violence and I didn't fully understand until I was 75% of the way through the book as to how dangerous Jacob really is. He suffers so much for his actions that I empathized with him until the final 2 chapters when he facilitated the destruction of Christopher Ferris' world. When a love affair ends, there are those who will go to extremes to re-ignite the flames of passion, and if this does not work, they will seek the total destruction of their past lover. Jacob Cullen is one of these folks.

I hoped that Jacob's paranoid schizophrenic violent nature would be "cured" by his love for Christopher Ferris, his lover. They try to balance their strengths and weaknesses, each needing to submit to the other from time to time to maintain the balance needed in a male to male relationship. However, on many occassions neither partner submits and a struggle for dominance in the relationship clouds their interactions. Christopher Ferris is no push-over. In fact he is psychological healthy and empowered. The middle section of the book where Christopher and Jacob make love every night and plan their great commune adventure almost made me forget Jacob's intense violent reactions when he misinterprets and feels threatened.

I am very conflicted as to whether their sexual relationship postpones Jacob's fall into violent insanity or whether it aggravated it. Their struggles for dominance (Jacob gained a violent sexual dominance while Christopher gained the dominance of vision, direction and becoming Jacob's entire reason for existence)further aggravated Jacob's disturbed paranoid mind. You will understand the attraction between these men as you read the book. Christopher wishes to create a new socially just world yet he is attracted to the massive masculine force of Jacob. Jacob is aware of his faults and sees in Christopher the antithesis of his personality, a man of social grace, insight, and creativity. Christopher Ferris is not an angel however. He is manipulative and charming. He knows how to get his way which is one of the sore spots in Christopher and Jacob's relationship. During the bloody civil war, Christopher has become sick of all the gore and violence. He convinces Jacob to desert the army of Cromwell with him. Why does he chose Jacob over Nathan? Nathan is bright, articulate and would be a willing partner. He selects Jacob out of pure animal attraction, never a wise way to select a mate. Christopher is physically and emotionally hurt so often that he can no longer forgive Jacob's violent nature and actions. He continues to love but can no longer forgive. His disillusionment with Jacob mirrors the reader's growing disillusionment but as in all failing relationships there are sexual bonds that pull folks back into destructive patterns.

I hoped that Christopher Ferris, a truly good man with exceptional visionary leadership and interpersonal skills, would achieve his mission of building the New Jerusalem commune, a social justice experiment in a violent time of little justice. I believed this would happen even as Jacob becomes more of a disruptive and dark force in the life of the commune.

I hoped that the relationship between Christopher Ferris and Jacob Cullen would grow since it was absolutely full of creative energy and sexual electricity. I think both men loved each other but Christopher was obsessed with his vision of social justice whereas Jacob was obsessed with Christopher. This might have worked if Jacob had not been a violent paranoid schizophrenic with frightful devilish voices sounding in his scull.

The Civil War in England was a time of great social upheaval and McCann captures all the filth, inhumanity, smells, and diseases. The loss of social order would certainly be fertile ground for violence and inhumanity but also a fertile ground for a male-male relationship as well as utopian social movements.

The battle scenes, between the Catholic Cavallier forces of Charles I and the Parlimentary Protestant forces of Cromwell are terrible in their violence and cruelty and serve as a perfect background for Jacob's growing obsession with his fellow soldier, Christopher Ferris. Ferris fights the good fight while hating the blood and gore of warfare. In this gore and constant danger, Christopher Ferris finds the wild man, Jacob, and nutures him while their growing obsession with each other grows.

McCann's charaterization was superb. Every character, of which there are many, in this historic and personal tragedy comes to life. Her attention to detail and social interactions make even minor characters jump alive in your imagination.

I highly recommend this book but I warn you that it is an upsetting reading experience that will leave you with amazement at McCann's literary power.
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40 of 41 people found the following review helpful
5.0 out of 5 stars A welcome assault . . . May 22, 2003
Format:Paperback
Wow! I just finished reading this book and am still reeling from it. I do not remember the last time I read a novel that made me feel so much so deeply. Moments from the story keep replaying in my mind, as if I had lived them . . .

It is sad to read reviewers casually dismissing this book's narrator as unlikable. Jacob Cullen is twisted, but I find him darkly alluring. During the novel, he alternately reveals his intelligence, his resourcefulness, his idealism, his selfishness, his willingness to please, his paranoia, his shame, his sexual magnetism, and his capacity for cruelty. Still, he does not easily reduce to any of these. If he has one distinguishing characteristic, it is his brooding, passionate nature. Someone flippantly asked why anyone would want to read a novel about such an unpleasant man. The answer is that this sullen protagonist leads a richly textured emotional life, which McCann communicates with alarming power and precision. This book challenges the reader to feel the sprawling beauty and ugliness of Jacob and his world. As such, McCann's talent is a welcome tonic to our current era's numb complacency and tidy compartmentalization of affect.

This novel unsettles because life is unsettling. Love, desire, vulnerability and obsession fold in and out of each other, with violence limning the contours. McCann's novel somehow manages to capture this great big mess in all of its sadness and glory. Reading this novel made me feel my own life anew. I can think of no better praise.

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Most Recent Customer Reviews
1.0 out of 5 stars Unredeemable people
All of the people in this book were hate-able. Not unlikable, hate-able. By the end, not a single one of the primary characters had a redeeming characteristic that made me want to... Read more
Published 15 days ago by Liz A.
2.0 out of 5 stars Disappointed
I saw this book listed on so many "must read" lists that I was excited to read it. As a lover of historical fiction I felt there was no way I wouldn't devour this book in... Read more
Published 1 month ago by Avid Reader
1.0 out of 5 stars Dreadful
Poorly written (and roughly edited it seems), stumbling and unclear tale about a thoroughly loathesome protagonist. Read more
Published 2 months ago by Mr. Philip Malthus
3.0 out of 5 stars Leaves you hanging
Too many things left hanging in this book. Very slow at times. It seemed to be many little back stories that never resolved themselves. Read more
Published 2 months ago by Julie
5.0 out of 5 stars Haunted
I finished this novel a good month ago, and knew I wanted to review it, but I was so blasted by it that I couldn't get my head together to do it. Read more
Published 2 months ago by S. Caughie
4.0 out of 5 stars explores the dark side of love
Born into nobility, Jacob Cullen was reduced to servant status after his father died. Years later he, and his two brothers, are living relatively comfortably as house servants. Read more
Published 2 months ago by Alicja Z.
5.0 out of 5 stars Both a different and wonderful historical fiction read ...
Maria McCann portrays a truly brilliant characterisations of two men at loggerheads with both their passions and their place in society in Cromwellian England. Read more
Published 11 months ago by Dudley Ristow
5.0 out of 5 stars A dark sense of inevitability
Superbly written, totally enthralling, completely devastating. You know it won't end well, but the author still cranks up the tension until the bitter end. Read more
Published 11 months ago by Catana
2.0 out of 5 stars Well written, but . . .
The prose in this novel is fantastic. From the first moment, I was brought into the world of 17th century country life, and the world of the English Civil War. Read more
Published 12 months ago by Joyce Haworth
5.0 out of 5 stars A Slow Descent Into Madness
It's said the opposite of love is not hate, nor is the opposite of hate love. The passion behind both emotions is too connected and too keen for them to be entirely contrary to... Read more
Published 13 months ago by L. Horan
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CORONACH by Kimberley Jordan Reeman Be the first to reply
What director / actors are going to have the gonads . . . .
I had this very same thought when I was about mid-way through reading. How about Ang Lee? He handled Brokeback Mountain with such grace. I would think a British director could do well with this also.
May 4, 2008 by Wendy C. Darling |  See all 2 posts
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