From Publishers Weekly
In the exemplary title story of Brady's third collection of closely observed San Fran-centric stories (following
Curled in the Bed of Love), a relationship both playful and tense is revealed subtly by everyday stresses to be a charged power struggle between privileged equestrian college dropout Annie and Clay, the stable manager. Whether carried away by their horses or their hearts, Brady's characters fixate on the unpredictable, teetering between knowing what was ahead and refusing to know. Buffeted by outside forces (illnesses, busted pipes, financial straits and death), Brady's characters often waver and fall: in The Dazzling World, a woman who lost her last boyfriend to suicide can't make sense of her current relationship; Slender Little Thing follows a teenage mom, who struggles by day with the rich children she nannies and by night with her own daughter; a businessman leaves his family to work in a church-run homeless shelter in Those Who Walk During the Day. Excepting the self-involved protagonist of Wicked Stepmother, Brady's leads are likable and idiosyncratic, and her insight into their unstable lives will keep readers swaying between a sense of comfort and loss.
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The perils and thrills of life’s unexpected junctures, and the decisions made as a result, are featured in this enticing, challenging collection. “The Dazzling World” follows Cam and Judith, a long-suffering couple in their mid-thirties, during their trip to Guatemala City to visit Judith’s sister, who is working an archeological site off a highland village. After a particularly tumultuous excursion, the couple find themselves facing what appears to be the breaking point of their relationship, until new hope arises from an unexpected source. In “Wicked Stepmother,” a grown woman tries time and again to confront her dramatic, indifferent mother. When she finally has the chance, however, she finds it does not fulfill what she thought to be her life’s desire. In “Looking for a Female Tenant,” two college students slowly begin to test their limits while working summer jobs at a small resort in the Sierra Nevada. Other tales are set largely around San Francisco, and, just as in life, Brady’s adept narratives do not offer neat conclusions, but rather glimmers of the unknown. --Leah Strauss