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Med Sud I Eyrum Vid Spilum Endalaust

Sigur RósAudio CD
4.3 out of 5 stars  See all reviews (96 customer reviews)

Price: $12.51 & FREE Shipping on orders over $35. Details
o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o
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MP3 Music, 11 Songs, 2008 $7.99  
Audio CD, 2008 $12.51  
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Music

Image of album by Sigur Rós

Photos

Image of Sigur Rós

Videos

Sigur Rós - Varđeldur

Biography

The first few seconds of Kveikur begin with what might be the sound of a powerful yet distant conflagration, low flying fighter jets on a bombing mission, or a handheld recording of a large collapsing building; before slamming in with a colossally distorted bass note that says: as much as the first 20 seconds have been unsettling, something ominous and potentially cataclysmic is now ... Read more in Amazon's Sigur Rós Store

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Med Sud I Eyrum Vid Spilum Endalaust + Valtari + Kveikur
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Product Details

  • Audio CD (June 24, 2008)
  • Original Release Date: 2008
  • Number of Discs: 1
  • Label: XL Recordings
  • ASIN: B001ACY8D2
  • Average Customer Review: 4.3 out of 5 stars  See all reviews (96 customer reviews)
  • Amazon Best Sellers Rank: #11,123 in Music (See Top 100 in Music)

1. Gobbledigook
2. Inní mér syngur vitleysingur
3. Gódan daginn
4. Vid spilum endalaust
5. Festival
6. Med sud í eyrum
7. Ára bátur
8. Íllgresi
9. Fljótavík
10. Straumnes
11. All Alright

Editorial Reviews

Amazon.com

Sigur Rós--the sound of snow-capped peaks. Or winged things flocking over vast plains. Or salmon making that final courageous, muscular leap upstream, homeward bound. Ever since the BBC so aptly enlisted the help of the band’s "Hoppipolla" single to theme the groundbreaking natural history series Planet Earth, the ever-ethereal Icelandic band have become somewhat typecast, finding themselves conducting awe across the backdrops of nearly every other programme in that broad genre. And with that came the danger that all which followed would automatically become an instant cliché. And though their last album Takk saw a slowing of their evolution in favour of solidifying the established sound in accessible earfuls, Med Sud I Eyrum Vid Spilum Endalaust (which translates as "with a buzz in our ears we play endlessly") sees enough of a stylistic twist to keep things moving, without undercutting this new approachability. Where previously they sounded untouched by human hands, all alien post-rock abstractions, they now sound much more organic, sometimes literally like men playing instruments in a room. Albeit pensively, and extraordinarily. It is a perky record, attentive and exquisite, familiar but not derivative. The rhythmically adventurous "Gobbledigook" reminds of Brooklyn experimentalists Battles, unplugged, the xylophone heavy "Inní Mér Syngur Vitleysingur" is this album’s "Hoppipolla" and "Ara Batur" is trembling, lonely and eventually triumphant. "Festival", the album’s centrepiece, melds the old and new Sigur Rós dramatically over nine majestic minutes and must number amongst the best moments of their career. -- James Berry

Product Description

Inspired by the unfettered feeling of the acoustic performances filmed during Heima, Sigur Rós
adopted a looser approach in creating their fifth album Med Sud I Eyrum Vid Spilum Endalaust.
The album consequently is fresher and more human than anything they ve previously
recorded.
Rough edges, cracked notes, and the sound of fingers on strings are audible resulting in tracks
(e.g. Íllgresi ) that prove to be the band's sparsest and most affecting work to date. Worry not
though, plenty of electric guitar can be heard throughout the album ensuring Sigur Rós
commitment to challenging sonic limitations.
Med Sud I Eyrum Vid Spilum Endalaust is truly a groundbreaking album for Sigur Rós. It s the
first time they ve attempted to write, record, mix, release and support (by touring) an album in
the same year. Notoriously known for their laborious writing/recording style and their Icelandic
roots, Sigur Rós decided to record an album outside of Iceland for the first time. Recording,
mixing and mastering sessions took place in such un-Reykjavik cities as New York (Sear
Sound and Sterling Sound), London (Abbey Road and Assault & Battery) and Havana. The
result is pretty much their leave home album, the anti-Heima.
The opening track, Gobbledigook , is a manifesto setter with its shifting/no time signature. On
the last track, All Alright , Sigur Rós find themselves singing a song solely in English for the
first time. The seventh track, Ára Bátur , was performed with a full orchestra and the London
Oratory Boys Choir. This was recorded in one take with no overdubs and the result was 90
people playing at once and just one perfect take. This is their first album working with Flood
(U2, Depeche Mode, PJ Harvey) and the first since their debut to not be recorded with Ken
Thomas. It was a true co-production, one that found Sigur Rós breaking out of old
molds/habits.
The cover artwork is a photo taken from a flyer for Ryan McGinley s most recent photo
exhibition in NYC, I Know Where the Summer Goes , and the image captures perfectly the
spirit of the album, one of free-spirited happiness and exploration.
The band will be touring the US throughout the fall of 2008 to support Med Sud I Eyrum Vid
Spilum Endalaust.

Customer Reviews

Most Helpful Customer Reviews
55 of 58 people found the following review helpful
5.0 out of 5 stars An ad for this album in the New Yorker July 15, 2008
Format:Audio CD|Verified Purchase
An ad for the album in the New Yorker, with nudes running across a country road on the cover, caught my eye. I found myself trying to translate the
words on the cover, and I couldn't even figure out the language. Even the script was unusual. It would be weeks before release date but I got to hear this incredibly powerful, yet simple and awesome music, for the first time on the internet, and it was love at first hearing. New to the computer, it was
also the first album purchase via the net. The music was like nothing
I've heard in my seventy seven years. I can't get over that I am hooked on what I thought would be essentially music for young people. This music is for all ages. Songs five, six, and seven are staggeringly beautiful and give me
horripilations and exaltation ever time I hear it. I have not yet listened to other works of Sigur Ros's. But this album contains music that reaches agelessness; stark, brilliant, spellbinding.
For some reason, the DVD would not play on my music system in the one room, but did on another system in the kitchen, and played on my Mac Pro,
where I downloaded it, and will transfer it to the160MG iPod, as soon as I learn how.
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26 of 30 people found the following review helpful
5.0 out of 5 stars With a buzz in our ears, we play endlessly... June 24, 2008
Format:Audio CD
That is what Sigur Ros's 2008 studio album, Međ suđ í eyrum viđ spilum endalaust, translates to in English. This album sees the band breaking some new ground. This album is essentially a follow-up to two different Sigur Ros projects: the first being the emotional tour-de-force Takk... and the band's recent documentary, Heima, in which the band travels all over the Icelandic countryside doing shows for the people of the villages, many of them with very stripped down acoustic sets. If you've heard the first single, Gobbledigook, and you think Sigur Ros has sold out, think again. Granted this song is very much outside of their artistic tendencies, but this opening cut is really an outlier on the album. The rest of the album is very much a more optimistic, nonetheless, very Sigur Ros album. While we hear songs of epic scale like "Festival" and "Ara batur," we also hear more folky, stripped down arrangements from the band, most notably in "Illgresi." I think Sigur Ros is trying with this album to appeal to a broader audience without losing their soul to the music industry, and I think they've done it. This is evidenced by the band using more conventional and complicated song structures rather than repeating structures that unfold in an ebb and flow kind of way, varied instrumentation, shorter song lengths, shorter overall album length, and surprisingly enough, one song with ENGLISH lyrics. I think the band has found a niche with this album, being able to appeal to more than the people who listen to what Pitchfork media and Bob Boilen tell them to listen to, and yet, I think Pitchfork media and Bob Boilen will also tell us to listen to them. I think that with Međ suđ í eyrum viđ spilum endalaust, the music snobs (of which I am a proud member) and the general public will find common ground. And with the nude frolickers on the cover art, who wouldn't at least be intrigued by this quartet from Iceland led by a guy who prefers to play his guitar with a cello bow?
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7 of 7 people found the following review helpful
5.0 out of 5 stars The buzz moves from you ears straight to your heart... December 10, 2009
Format:Audio CD
I was inspired to write this review as a result of a comment written about another amazon reviewer: "this guy hates everything." I am yet to write anything but a one star review, and I thought, will I merely be another snobbish curmudgeon eviscerating every piece of garbage that a world of commodified art tends to produce? This review is my unequivocal no! It is much easier to write a bad review, for while so much that is bad is bad in the same way, things that are truly beautiful seem to radiate their own, individual light (yes, I aped Tolstoy there!) It is difficult to write about something you love, our words can often fail to capture that which stirs in our hearts. For me, Med sud i eyrum vid spilum endalaust is something like a counterpoint to ( ). ( ) as an album (also a 5 star work of genius in my opinion) is an epic meditation on pain and loss. I feel a great deal when I listen to it, but hope or joy are certainly not feelings that readily come to mind. The feelings are dark, intense, at time transcendental, but even with the punctuated elegance of tracks 3 and 4, I feel like I am in a place that is more akin to purgatory than heaven. In that sense, after the pain, meditation and depuration of ( ), Med sud i eyrum vid spilum endalaust is in a sense reaching for the sky.

The music of Sigur Ros is constantly defined by a certain grappling with life and death. I think that the stark reality of death and the anxiety it creates is fundamental to their music. While ( ) seems to delve deeply into that vast crevasse of metaphysical doubt and ensuing anxiety that have become omnipresent in this post-modern era, Med sud i eyrum vid spilum endalaust is their redemption song. ( ) tells us that we are all going to die.
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5 of 5 people found the following review helpful
5.0 out of 5 stars It's Good to be Heima June 26, 2008
Format:MP3 Music
In the Heima video (spelled Heim by iTunes but not by Sigur Rós--for whatever reason?) Sigur Rós spoke of a pervasive yearning and desire to return home--'home' being spoken of in a far deeper sense than simply returning to Iceland. Sure, they were coming off a busy touring schedule and obviously missed the beautifully bleak, dreamscape countryside, along with its lovely people--all which played vital roles in shaping the band's musical identity. I certainly have no difficulty in understanding this sentiment. The music and video footage alone were enough to inspire me to begin planning an eventual trip to that oft forgotten land of mystery and romance. Sigur Rós are obviously quite tied to this place they know so well & who can blame them? Imagine what might have come of their music had they originated from elsewhere? Likely nothing. Therefore, I venture to say that Iceland itself is far more of an influence on their musical identity than anything happening in the chart-obsessed world of pop music. And thank God for that! On the present album, 'Med sud I eyrum vid spilum endalaust,' I hear a refreshing reassessment and even a kind of reestablishment of the band's intrinsic identity with their cultural and musical heritage--something they began to express on the 'Hvarf-Heim' project. I would say the present album is the culmination of that return 'home.' The result is, quite naturally, a sound that's somewhat alien to what we're used to, but it's a sound that remains clearly rooted in the artistic identity of Sigur Rós. The primary changes, I would argue, are merely found in the album's sonic texture--most likely the result of the band having fresh production perspective. Certainly, no 'selling out' occurred. If anything, we're seeing the diametric opposite. Read more ›
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Most Recent Customer Reviews
1.0 out of 5 stars Two CDs, both with defect!
It is amazing. I bought this CD twice, both CDs had defects. In one, from Festival on, there is a failure periodically taking place in the sound. Read more
Published 4 months ago by Charbel N. El Hani
5.0 out of 5 stars Great Find
So happy I found this! I bought it as a Birthday gift! He really enjoyed it and was surprised I found it too!
Published 5 months ago by Heather Marez
5.0 out of 5 stars A must have!
This CD has really, REALLY grown on me. So good! I would highly recommend it to Sigur Ros fans and others may want to try it as well.
Published 10 months ago by Christine Waclawski
3.0 out of 5 stars Nice music for meditation or sleeping
This is very peaceful, ambient style music. I was hoping for something with some real instruments, but if these are real instruments, they worked really hard to sound like... Read more
Published 10 months ago by R. Healix
5.0 out of 5 stars Fancy Tickler
Any cd with a bunch of naked dudes jumping a fence is worth listening to. In fact, I've purchased quite a few albums now based solely on the quantity and/or quality of naked people... Read more
Published 10 months ago by (eMat)
4.0 out of 5 stars great!
there is only one sound I don't like... but all others are great I mean they just blow everything out of the waters
Published 11 months ago by skyler
5.0 out of 5 stars Love this
Love this sound the feel, the creativity. I listen to this over and over. . . . . . .
Published 12 months ago by Ashley Homen
5.0 out of 5 stars Why is Sigur Ros so amazing?
All 5 stars because this album (especially Ara Batur) reduces me to tears on a regular basis with its ineffable beauty, purity, depth, and all-encompassing grandeur. Read more
Published 13 months ago by Sarah
5.0 out of 5 stars Replacement
Always liked the cover of the album.

Sounds like a great foreign set of singers. Foreign language doesn't stop the great music from coming through.
Published 15 months ago by Jake Soyugenc
5.0 out of 5 stars an album you just gotta hear !
Sigur Ros -Međ suđ í eyrum viđ spilum endalaust (2008)

Međ suđ í eyrum viđ spilum endalaust (English: With a Buzz in Our Ears We Play Endlessly) is the... Read more
Published 16 months ago by James W. Unger
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