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Medea and Other Plays (Penguin Classics) (Paperback)

by Euripides (Author), Richard Rutherford (Editor, Introduction), John Davie (Translator) "The Alcestis is the first surviving play by Euripides, but by this stage he was an experienced dramatist, seventeen years from his first competition..." (more)
Key Phrases: The Children of Heracles
4.2 out of 5 stars See all reviews (9 customer reviews)

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Editorial Reviews

Review
`Hellenists and generalists alike have reason to rejoice ... adds to our understanding and appreciation of a poet-playwright who has never ceased to controversial ... comprises four major plays that are wonderful to have together. Edith Hall's introductory essays ... are eloquent and informative, deftly highlighting each play's chief issues ... several new insights into the texts, and sound explanations of the mythical background and ongoing action ... James Morwood's translations ... are extraordinary. In crisp prose ... these may be the easiest-to-read accurate versions that we are likely to see and, in the inexpensive World Classics edition are quite a bargain. No others ... lend themselves to such a ready reading ... The sheer clarity of the English is a considerable achievement.' Victor Castellani, The Classical Outlook/Fall 1999, Volume 77, no 1 --This text refers to the Paperback edition.

Product Description
Translated by John Davie with an Introduction and Notes by Richard Rutherford.

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Product Details

  • Paperback: 240 pages
  • Publisher: Penguin Classics (April 29, 2003)
  • Language: English
  • ISBN-10: 0140449299
  • ISBN-13: 978-0140449297
  • Product Dimensions: 7.7 x 5 x 0.7 inches
  • Shipping Weight: 8 ounces (View shipping rates and policies)
  • Average Customer Review: 4.2 out of 5 stars See all reviews (9 customer reviews)
  • Amazon.com Sales Rank: #172,999 in Books (See Bestsellers in Books)

    Popular in these categories: (What's this?)

    #20 in  Books > Literature & Fiction > Authors, A-Z > ( E ) > Euripides
    #46 in  Books > Literature & Fiction > Foreign Language Fiction > More Languages > Greek
    #56 in  Books > Literature & Fiction > Drama > Classical & Early

Inside This Book (learn more)
First Sentence:
The Alcestis is the first surviving play by Euripides, but by this stage he was an experienced dramatist, seventeen years from his first competition. Read the first page
Key Phrases - Capitalized Phrases (CAPs): (learn more)
The Children of Heracles
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Customer Reviews

9 Reviews
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16 of 17 people found the following review helpful:
5.0 out of 5 stars Terrific translations and commentaries on four plays., May 17, 1999
Vellacott has provided excellent translations and commentaries on four of the plays of Euripedes, including his classic "Medea." They should be required reading of any college student. "Medea" is a study in how unbridled passion can overcome reason and lead to tragedy. This may be particularly pertinent with respect to the ongoing war between Athens and Sparta at the time the play was first presented. Medea, who had helped Jason in his quest, become his wife, and given him two sons, feels betrayed since he is marrying the daughter of the ruler of Corinth. With horrible vengence, she kills the bride and the king and then her two sons. "Hecabe" is a play about the wife of Priam, King of Troy, and the mother of Hector, Paris, Cassandra, and others. At the start of this play, the war between the Greeks and Troy is over and Hecabe is now a slave of Agamemnon. The ghost of Achilles had appeared and demanded a sacrifice over his tomb before the Greeks can set sail for home. They vote to sacrifice Polyxena, Hecabe's young daughter, despite the tears and entreaties of Hecabe. After Polyxena's noble death, Hecabe learns that her last child Polydorus had been murdered by the King of Thrace, Polymestor, to whom Polydorus had been sent for safekeeping. This finally drives Hecabe mad and she seeks vengence for Polydorus's death. Euripedes shows in this play the effects of war and vengence on innocent lives and how cruel men at war can be. "Electra" is another retelling of the vengence story of Electra and Orestes. In this version, they are less heroic and more realistic then the way they are portrayed by Aeschylus and Sophocles. Interestingly, the one true noble and honest character in the play is the peasant husband of Electra, who refuses to tough her because he is beneath her station. Was Euripedes making a social comment about the upper classes of Athens of his time? The final play is "Heracles." In this play, the wife of Heracles, his three young sons, and Heracles' father Amphitryon are in danger of being killed by the usurping king of Thebes, Lycus. Lycus wishes them dead since he had killed Megara's father, King Creon, and taken his throne and Lycus doesn't want the three sons to grow up to avenge the death of their grandfather. Heracles is believed by many to be dead. But, he returns in time to thwart and kill Lycus. Unfortunately, the goddess Hera, who has always had a hatred of Heracles, sends the minor goddess Madness down to drive Heracles temporarily insane. In his fits, he kills his wife and sons. When sanity returns to him, he realizes what he has done and how immoral the gods are. The Greek gods are not an acceptable standard for moral behavior. Man can serve as a standard, and this is exemplified in the play by Theseus, ruler of Athens.
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15 of 17 people found the following review helpful:
5.0 out of 5 stars Disturbing View of the Irrational, January 27, 2002
By R. Albin (Ann Arbor, Michigan United States) - See all my reviews
(TOP 500 REVIEWER)    (REAL NAME)   
Euripides is the dramatist of the irrational. His greatest work, The Bacchae, Medea, Hippolytus, depicts a world in which irrational passions are a powerful and destructive force. In contrast to Aeschylus, whose greatest work - The House of Atreus trilogy - describes the harnessing of irrational forces into civic fabric of the polis and rationalistic worship of the Olympian pantheon, Euripides sees the passions as uncontrollable. Some of the gods, such as Dionysius in The Bacchae and Aphrodite in Hippolytus, appear as the personfication of destructive passions. Many of the human figures in Euripides plays appear unable not only to face the force of these passions, but also unable to recognize the danger represented by the passions. Euripides view is dark but powerful and his works are compelling but dispiriting. The Penguin series of his plays includes translations by Phillip Vellacott. Though most of these translations were produced decades ago, they retain their freshness and immediacy. This set of inexpensive books is an excellent way to experience Euripides.
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7 of 8 people found the following review helpful:
4.0 out of 5 stars Great Collection, November 14, 2004
By J. Sprouffske (Rainier, WA USA) - See all my reviews
(REAL NAME)      
I think this is one of the better compilations I've seen. I've really been impressed with all of the Oxford World's Classics series. The information given in the Introduction as well as the maps and reference materials mentioned are very helpful. In addition I like having the notes listed at the end of the compilation rather then interspersed, I find it less distracting that way. A must have for any Greek Literature Scholar.
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Most Recent Customer Reviews

5.0 out of 5 stars Classic Vellacott
Philip Vellacott's translations of any Greek play remains for me the epitome of a translators art. Really it's thanks to Vellacott that Euripides became famous in our day! Read more
Published 1 month ago by Ryan Kouroukis

4.0 out of 5 stars daring, resonant, horrific, and (duh) mythical
I, too, was surprised how relevant and easily modern the issues presented in 'Medea' could be. I mean, gender, power, betrayal and revenge are universal and timeless, but... Read more
Published on August 29, 2006 by diamah

4.0 out of 5 stars Strength of a Woman
Euripides' Medea is a story about a woman's heartbreak and the revenge she consequently seeks on her husband. Read more
Published on August 28, 2006 by R Meaders

3.0 out of 5 stars A modern suprise
I was pleasantly surprised when I was reading "Medea". About halfway through the play, I realized that the themes of revenge, depression, and female empowerment are still... Read more
Published on August 22, 2006 by Mary Brown

4.0 out of 5 stars surprisingly modern
Having read a decent amount of classical poems and plays, I drew from previous experience and started "Medea" with the expectation of appreciating but not neccessarily loving it... Read more
Published on August 22, 2006 by Alexandra Barnardo

4.0 out of 5 stars A review on "Helen"
"Helen" is the last play in this volume, and unlike the others is not a tragedy, but a satyr play. Read more
Published on March 30, 2001

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