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Media Research: Technology, Art and Communication (Critical Voices in Art, Theory and Culture)
 
 
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Media Research: Technology, Art and Communication (Critical Voices in Art, Theory and Culture) [Paperback]

Marshall McLuhan (Author), Michel Moos (Editor)


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Book Description

November 3, 1997 905701081X 978-9057010811 1
Herbert Marshall McLuhan (1911-1980) received his PhD in English literature from Cambridge University and taught in the United States and Canada. He is best known, however, as the founding father of media studies. McLuhan was Director of the Center for Culture and Technology at the University of Toronto. Among his ground-breaking works on the psychic and social dimensions of communication technology are The Gutenberg Galaxy (1962); Understanding Media: the Extensions of Man (1964); and The Medium Is the Massage: An Inventory of Effects (1967).
Michel Moos' premise is that Marshall McLuhan's importance derives from his achievements in rethinking the entire process of education and training itself, not with his popular fame as media guru, and he analyzes McLuhan's work from the feedback effect his vision continues to provide, rather than from the perspective of interpreting McLuhan's pronouncements on the electronic media. Moos contrasts McLuhan's thoughts with those of such thinkers as Roland Barthes, Fredric Jameson, Friedrich Kittler, Donna Haraway, and Deleuze and Guattari, and renders an updated account of the effect of the mass media on our society and ourselves.
The concept "the medium is the message" is the hub around which Marshall McLuhan's explorations revolved. McLuhan's interests ranged from sixteenth-century literature to twentieth-century business practices. With wit and literary flair, he reported the media's influence on society and on the individual. He concluded that we could not escape being transformed by the forces that are hidden deeply within the electronic telecommunications revolution of the sixties. For McLuhan, the new mediums of film, television, and the emerging realm of the digital were the modern equivalent of Gutenberg's printing press.
Essays by M. McLuhan. Edited and with a Commentary by M.A. Moos.

Editorial Reviews

Review

A fully fleshed-out new 'take' one McLuhan...Moos has achieved what would seem a very difficult thing, namely to suggest the implicationsof a kind of language that moves beyond what we can fully understand...a startling and sobering reading of McLuhan.
–Afterimage

Product Details

  • Paperback: 178 pages
  • Publisher: Routledge; 1 edition (November 3, 1997)
  • Language: English
  • ISBN-10: 905701081X
  • ISBN-13: 978-9057010811
  • Product Dimensions: 8.9 x 6.1 x 0.7 inches
  • Shipping Weight: 12 ounces
  • Amazon Best Sellers Rank: #2,803,756 in Books (See Top 100 in Books)

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First Sentence:
When an attempt is made to bring the relatively articulated concept of "myth" into the area of "media"-a concept to which surprisingly little attention has been given in the past-it is necessary to reconsider both "myth" and "media" in order to get at relevant data. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
resonant interval, electronic conditions, electric conditions, electric age, auditory space, electric information, electric technology, electric speeds, electric circuitry, electric media, simultaneous relations, acoustic space, discourse networks, technological extension, electronic tube
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Finnegans Wake, Professor Boorstin, New York, The Gutenberg Galaxy, Wyndham Lewis, Lewis Carroll, Naked Lunch, James Joyce, Nova Express, The Mechanical Bride, William Blake, Jack Paar, Kenneth Galbraith, Madison Avenue, North America, Peter Drucker, Pop Art, Sherlock Holmes
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