Times Higher Education
"An accessible introduction to the field was missing until now. Katie Normington's excellent book is fully aware of the astonishing variety and ubiquity of drama within the period. The book's great advantage is that it never loses sight of its own focus on a primary student audience."
"Katie Normington's energetic and comprehensive book is one of the most accessible studies of early drama to date. Reassessing the previous division of plays according to genre, it argues for a greatly expanded notion of medieval dramatic activity: one that embraces processions, public interments and punishment parades, besides urban Biblical plays and private household performances. With its emphasis on audience response and the role of women, this is an indispensable introduction to the variety and cultural importance of early English drama."
Ruth Evans, University of Stirling
"Drawing upon a wide array of evidence and performative practice, Kate Normington's Medieval English Drama: Performance and Spectatorship provides a valuable introduction to the myriad performance contexts of early modern drama, skillfully exploring their implications for medieval audiences as well as modern readers, critics, and performers. Undergraduates, graduates, and teachers will find her book a thought-provoking compendium of relationships between space, individual performance events, cultural contexts, and diverse audiences."
Victor Scherb, University of Texas at Tyler
"With its broad span, short sections, and clear writing, this book valuably introduces the modern student to the increasingly important nexus in early drama studies between performance location and spectatorship."
John McGavin, University of Southampton
From the Back Cover
Katie Normington aids the reader to a fuller understanding of these early English dramatic practices by explaining the significance of the place of performance, the particularities of spectatorship for each event and how the conventions of the form of drama were manipulated to address its reception. Audiences considered range from cloistered members, congregations and parish members to urban citizens, nobles and royalty.
Undergraduate students of literature of this period will find this an approachable and illuminating guide.