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Most Helpful Customer Reviews
14 of 17 people found the following review helpful:
1.0 out of 5 stars
A terrible disservice to the dead and the living,
By A Customer
This review is from: Medieval Lives: Eight Charismatic Men and Women of the Middle Ages (Paperback)
This book seriously misrepresents the medieval period, its concerns, its possibilities. Not only that, it's factually awful....for instance, Cantor couldn't be bothered to find out that Eleanor of Aquitaine died in 1204, not 1194 as he writes. The book is a waste of money and even raises ethical concerns, coming as it does from a "professional historian." As history, it's garbage, as historical fiction, it is dull.
19 of 24 people found the following review helpful:
1.0 out of 5 stars
Skimpy on the History, with Dreadful Diologue,
By Bruce Kendall "BEK" (Southern Pines, NC) - See all my reviews (VINE VOICE) (COMMUNITY FORUM 04) (REAL NAME)
This review is from: Medieval Lives: Eight Charismatic Men and Women of the Middle Ages (Paperback)
Medieval history is a fascinating subject in the right hands. The "eight charismatic men and women of the middle ages" that Professor Cantor includes in these vignettes are all worthy of study. They were movers and shakers in their eras, and are good representatives of their times. Cantor begins in the 4th century with a chapter on the Emperor Constantine's mother, Helena Augusta. Two other medieval women, Eleanor of Aquitaine and Hildegarde of Bingen, figure in later chapters. The book is divided into nine chapters, taking us from the 4th to the 15th centuries. The last chapter features a kind of round-table discussion at a French castle (this is after Henry V has defeated the French at Agincourt) between John, Duke of Bedford (Henry V's brother), Cardinal Beaufort, Sir Edmund Smythe ("Duke John's civil and legal administrator in France), Thomas Blount, Abraham de Mendoza (A Spanish Jewish convert to the Christian faith and a rpominent papal banker), Christine de Pisan (Parisian poet, critic and book publisher), Brother William Marsh (Duke John's confessor), "Irishman" Dennis Hennessey and Mathilde of Hainault ("abbess of St. Mary of Rouen"). This chapter also sums up what is weakest and even amateurish about this book. Instead of engaging in any sort of free-flowing, naturally occuring diologue, these figures are mereley thrown together by the author to spout staged-sounding, wooden exposition. As literary characters, they are totally artificial, contrived mouthpieces whose sole function is to relate historical information the author wants to get across. Often, the information Professor Cantor conveys is misinformation anyway, as evidenced by the following passage, in which Christine de Pisan describes the current conditions in Venice: "I do not know from personal experience what they think in the Adriatic now, but if I know the Venetians, they will not let the Florentines get ahead of them, and will give their own twist to the idea of the Renaissance. Being closer to the Byzantine Empire, they will, I expect, stress Greek as well as Latin antiquity, and in view of the parlous condition of Constantinople, hard pressed continually by the Turks, I would surmise that the Venetians would pursuade Greek scholars to relocate from Byzantium and set up schools in Venice. But as to the issue so heatedly debated here, I agree with Mendoza that a new cultural era has dawned. For better or worse, I think the Middle Ages are waning." What is wrong with this picture? Aside from the fact that the diologue is clumsily constructed and completely artificial, the fact that a professor of "history, sociology and comparative literature" at NYU would have one of his characters say, in the middle of the 15th century that "the Middle Ages are waning" is sad indeed. The most common, rudimentary logic would dictate that a person living in what we term "the Middle Ages" wouldn't consider them the "Middle Ages." They would consider themselves to be living in the "Modern Age," if anything. But in fact they didn't tend to think in terms anywhere near these in the first place. The same is to a lesser degree true of the term "Renaissance." That capitalized expression didn't have any currency until Walter Pater's 19th century essays on Italian Art. These are just among the most glaring of the myriad inaccuracies strewn across the pages of Medieval Lives. There is so much good literature on medieval history out there that one could turn to practically any work and come up with something superior to this . One can't go wrong turning to the primary texts either. Read Froissart, St. Augustine, Procopius, Joineville, or the Venerable Bede. Pass this one by.
7 of 8 people found the following review helpful:
1.0 out of 5 stars
Modern Lives,
By
This review is from: Medieval Lives: Eight Charismatic Men and Women of the Middle Ages (Paperback)
Medieval Lives was a complete dissapointment.In the words of the author, "I cannot recreate you, medieval people, because I could not define how your personalitiesand desires linked with concrete times and places. You were stick figures, totems on a landscape, lines upon the horizon, temporally and spatially floating away."
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